Top 100 Hits 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼DVD
#TitoloArtistaValutazioneDurata
1Billie Jean
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
programmazione degli strumenti:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
batteria :
Leon Ndugu Chancler
chitarra :
David Williams (session guitarist and songwriter)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
piano Rhodes e sintetizzatore :
Greg Phillinganes
sintetizzatore :
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
voce principale:
Michael Jackson (“King of Pop”)
direttore d'orchestra:
Jeremy Lubbock
arrangiatore archi :
Jerry Hey
arrangiatore percussione e sintetizzatore e arrangiatore sintetizzatore :
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
edit di:
Billie Jean (12″ version) di Michael Jackson (“King of Pop”)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 7), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 58) e Billboard: Greatest of All Time Hot 100 Songs (numero: 95)
registrazione di:
Billie Jean
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
MJ: The Musical
Michael Jackson4.14:52
2Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:47
3Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:34
4Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
5Beat It
tecnico di registrazione:
Donn Landee e Bruce Swedien
programmazione degli strumenti:
Steve Porcaro
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
tecnico di missaggio:
Bruce Swedien
basso elettrico e chitarra elettrica :
Steve Lukather
batteria :
Jeff Porcaro
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra elettrica solista :
Edward Van Halen
percussione [drum case beater] , voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
piano Rhodes e sintetizzatore :
Greg Phillinganes
sintetizzatore :
Steve Porcaro
sintetizzatore [Synergy synthesizer] :
Greg Smith (Producer/Keyboards)
synclavier :
Tom Bahler
tastiera :
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraslap :
Chris Shepard
arrangiatore percussione :
Michael Jackson (“King of Pop”) e Quincy Jones
arrangiatore:
Rod Temperton
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
campionamenti:
Untitled (side A) di Denny Jaeger
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 18), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 21), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 185), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 209) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 337)
registrazione di:
Beat It
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
MJ: The Musical
Michael Jackson4.354:17
6Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.454:03
7Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:49
8Another One Bites the Dust
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
co-produttore:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) e Roger Taylor (Queen drummer)
basso , chitarra , chitarra basso , pianoforte [piano (reversed)] , sintetizzatore [synthesizer (reversed)] e tastiera :
John Deacon (dal 1980-02 al 1980-05)
batteria e strumenti elettronici [electronic percussion] :
Roger Taylor (Queen drummer) (dal 1980-02 al 1980-05)
chitarra elettrica :
John Deacon (dal 1980-02 al 1980-05) e Brian May (Queen guitarist) (dal 1980-02 al 1980-05)
voce di accompagnamento e voce principale:
Freddie Mercury (dal 1980-02 al 1980-05)
diritti fonografici (℗) detenuti da:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1980, nel 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1980, nel 2011) e Raincloud Productions Ltd. (nel 1980, nel 2014)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-06 al 1980-05)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 48)
registrazione di:
Another One Bites the Dust (dal 1980-02 al 1980-05)
paroliere e compositore:
John Deacon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Beechwood Music Corp. (nel 1980), Queen Music Ltd. (nel 1980) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen4.153:34
9Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:30
10When Doves Cry
produttore:
Prince (“The Artist Formerly Known as…”)
chitarra elettrica , drum machine [Linn LM-1] , sintetizzatore [Oberheim] e sintetizzatore [Yamaha DX7] :
Prince (“The Artist Formerly Known as…”) (dal 1984-03-01 al 1984-03-02)
voce principale:
Prince (“The Artist Formerly Known as…”) (il 1984-03-01)
arrangiatore:
Prince (“The Artist Formerly Known as…”)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e NPG Records, Inc. (nel 2017)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1984-03-01)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 37), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When Doves Cry (il 1984-03-01)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions e Controversy Music
Prince4.15:53
11I Love Rock ’n Roll
tecnico:
Gerry Gabinelli e Glen Kolotkin
produttore:
Ritchie Cordell e Kenny Laguna
produttore associato:
Glen Kolotkin
batteria :
Lee Crystal (drummer) (dal 1981-06 al 1981-09)
chitarra :
Ricky Byrd (dal 1981-06 al 1981-09) e Joan Jett (dal 1981-06 al 1981-09)
chitarra basso e voce di accompagnamento:
Gary Ryan (guitarist and composer) (dal 1981-06 al 1981-09)
organo ospite , pianoforte ospite e voce di accompagnamento ospite:
Kenny Laguna (dal 1981-06 al 1981-09)
voce principale:
Joan Jett (dal 1981-06 al 1981-09)
diritti fonografici (℗) detenuti da:
Blackheart Records (nel 1981), Boardwalk Records, Inc. (company credits only; do NOT use as release label) (nel 1982) e Blackheart Records Group (nel 2015)
è stato produttore per:
Jett Lag Productions
registrata presso:
Kingdom Sound in Syosset, New York, Stati Uniti (dal 1981-06 al 1981-09) e Soundworks (New York) in New York, New York, Stati Uniti (dal 1981-06 al 1981-09)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 70), Billboard: Greatest of All Time Hot 100 Songs (numero: 80) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 484)
registrazione cover di:
I Love Rock ’n’ Roll (dal 1981-06 al 1981-09)
autore:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) e Alan Merrill
editore:
Finchley Music Corp.
Joan Jett4.552:54
12Another Brick in the Wall (Part 2)
tecnico:
Brian Christian, Nick Griffiths (engineer), James Guthrie, Rick Hart (engineer), John McClure (recording engineer and record producer) e Patrice Quef
co-produttore:
James Guthrie
produttore:
Bob Ezrin, David Gilmour (Pink Floyd) e Roger Waters
batteria :
Nick Mason (of Pink Floyd)
chitarra :
David Gilmour (Pink Floyd)
chitarra basso :
Roger Waters
organo Hammond e sintetizzatore [Prophet-5 synthesizer] :
Richard Wright (Pink Floyd keyboardist)
cori:
Children of Islington Green School
voce principale:
David Gilmour (Pink Floyd) e Roger Waters
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979) e Pink Floyd Music Ltd. (nel 1979, nel 1994, nel 2011, nel 2016)
registrata presso:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito (nel 1978-12), Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia (dal 1979-01 al 1979-07), Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes (Alpi Marittime), Provence-Alpes-Côte-d'Azur, Francia (dal 1979-01 al 1979-07), Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1979-10 al 1979-11), The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1979-10 al 1979-11) e Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti (nel 1979-11)
parte di:
BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 376)
registrazione di:
Another Brick in the Wall, Part 2 (dal 1978-12 al 1979-11)
paroliere e compositore:
Roger Waters
editore:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) e Pink Floyd Music Publishers Inc. (nel 1979)
parte di:
Another Brick in the Wall
Pink Floyd4.24:00
13Like a Virgin
produttore:
Nile Rodgers
tecnico di missaggio:
Goh Hotoda e Shep Pettibone
voce principale:
Madonna (“Queen of Pop”)
è stato produttore per:
Nile Rodgers Productions, Inc.
mixata presso:
Right Track Studios in Manhattan, New York, New York, Stati Uniti
registrazione di:
Like a Virgin
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) e Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna43:11
14Jump
assistente tecnico:
Ken Deane
tecnico:
Donn Landee
produttore:
Ted Templeman
basso :
Michael Anthony (US bassist, formerly of Van Halen)
batteria e percussione :
Alex Van Halen
chitarra e tastiera :
Edward Van Halen
voce principale:
David Lee Roth
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrata presso:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 177) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 200)
registrazione di:
Jump
paroliere e compositore:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth e Alex Van Halen
editore:
Mugambi Publishing, Diamond Dave Music (nel 1984) e Van Halen Music (nel 1984)
Van Halen4.54:01
15Thriller
registrazione di:
Thriller
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Starlight
parte di:
MJ: The Musical
Michael Jackson5:14
16Physical
diritti fonografici (℗) detenuti da:
ONJ Productions (Olivia Newton-John) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 11), Cachitos Nochevieja 2022 (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 457)
registrazione di:
Physical
autore:
Steve Kipner e Terry Shaddick
editore:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. e Floating World Music
Olivia Newton‐John4.43:45
17Every Breath You Take
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico e voce principale:
Sting (singer, songwriter & member of The Police) (nel 1983)
batteria :
Stewart Copeland (nel 1983)
chitarra elettrica :
Andy Summers (nel 1983)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1981, nel 2003), A&M Records (nel 1983, nel 2016), A&M Records Limited (nel 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1983) e A&M Records, Inc. (nel 1997)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1983) e Le Studio in Morin‐Heights, Québec (Quebec), Canada (nel 1983)
video musicali:
Every Breath You Take di The Police (British rock band)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 287) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 305)
registrazione di:
Every Breath You Take (nel 1983)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) e Virgin Music (Publishers) Ltd.
sub-editore:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Police4.14:13
18Jack & Diane
registrazione di:
Jack & Diane
paroliere e compositore:
John Mellencamp
editore:
EMI Full Keel Music e EMI Music Publishing Australia Pty Ltd (not for release label use!)
John Mellencamp4:13
19Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:58
20Whip It
produttore:
DEVO (new wave/rock band)
produttore associato:
Robert Margouleff
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 63) e Indie 88: Top 500 Indie Rock Songs (numero: 463)
registrazione di:
Whip It (Devo song)
autore:
Gerald Casale e Mark Mothersbaugh
editore:
DEVO Music, EMI Virgin Music Australia Pty Ltd e Nymph Music
DEVO4.452:39
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