Ultimate Seventies: 1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Can’t Get Enough
Bad Company3:36
2Show and Tell
recording of:
Show & Tell
Texter und Komponist(in):
Jerry Fuller
publisher:
Fullness Music Co.
Al Wilson3:32
3Come and Get Your Love
recording of:
Come and Get Your Love
Texter und Komponist(in):
Lolly Vegas
publisher:
EMI Blackwood Music Inc., Lolly Vegas Publishing und Novalene Music
Redbone4.453:36
4I Shot the Sheriff
cover recording of:
I Shot the Sheriff
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton3:36
5Help Me
Sound-Engineering:
Henry Lewy
Techniker(in):
Henry Lewy und Ellis Sorkin
Produzent(in):
Henry Lewy und Joni Mitchell
E-Gitarre:
Larry Carlton (in 1973)
Schlagzeug und Perkussion:
John Guerin (in 1973)
vocals:
Joni Mitchell (in 1973)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1974)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 282) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 464)
recording of:
Help Me (in 1973)
Texter und Komponist(in):
Joni Mitchell
Joni Mitchell4.23:25
6I Can Help
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan53:01
7Sha‐La‐La (Make Me Happy)
recording of:
Sha-La-La (Make Me Happy)
Texter und Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer)
Al Green4.653:02
8Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:10
9Bennie and the Jets
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Akustikgitarre und E-Gitarre:
Davey Johnstone
Bassgitarre:
Dee Murray
Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 184) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 371)
recording of:
Bennie and the Jets (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.755:24
10Midnight Rider
Gregg Allman4:31
11Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:46
12The Loco‐Motion
Grand Funk2:52
13Smokin’ in the Boys’ Room
Brownsville Station3:02
14Rikki Don’t Lose That Number
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Akustikgitarre:
Dean Parks (American session guitarist)
Bass:
Walter Becker
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Solo-Gitarre:
Jeff “Skunk” Baxter
Hintergrundgesang:
Donald Fagen und Timothy B. Schmit
Sologesang:
Donald Fagen
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1974)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rikki Don’t Lose That Number
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group, Universal/MCA Music Ltd. (not for release label use!) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
Steely Dan54:03
15Rock On
recording engineer:
Gary Martin (sound engineer)
Produzent(in):
Jeff Wayne (musician)
vocals:
David Essex
conductor:
Jeff Wayne (musician)
arranger:
Jeff Wayne (musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973)
recording of:
Rock On
Texter und Komponist(in):
David Essex
publisher:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Mushroom Music (Mushroom label’s publishing company), Rock On Music, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. und Stage Three Songs
David Essex4.353:29
16Midnight at the Oasis
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur3:43
17Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:21
18Keep On Smilin’
Wet Willie3:29
19Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick and The Spinners4.54:00
20The Bitch Is Back
Techniker(in):
Clive Franks
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
Blechblasinstrumente:
Tower of Power Horn Section
E-Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Solo-Tenorsaxophon:
Lenny Pickett (saxophone)
Tamburin:
Ray Cooper (percussionist)
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Clydie King, Sherlie Matthews (US vocalist) und Dusty Springfield
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1974)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
The Bitch Is Back
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
HST Publishing Ltd, Rouge Booze, Inc. und Universal–Songs of PolyGram International, Inc.
Elton John3.153:38

Nennungen

Veröffentlichungsgruppe

Teil von:Ultimate Seventies (A Compilation of the Seventies) (Nummer: 1974) (Reihenfolge: 5)