Lady Sings the Blues

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Don’t Know Why
assistierende(r) Techniker(in):
Mark Birkey
Techniker(in):
Jay Newland (producer, engineer and mixer)
Produzent(in):
Norah Jones und Jay Newland (producer, engineer and mixer)
zusätzliche(r) Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland (producer, engineer and mixer)
Akustikgitarre und E-Gitarre:
Jesse Harris (in 2000-10)
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
Klavier und Sologesang:
Norah Jones (in 2000-10)
Schlagzeug:
Dan Rieser (in 2000-10)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten (in 2000-10) und Sorcerer Sound in New York, New York, Vereinigte Staaten (in 2000-10)
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Don’t Know Why (in 2000-10)
Texter und Komponist(in):
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:05
2The Look of Love
recording of:
The Look of Love
Texter:
Hal David
Verfasser(in):
Burt Bacharach und Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Dusty Springfield53:30
3New York Minute
Perkussion:
Don Alias
Trompete:
Randy Brecker
Hintergrundgesang:
Kenny Lübcke (Danish singer) und Peter Busborg
phonographisches Urheberrecht (℗) von:
Virgin Records Denmark ApS (not for release label use, for company relationships only) (in 1998)
cover recording of:
New York Minute
Verfasser(in):
Don Henley, Danny Kortchmar (Danny Kootch) und Jai Winding (pianist, composer, vocal)
Sanne Salomonsen6:48
4Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:48
5I’ll Be Seeing You
Søs Fenger4:20
6My Funny Valentine
Klavier:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
Interpret(in):
André Previn (pianist, conductor, composer, arranger)
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Dinah Shore3:34
7Call Me Irresponsible
cover recording of:
Call Me Irresponsible
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
Dinah Washington2:19
8What Do You See in Her
Klavier:
Lars Jansson (keyboards, composer)
Kontrabass:
Lars Danielsson (Swedish jazz bassist, composer and producer)
Schlagzeug:
Jeff Boudreaux (Musician - Drummer)
Hintergrundgesang und Sologesang:
Cæcilie Norby (Danish jazz and rock singer)
recording of:
What Do You See in Her
Verfasser(in):
Hal David und Frank Weldon
Cæcilie Norby3:10
9Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.253:23
10I’m So Lonesome I Could Cry
Techniker(in) und Mix:
Danny Kopelson
Produzent(in):
Craig Street
Akustikgitarre:
Brandon Ross
Bass:
Lonnie Plaxico
Geige / Violine:
Charles Burnham (violinist)
irische Bouzouki:
Kevin Breit
Schlagzeug:
Dougie Bowne
vocals:
Cassandra Wilson
arranger:
Cassandra Wilson
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
I’m So Lonesome I Could Cry
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (am 1949-10-31) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 2002 bis heute)
Cassandra Wilson4:49
11’Round Midnight
cover recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Sarah Vaughan2:52
12Wives and Lovers
cover recording of:
Wives and Lovers
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Virgin Music (Publishers) Ltd.
Nancy Wilson41:58
13How Many More Times
Klavier:
Mathias Algotsson (Musician)
Posaune:
Olle Holmquist
cover recording of:
How Many More Times
Texter und Komponist(in):
Salvadore Poe
Lisa Ekdahl3:27
14Midnight Train to Georgia
Interpret(in):
The Pips
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:32
15(If Loving You Is Wrong) I Don’t Want to Be Right
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1974)
Millie Jackson3:57
16In Love in Vain
cover recording of:
In Love in Vain
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Jerome Kern
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und PolyGram International Music B.V. (not for release label use!)
Lena Horne2:30
17I’d Rather Go Blind
cover recording of:
I’d Rather Go Blind
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Ruby Turner6:33
18Wild Is the Wind
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier und Sologesang:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (in 1959-10)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Nina Simone3:26
19Lady Sings the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-06)
Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1954-06-06)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten
recording of:
Lady Sings the Blues (am 1956-06-06)
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday43:45
20Night Time Is the Right Time
cover recording of:
Night Time Is the Right Time
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
Tina Turner3:29
21I’ve Been Loving You Too Long
cover recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Irma Thomas3:00