| # | Title | Artist | Rating | Length |
|---|
| 1 | My Baby Just Cares for Me- recorded at:
- Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1985-12-03 until 1985-12-08)
- live cover recording of:
- My Baby Just Cares for Me (from 1985-12-03 until 1985-12-08)
- lyricist and composer:
- Walter Donaldson and Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. , Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
| Nina Simone | | 3:03 |
| 2 | Ain’t No Sunshine | Bill Withers | 4.5 | 2:05 |
| 3 | Mack the Knife | Louis Armstrong | | 3:24 |
| 4 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc. , Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 4.65 | 2:50 |
| 5 | Sway | Dean Martin | 4 | 2:43 |
| 6 | Strangers in the Night- recording of:
- Strangers in the Night
- lyricist:
- Charles Singleton and Eddie Snyder
- composer:
- Bert Kaempfert
- publisher:
- Champion Music, Champion Music Corp., EMI Music Publishing Germany , Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. , Songs of Universal, Inc. , Universal‐MCA Music Publishing , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Matt Monro | | 2:29 |
| 7 | Summertime- vocals:
- Sarah Vaughan (on 1949-12-21)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1949)
- cover recording of:
- Summertime (on 1949-12-21)
- lyricist:
- Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
- composer:
- George Gershwin (in 1934)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. , Warner/Chappell , Warner/Chappell Music Holland BV, Warner/Chappell North America Limited , Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- version of:
- Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
| Sarah Vaughan | | 3:15 |
| 8 | Let There Be Love | Nat King Cole | | 2:45 |
| 9 | Take the ‘A’ Train | Duke Ellington | | 2:57 |
| 10 | Old Cape Cod | Patti Page | | 2:49 |
| 11 | King of the Road | Roger Miller | | 2:26 |
| 12 | Don’t Fence Me In | Frankie Laine | | 3:09 |
| 13 | Mambo Italiano | Rosemary Clooney | 4.35 | 2:33 |
| 14 | Too Darn Hot | Tony Burgos & His Orchestra | | 3:54 |
| 15 | The Way You Look Tonight | Mel Tormé | | 2:24 |
| 16 | What the World Needs Now Is Love | Jackie DeShannon | | 3:07 |
| 17 | By the Time I Get to Phoenix | Matt Flinders | | 3:07 |
| 18 | I Left My Heart in San Francisco | Tony Bennett | 3 | 2:53 |
| 19 | Whatever Will Be, Will Be (Que sera, sera) | Doris Day | | 2:06 |
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