Classic Rock: 1964

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

This is the 2nd remaster of this CD, 2CLR-03 (Warner Special Products OPCD-2555A). It can be identified by looking for "RE-2" around the inner rim of the disc.

Anmerkung zuletzt geändert am 2009-03-08 16:15 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Do Wah Diddy Diddy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 35)
cover recording of:
Do Wah Diddy Diddy
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:25
2She’s Not There
Produzent(in):
Ken Jones (British conductor & composer Kenneth Evan Jones)
aufgenommen bei:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1964-06-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 37), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 213) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 291)
recording of:
She’s Not There (am 1964-06-12)
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies4.152:26
3What Kind of Fool
The Tams12:03
4You Never Can Tell
Produzent(in):
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess und Willie Dixon
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
vocals:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
You Never Can Tell (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry4.152:44
5How Do You Do It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
How Do You Do It (in 1963-03)
Texter und Komponist(in):
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:57
6Come See About Me
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (am 1964-07-13)
Hintergrundgesang:
Florence Ballard (am 1964-07-13) und Mary Wilson (am 1964-07-13)
Sologesang:
Diana Ross (am 1964-07-13)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-07-13)
recording of:
Come See About Me (am 1964-07-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes52:45
7Needles and Pins
cover recording of:
Needles and Pins
Texter:
Sonny Bono
Komponist(in):
Sonny Bono und Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. und Metric Music
The Searchers42:15
8I Get Around
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Bassgitarre:
Al Jardine (am 1964-04-02)
Cembalo, Hammond-Orgel [Hammond B3 organ], Klavier und Hintergrundgesang und Sologesang:
Brian Wilson (Beach Boys co‐founder) (am 1964-04-02)
E-Bass [6-string electric bass guitar]:
Glen Campbell (US country singer, guitarist & actor) (am 1964-04-02) und Ray Pohlman (am 1964-04-02)
E-Gitarre:
Carl Wilson (Beach Boys) (am 1964-04-02)
Perkussion [rim with thin stick] und Timbales [timbales with brush]:
Hal Blaine (U.S. studio drummer and percussionist) (am 1964-04-02)
Schlagzeug:
Dennis Wilson (Beach Boys) (am 1964-04-02)
Bass-Gesang und Sologesang:
Mike Love (Beach Boys) (am 1964-04-02)
Hintergrundgesang:
Al Jardine (am 1964-04-02), Carl Wilson (Beach Boys) (am 1964-04-02) und Dennis Wilson (Beach Boys) (am 1964-04-02)
Sologesang:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
I Get Around (am 1964-04-02)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
The Beach Boys4.62:11
9Farmer John
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 38)
recording of:
Farmer John
Verfasser(in):
Don “Sugarcane” Harris (bis 1957-10-21) und Dewey Terry (rock & roll, blues, US) (bis 1957-10-21)
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
The Premiers2.52:16
10Out of Limits
recording of:
Out of Limits
Verfasser(in):
Michael Z. Gordon
The Marketts2:06
11Nobody I Know
recording of:
Nobody I Know
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
Peter & Gordon32:31
12I’m So Proud
recording of:
I’m So Proud
Texter und Komponist(in):
Curtis Mayfield
Verfasser(in):
Momiji Tsukada (songwriter and producer; aka. Qrion)
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Curtom Publishing Co Inc (vom 1964 bis ????)
The Impressions42:51
13Hippy Hippy Shake
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Swinging Blue Jeans3.751:47
14You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:16
15Bread and Butter
recording of:
Bread and Butter (in 1964)
Verfasser(in):
Larry Parks und Jay Turnbow
The Newbeats4.351:59
16Dead Man’s Curve
recording of:
Dead Man's Curve
Verfasser(in):
Jan Berry, Roger Christian (US radio personality and lyricist), Artie Kornfeld und Brian Wilson (Beach Boys co‐founder)
publisher:
Artie Kornfeld Music (BMI-affiliated) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan & Dean42:32
17Bad to Me
recording of:
Bad to Me
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
Billy J. Kramer & The Dakotas2:22
18The Way You Do the Things You Do
recording of:
The Way You Do the Things You Do
Verfasser(in):
Smokey Robinson und Bobby Rogers
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations42:46
19Fun, Fun, Fun
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
baritone saxophone:
Jay Migliori
Bassgitarre:
Al Jardine und Brian Wilson (Beach Boys co‐founder)
Bassgitarre [6-string electric bass guitar]:
Ray Pohlman
Gitarre:
Al Jardine und Carl Wilson (Beach Boys)
Hammond-Orgel und Klavier:
Brian Wilson (Beach Boys co‐founder)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) und Dennis Wilson (Beach Boys)
Tamburin:
Hal Blaine (U.S. studio drummer and percussionist)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist)
Bass-Gesang:
Mike Love (Beach Boys)
Hintergrundgesang:
Al Jardine, Brian Wilson (Beach Boys co‐founder), Carl Wilson (Beach Boys) und Dennis Wilson (Beach Boys)
Sologesang:
Mike Love (Beach Boys) (am 1964-01-01)
aufgenommen bei:
United Western Recorders Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Fun, Fun, Fun (am 1964-01-01)
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corporation (USA, affiliated with ASCAP), Elmwin Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Irving Music, Inc. und Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
The Beach Boys3.652:06
20I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
Texter und Komponist(in):
Mitch Murray
Gerry & the Pacemakers22:17
21Come a Little Bit Closer
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1964)
recording of:
Come a Little Bit Closer
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell und Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Morris Music Inc
Jay & the Americans3.52:48
22A World Without Love
recording of:
A World Without Love
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!) und Northern Songs Ltd.
Peter & Gordon32:42
23Stop and Think It Over
Dale & Grace2:36
24Remember (Walkin’ in the Sand)
Bearbeitung von:
Remember (Walkin' in the Sand) von The Shangri‐Las
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 395)
recording of:
Remember (Walkin’ in the Sand) (in 1964-07)
Texter und Komponist(in):
George “Shadow” Morton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:17

Nennungen

Veröffentlichungsgruppe

Teil von:Classic Rock (Time-Life Music) (Nummer: 3) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/120217 [Info]