Best of Bond… James Bond: Deluxe Edition

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 34 vorhanden)

Anmerkung

Clear double CD jewel case.

Matrix (CD1): [4x Universal Logo] arvato 56211027/00602547623928 21
Mastering SID (CD1): IFPI LP 73
Mould SID (CD1): IFPI 0767
DiscID (CD1): 7be7XvNPbpA83m3LLAUaIVKd3OA-
Matrix (CD2): [4x Universal Logo] arvato 56211030/00602547623935 21
Mastering SID (CD2): IFPI LP 73
Mould SID (CD2): IFPI 0764
DiscID (CD2): wmcGa4strsDQ7i90TmwjSyBq5yg-

Anmerkung zuletzt geändert am 2023-04-22 11:00 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Dr. No’s Fantasy
recording of:
Dr. No’s Fantasy
Komponist(in):
Monty Norman
The Monty Norman Orchestra1:43
2Under the Mango Tree
recording of:
Under the Mango Tree
Texter und Komponist(in):
Monty Norman
publisher:
EMI Unart Catalog Inc.
Diana Coupland2:23
3007
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
007
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
The John Barry Orchestra52:46
4Opening Titles (medley): James Bond Is Back / From Russia With Love / James Bond Theme
Solo-Gitarre:
Vic Flick
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Opening Titles: James Bond Is Back / From Russia With Love / James Bond Theme (often compiled or performed as just "From Russia With Love")
Komponist(in):
John Barry (English score composer), Lionel Bart und Monty Norman
Teil von:
James Bond themes
Medley von:
James Bond Theme
Medley von:
From Russia With Love
Medley von:
James Bond Is Back
The John Barry Orchestra2:28
5Into Miami
Techniker(in):
John Richards (engineer)
conductor:
John Barry (English score composer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Into Miami (in 1964-07)
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
Teil von:
Goldfinger
The John Barry Orchestra30:57
6The Laser Beam
Techniker(in):
John Richards (engineer)
phonographisches Urheberrecht (℗) von:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
The Laser Beam
Komponist(in):
John Barry (English score composer)
Teil von:
Goldfinger
The John Barry Orchestra2:54
7Mr. Kiss Kiss Bang Bang
Produzent(in):
John Barry (English score composer)
Sologesang:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Mr. Kiss Kiss Bang Bang
Texter:
Leslie Bricusse
Komponist(in):
John Barry (English score composer)
Teil von:
Thunderball (film score)
Shirley Bassey2:16
8Switching the Body
conductor:
John Barry (English score composer)
recording of:
Switching the Body
Komponist(in):
John Barry (English score composer)
Teil von:
Thunderball (film score)
The John Barry Orchestra2.52:48
9Capsule in Space
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Capsule in Space (from the film "You Only Live Twice") (in 1967)
Komponist(in):
John Barry (English score composer)
publisher:
EMI Unart Catalog Inc. und EMI United Partnership Ltd.
Teil von:
You Only Live Twice (from the James Bond Film)
The John Barry Orchestra3.92:41
10Do You Know How Christmas Trees Are Grown
Produzent(in):
Phil Ramone
Mix:
John Richards (engineer) (von 1969-09 bis 1969-10)
vocals:
Nina (Danish singer/actress Nina van Pallandt) (von 1969-09 bis 1969-10)
conductor:
John Barry (English score composer) (von 1969-09 bis 1969-10)
aufgenommen bei:
CTS Studios Bayswater (original Bayswater location, 1956–1972) in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1969-09 bis 1969-10)
recording of:
Do You Know How Christmas Trees Are Grown (von 1969-09 bis 1969-10)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
Nina3:22
11Bond Smells a Rat
Mix:
John Richards (engineer)
conductor:
John Barry (English score composer)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Bond Smells a Rat
Komponist(in):
John Barry (English score composer)
Teil von:
Moonraker (soundtrack of the 1979 James Bond film)
The John Barry Orchestra31:53
12Fillet of Soul-New Orleans / Live and Let Die / Fillet of Soul-Harlem (medley)
vocals:
Brenda “B.J.” Arnau (60s-80s UK/US singer)
Orchester:
George Martin Orchestra
recording of:
Fillet of Soul (New Orleans / Live and Let Die / Fillet of Soul-Harlem)
Verfasser(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician), Linda McCartney und Paul McCartney (The Beatles)
The George Martin Orchestra featuring B.J. Arnau2.53:21
13Underground Lair
recording of:
Underground Lair
Komponist(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
The John Barry Orchestra4:17
14Hip’s Trip
conductor:
John Barry (English score composer)
recording of:
Hip's Trip (The Man With the Golden Gun)
Komponist(in):
John Barry (English score composer)
Teil von:
The Man With the Golden Gun (from the James Bond Film)
The John Barry Orchestra33:20
15The Pyramids
Produzent(in):
Marvin Hamlisch
Akustikgitarre [acoustic]:
Mike Egan (guitar)
Bassgitarre:
Brian Odges und Bruce Lynch
E-Gitarre [second electric guitar]:
Chris Rae (British guitarist, composer, producer and engineer)
Schlagzeug [drums]:
Barry De Souza
Solo-Gitarre:
Laurence Juber
conductor:
Marvin Hamlisch
recording of:
The Pyramids
Komponist(in):
Marvin Hamlisch
publisher:
Sony/ATV Harmony
Teil von:
The Spy Who Loved Me
Marvin Hamlisch1:31
16Cable Car and Snake Fight
conductor:
John Barry (English score composer) (in 1979-04)
arranger:
John Barry (English score composer)
recording of:
Cable Car and Snake Fight (in 1979-04)
Komponist(in):
John Barry (English score composer)
Teil von:
Moonraker (soundtrack of the 1979 James Bond film)
The John Barry Orchestra3:07
17Make It Last All Night
Produzent(in):
Christopher Neil
conductor:
Bill Conti
Interpret(in):
Rage (from the song "Make It Last All Night")
recording of:
Make It Last All Night
Verfasser(in):
Bill Conti und Silvia Conti
Bill Conti featuring Rage3:31
18The Chase Bomb Theme
Produzent(in):
John Barry (English score composer)
conductor:
John Barry (English score composer)
recording of:
The Chase Bomb Theme
Komponist(in):
John Barry (English score composer)
Teil von:
Octopussy (soundtrack from the James Bond film)
The John Barry Orchestra1:58
19Snow Job
Produzent(in):
John Barry (English score composer)
recording of:
Snow Job
Komponist(in):
John Barry (English score composer)
Teil von:
A View to a Kill (from the James Bond film)
The John Barry Orchestra2:30
20Where Has Everybody Gone
Produzent(in):
John Barry (English score composer) und Paul Staveley O’Duffy
Interpret(in):
Pretenders (English‐American rock band)
arranger:
John Barry (English score composer)
recording of:
Where Has Everybody Gone (The Living Daylights)
Texter:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Komponist(in):
John Barry (English score composer)
Teil von:
The Living Daylights (1987 James Bond film)
The Pretenders3:37
21If There Was a Man
Produzent(in):
John Barry (English score composer) und Paul Staveley O’Duffy
Interpret(in):
Pretenders (English‐American rock band)
arranger:
John Barry (English score composer)
recording of:
If There Was a Man
Texter:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
The Pretenders2:51
22The Experience of Love
Produzent(in):
Rupert Hine und Éric Serra (French bassist and score composer)
Mix:
Didier Lozahic
Hintergrundgesang:
Rupert Hine und Noa (Israeli singer)
Orchester:
The London Session Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
mixed at:
Studio Zorrino in Paris, Île-de-France, Frankreich
recording of:
The Experience of Love
Texter:
Rupert Hine
Komponist(in) und arranger:
Éric Serra (French bassist and score composer)
Eric Serra5:55
23James Bond Theme (Moby’s Re-version)
recording engineer und Produzent(in):
Moby (electronic musician Richard Melville Hall)
Mix:
Daniel Miller (British music producer and founder of Mute Records) und Alan Moulder (producer and engineer)
Posaune:
Greg Robinson
Saxophon [sax]:
Rob Hardt (American saxophonist and clarinetist) und Alexander McCabe
Trompete:
Osho Endo
remixer:
Moby (electronic musician Richard Melville Hall)
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
recording of:
James Bond Theme (Moby version) (Moby arrangement)
Komponist(in):
Monty Norman
arranger:
Richard Melville Hall
Arrangement von:
James Bond Theme
Moby2.63:24
24Surrender
recording engineer und Mix:
David Arnold (English score composer) und Steve Orchard (producer and engineer)
Produzent(in):
David Arnold (English score composer)
Interpret(in):
k.d. lang
k.d. lang43:56
25Only Myself to Blame
Produzent(in):
David Arnold (English score composer)
recording of:
Only Myself to Blame
Texter:
Don Black (English lyricist)
Komponist(in):
David Arnold (English score composer)
publisher:
United Lion Music, Inc.
Teil von:
The World Is Not Enough (film soundtrack)
Scott Walker3:37
26Vesper
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Rob Playford
assistierende(r) Techniker(in):
Chris Barret (British sound engineer, @AIR Lyndhurst Studios) und Sam Jones (London engineer (Air Studios))
Produzent(in):
David Arnold (English score composer)
assistierendes Editing:
Robin Whittaker
Editing:
Dina Eaton und Dominic Gibbs (music editor)
Bass:
Simon Edwards (bassist)
Perkussion [African Percussions Designed and Performed by]:
Pete Lockett
Trompete:
Derek Watkins (trumpeter)
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
Air Lyndhurst (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Vesper
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc., Sony/ATV Songs LLC und United Lion Music Inc.
Teil von:
Casino Royale (2006 film soundtrack)
David Arnold1:45
27Time to Get Out
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Rob Playford und Steve Hilton
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Time to Get Out
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold3:31