Bacobens Rock Top 500

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
2Digitales Medium
3Digitales Medium
4Digitales Medium
5Digitales Medium
Nr.TitelKünstlerBewertungLänge
1All Day and All of the Night
Produzent(in):
Shel Talmy
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (am 1964-09-23)
Gitarre:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (am 1964-09-23)
Klavier:
Perry Ford (English pop singer) (am 1964-09-23)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (am 1964-09-23)
Hintergrundgesang:
Johnny B. Great (am 1964-09-23)
Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (am 1964-09-23)
Herausgeber:
Edward Kassner Music Co. Ltd.
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 23)
recording of:
All Day and All of the Night (am 1964-09-23)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy und Kassner Associated Publishers Ltd.
The Kinks4.552:25
2Show Me the Way
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
live recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.74:41
3Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:25
4Ticket to Ride
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
zusätzliche(r) Techniker(in):
Malcolm Davies (Mastering engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass und E-Gitarre [lead guitar] und Hintergrundgesang:
Paul McCartney (The Beatles) (am 1965-02-15)
E-Gitarre [rhythm guitar]:
George Harrison (The Beatles) (am 1965-02-15) und John Lennon (The Beatles) (am 1965-02-15)
Händeklatschen, Schlagzeug und Tamburin:
Ringo Starr (The Beatles) (am 1965-02-15)
zwölfsaitige Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1965-02-15)
Sologesang:
John Lennon (The Beatles) (am 1965-02-15)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-02-15)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-02-23)
recording of:
Ticket to Ride (am 1965-02-15)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
The Beatles43:12
5Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
6Gimme Three Steps
Techniker(in):
Al Kooper, Bob “Tub” Langford, Rodney Mills und Danny Turbeville
Produzent(in):
Al Kooper
Bassgitarre:
Ed King (US guitarist, bassist & songwriter)
Gitarre [lead guitar]:
Gary Rossington
Gitarre [rhythm guitar]:
Allen Collins
Keyboard:
Billy Powell
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer)
zusätzlich Perkussion:
Bobbi Hall
Sologesang:
Ronnie Van Zant
remixer:
Al Kooper
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten
recording of:
Gimme Three Steps (in 1973-03)
Verfasser(in):
Allen Collins und Ronnie Van Zant
Lynyrd Skynyrd4.54:28
7Breakdown
recording engineer und Mix:
Max und Noah Shark
Produzent(in):
Denny Cordell
E-Bass:
Ron Blair
phonographisches Urheberrecht (℗) von:
Gone Gator Records (in 1976)
aufgenommen bei und mixed at:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Breakdown
Texter und Komponist(in):
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd. und Skyhill Pub. Co., Inc.
Tom Petty and the Heartbreakers4.22:42
8Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.652:17
9Crazy on You
Techniker(in):
Mike Flicker und Rolf Hennemann
assistierende(r) Produzent(in):
Howard Leese
Produzent(in):
Mike Flicker
Akustikgitarre:
Nancy Wilson (guitarist/singer of “Heart”)
Bassgitarre:
Steve Fossen
E-Gitarre:
Roger Fisher (US rock guitarist) und Howard Leese
flute und Sologesang:
Ann Wilson (lead singer of Heart)
Schlagzeug:
Kat Hendrikse
Synthesizer:
Rob Deans
Hintergrundgesang:
Geoff Foubert, Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
aufgenommen bei und mixed at:
Mushroom Studios in Vancouver, British Columbia, Kanada
recording of:
Crazy on You
Verfasser(in):
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.154:53
10Got My Mind Set on You
Techniker(in):
John Etchells und Richard Dodd (mastering engineer, producer and engineer) (von 1987-01-05 bis 1987-08)
Produzent(in):
George Harrison (The Beatles) und Jeff Lynne
E-Gitarre:
George Harrison (The Beatles) (von 1987-01-05 bis 1987-08)
Klavier:
Gary Wright (US singer/keyboardist) (von 1987-01-05 bis 1987-08)
Schlagzeug:
Jim Keltner (von 1987-01-05 bis 1987-08)
Tenorsaxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1987-01-05 bis 1987-08)
phonographisches Urheberrecht (℗) von:
Ganga Distributors, B.V. (in 1987)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (von 1987-01-05 bis 1987-08)
cover recording of:
Got My Mind Set on You (von 1987-01-05 bis 1987-08)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
Carlin Music Corporation
George Harrison4.63:51
11Angie
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Gast-Klavier:
Nicky Hopkins (pianist and organist)
Saiteninstrumente arranger:
Nicky Harrison
Musikvideos:
Angie (version 2: Jagger in white hat) von The Rolling Stones und Angie (version 1: sitting on a stage, flowers on guitars) von The Rolling Stones
recording of:
Angie
geschrieben in:
Vevey, Vaud (Kanton Waadt), Schweiz (in 1969-04)
Verfasser(in):
Mick Jagger (in 1969-04) und Keith Richards (Rolling Stones guitarist) (in 1969-04)
publisher:
Westminster Music Ltd.
The Rolling Stones3.754:33
12Us and Them
assistierende(r) Techniker(in):
Peter James (sound engineer)
Techniker(in):
Alan Parsons (of The Alan Parsons Project)
Produzent(in):
Pink Floyd
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-06 bis 1973-01)
recording of:
Us and Them (von 1972-06 bis 1973-01)
Texter:
Roger Waters
Komponist(in):
Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Hampshire House Publishing Corp. (in 1973)
basiert auf:
The Riot Scene
basiert auf:
The Violent Sequence
Pink Floyd7:40
13After Midnight
Techniker(in):
Bill Halverson
Produzent(in):
Delaney Bramlett
Mix:
Tom Dowd
arranger:
Delaney Bramlett
aufgenommen bei:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
After Midnight (von 1969-11 bis 1970-03)
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton4.352:53
14Rock and Roll All Nite
Techniker(in), Produzent(in) und Mix:
Eddie Kramer (engineer)
E-Bass und Sologesang:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre [lead guitar]:
Ace Frehley (American rock guitarist)
E-Gitarre [rhythm guitar]:
Paul Stanley (KISS frontman)
Schlagzeug:
Peter Criss
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
aufgenommen bei:
Cobo Arena in Detroit, Michigan, Vereinigte Staaten (am 1975-05-16), Music Hall in Cleveland, Ohio, Vereinigte Staaten (am 1975-06-21), Adler Theatre in Davenport, Iowa, Vereinigte Staaten (am 1975-07-20) und Wildwoods Convention Center (original location) in Wildwood, New Jersey, Vereinigte Staaten (am 1975-07-23)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Bearbeitung von:
Rock and Roll All Nite (live, 1975) von KISS (US rock band)
live recording of:
Rock and Roll All Nite (in 1975)
Verfasser(in):
Gene Simmons (KISS bassist and vocalist) und Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (beendet), Café Americana Inc., Hori Productions America Inc. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
大洋音楽 (Taiyō Music)
geschrieben bei:
Continental Hyatt House in West Hollywood, California (Kalifornien), Vereinigte Staaten
KISS4.154:05
15These Eyes
Audio-Engineering:
David Greene (engineer recording, mixing) und Elliot Scheiner
Produzent(in):
Jack Richardson
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
aufgenommen bei:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
recording of:
These Eyes
Verfasser(in):
Burton Cummings und Randall Bachman (Canadian guitarist, singer & songwriter)
publisher:
Bug Music, Inc.
The Guess Who3.43:47
16You Shook Me All Night Long
assistierende(r) Techniker(in):
Benjamin Armbrister und Jack Nuber
Techniker(in):
Tony Platt (UK engineer and producer) (von 1980-04 bis 1980-05)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Brad Samuelsohn
Bassgitarre:
Cliff Williams (von 1980-04 bis 1980-05)
Gitarre [lead guitar]:
Angus Young (member of AC/DC) (von 1980-04 bis 1980-05)
Gitarre [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (von 1980-04 bis 1980-05)
Schlagzeug:
Phil Rudd (von 1980-04 bis 1980-05)
Sologesang:
Brian Johnson (AC/DC lead singer) (von 1980-04 bis 1980-05)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1980) und Leidseplein Presse B.V. (not for release label use!) (in 1980)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas (von 1980-04 bis 1980-05)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 10), The Downloader’s Music Source Book (Nummer: 120), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 287) und BILLIONS CLUB
recording of:
You Shook Me All Night Long (von 1980-04 bis 1980-05)
Verfasser(in):
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) und Zomba Management and Publishers Ltd. (in 1980)
AC/DC4.53:30
17Get Back
Produzent(in) und Mix:
Paul Hicks, Guy Massey (UK producer/engineer) und Allan Rouse
phonographisches Urheberrecht (℗) von:
Apple Corps Limited (for the label use Apple Records) (in 2014) und Calderstone Productions Limited (in 2014)
aufgenommen bei:
Apple Studios in London (Greater London), England, Vereinigtes Königreich (am 1969-01-27)
recording of:
Get Back (am 1969-01-27)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
The Beatles3.152:34
18A Well Respected Man
Techniker(in):
Bob Auger (Robert Auger, engineer) und Alan McKenzie (engineer)
Produzent(in):
Shel Talmy
Bassgitarre und Hintergrundgesang:
Pete Quaife (Kinks' bass guitarist) (in 1965-08)
Gitarre:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1965-08) und Ray Davies (UK singer/songwriter, member of The Kinks) (in 1965-08)
Schlagzeug:
Mick Avory (in 1965-08)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1965)
aufgenommen bei:
Pye Studios, Studio 2 in London (Greater London), England, Vereinigtes Königreich (in 1965-08)
recording of:
A Well Respected Man (in 1965-08)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd.
The Kinks4.652:41
19I Can’t Explain
Produzent(in):
Shel Talmy
Bass:
John Entwistle (in 1964-11)
Gitarre:
Jimmy Page (in 1964-11) und Pete Townshend (of The Who) (in 1964-11)
Klavier:
Perry Ford (English pop singer) (in 1964-11)
Perkussion und Schlagzeug:
Keith Moon (drummer) (in 1964-11)
Hintergrundgesang:
The Ivy League (60s rock) (in 1964-11)
Sologesang:
Roger Daltrey (in 1964-11)
vocals:
John Entwistle (in 1964-11) und Pete Townshend (of The Who) (in 1964-11)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965)
aufgenommen bei:
Pye Records Ltd Studio in London (Greater London), England, Vereinigtes Königreich (in 1964-11)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 44)
recording of:
I Can’t Explain (in 1964-11)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who4.52:03
20Golden Slumbers / Carry That Weight
The Beatles5:28
21Colour My World
Techniker(in):
Chris Hinshaw, Don Puluse und Brian Ross-Myring
Produzent(in):
James William Guercio
Solo-flute:
Walter Parazaider (in 1969-08)
Sologesang:
Terry Kath (member of Chicago) (in 1969-08)
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing Inc. (in 1970) und Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
Texter:
James Pankow
Komponist(in):
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. und Spirit Two Music Inc.
Teil von:
Ballet for a Girl in Buchannon
Chicago23:01
22Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
recording of:
Mr. Tambourine Man
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:31
23Tunnel of Love
recording engineer:
Toby Scott (von 1987-06 bis 1987-07)
zusätzlich recording engineer:
Tim Leitner (von 1987-06 bis 1987-07)
assistierende(r) Techniker(in):
Tim Leitner und Roger Talkov (engineer)
assistierende(r) Mix:
Jay Healy
Mix:
Bob Clearmountain
Bass, drum machine, Gitarre, Keyboard, Mandoline und Mundharmonika:
Bruce Springsteen (von 1987-06 bis 1987-07)
Perkussion:
Bruce Springsteen (von 1987-06 bis 1987-07) und Max Weinberg (von 1987-06 bis 1987-07)
Synthesizer:
Roy Bittan (von 1987-06 bis 1987-07)
zusätzlich Gitarre:
Nils Lofgren (von 1987-06 bis 1987-07)
vocals:
Bruce Springsteen (von 1987-06 bis 1987-07)
zusätzlich vocals:
Patti Scialfa (von 1987-06 bis 1987-07)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1987)
phonographisches Urheberrecht (℗) von:
CBS Gramophone Records & Tapes (India) Ltd. (in 1987)
aufgenommen bei:
Thrill Hill East (Springsteen’s home studio in Rumson) in Monmouth County, New Jersey, Vereinigte Staaten (von 1987-06 bis 1987-07)
zusätzlich aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1987-06 bis 1987-07)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Tunnel of Love (von 1987-06 bis 1987-07)
publisher:
Bruce Springsteen (in 1987)
Texter und Komponist(in):
Bruce Springsteen (von 1986 bis 1987)
publisher:
Zomba Music Publishing Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen3.755:12
24We’ve Gotta Get Out of This Place
Produzent(in):
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 233)
recording of:
We Gotta Get Out of This Place
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Animals3.83:14
25Do It Again
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08)
Hybrid-Piano, Keyboard [Yamaha YC-30] und Sologesang:
Donald Fagen (in 1972-08)
Perkussion:
Victor Feldman (jazz musician) (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Solo-E-Sitars:
Denny Dias (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), Geffen Records (in 1972) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Do It Again (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
Steely Dan4.15:54
26Honky Cat
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Banjo:
Davey Johnstone
Bassgitarre:
Dee Murray
Hybrid-Piano und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Posaune:
Jacques Bolognesi
Saxophon:
Jean-Louis Chautemps (French saxophonist) und Alain Hatot
Schlagzeug:
Nigel Olsson
Trompete:
Ivan Jullien
Blechblasinstrumente arranger:
Gus Dudgeon
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Honky Cat
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.455:13
27The Chain
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Chain
Verfasser(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie und Stevie Nicks
publisher:
Gentoo Music, Inc., Now Sounds Music und Welsh Witch Music (BMI affiliated)
Revision von:
Keep Me There
Fleetwood Mac4.44:29
28Surrender
recording of:
Surrender
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music (in 1978) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Cheap Trick5:09
29Bad Moon Rising
Produzent(in):
John Fogerty
Akustikgitarre und Sologesang:
John Fogerty
Bassgitarre:
Stu Cook (in 1969-03)
Gitarre:
John Fogerty (in 1969-03) und Tom Fogerty (in 1969-03)
Schlagzeug:
Doug Clifford (in 1969-03)
vocals:
John Fogerty (in 1969-03)
Interpret(in):
Creedence Clearwater Revival
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 356)
recording of:
Bad Moon Rising (in 1969-03)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.32:20
30Stranglehold
recording of:
Stranglehold
Texter und Komponist(in):
Ted Nugent
zusätzliche(r) Verfasser(in):
Rob Grange
publisher:
Magicland Music
Parodieversion von:
Strangest Folks
Ted Nugent4.258:24
315:15
assistierende(r) Techniker(in):
Ron Fawcus
Techniker(in):
Ron Nevison
leitende(r) Produzent(in):
Pete Kameron, Kit Lambert und Chris Stamp
Produzent(in):
The Who
zusätzliche(r) Koproduzent(in):
Kit Lambert und Pete Townshend (of The Who)
Mix:
Ron Fawcus
zusätzliche(r) Mix:
Bob Pridden
Cello, E-Gitarre und Keyboard:
Pete Townshend (of The Who)
E-Bass und Horn:
John Entwistle
Perkussion und Schlagzeug:
Keith Moon (drummer)
zusätzlich Klavier:
Chris Stainton (keyboard player, session musician and songwriter)
Hintergrundgesang:
John Entwistle und Pete Townshend (of The Who)
Sologesang:
Roger Daltrey und Pete Townshend (of The Who)
sound effects:
Rod Houison (engineer), Ron Nevison und Pete Townshend (of The Who)
aufgenommen bei:
The Kitchen in West Berkshire, England, Vereinigtes Königreich
mixed at:
Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
5:15
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!), Songs of Windswept Pacific, Suolubaf Music und Towser Tunes, Inc.
The Who4.755:00
32Sun King
recording of:
Sun King
Texter und Komponist(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles6:43
33Godzilla
assistierende(r) Techniker(in):
Sam Ginsberg, Jay Krugman, Rod O’Brien, Gray Russell und David Thoener
Techniker(in):
John Jansen (US recording engineer and producer) und Shelly Yakus
zusätzliche(r) Techniker(in):
Thom Panunzio und Corky Stasiak
Produzent(in):
Blue Öyster Cult (US rock band), Murray Krugman, David Lucas (US producer, composer & engineer) und Sandy Pearlman
Mix:
Shelly Yakus
Bassgitarre:
Joe Bouchard (in 1977-07)
Gitarre:
Eric Bloom (Blue Öyster Cult) (in 1977-07), Joe Bouchard (in 1977-07), Buck Dharma (in 1977-07) und Allen Lanier (in 1977-07)
Keyboard:
Allen Lanier (in 1977-07)
Mundharmonika und Schlagzeug:
Albert Bouchard (in 1977-07)
Sologesang:
Eric Bloom (Blue Öyster Cult) (in 1977-07) und Buck Dharma (in 1977-07)
vocals:
Albert Bouchard (von 1977-06 bis 1977-07) und Joe Bouchard (in 1977-07)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1977-07)
recording of:
Godzilla (in 1977-07)
Texter und Komponist(in):
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing Group
Blue Öyster Cult3.93:40
34Question
Techniker(in):
Adrian Martins, Robin Thompson (UK engineer) und Derek Varnals
Produzent(in):
Tony Clarke (UK producer/guitarist)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wessex Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Question
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex (publisher)
The Moody Blues5:48
35Can’t Find My Way Home
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Bass:
Ric Grech (in 1969-06)
Gitarre:
Eric Clapton (in 1969-06) und Steve Winwood (in 1969-06)
Schlagzeug:
Ginger Baker (in 1969-06)
vocals:
Steve Winwood (in 1969-06)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1969-06)
recording of:
Can’t Find My Way Home (in 1969-06)
Texter und Komponist(in):
Steve Winwood
publisher:
F.S. Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Ltd. (1996–2019)
Blind Faith43:18
36Street Fighting Man
Techniker(in):
Eddie Kramer (engineer)
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Gast-Holzblasinstrumente:
Dave Mason (co‐founder of Traffic)
Gast-Klavier:
Nicky Hopkins (pianist and organist)
Tambura:
Brian Jones (Rolling Stones member)
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 295)
recording of:
Street Fighting Man
Verfasser(in):
Keith Richards (Rolling Stones guitarist) und Mick Jagger (von 1968-05 bis 1968-06)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3.43:18
37Lay Down Sally
Produzent(in):
Glyn Johns
Bassgitarre:
Carl Radle (am 1977-05-19)
elektronische Orgel:
Dick Sims (am 1977-05-19)
Gitarre:
Eric Clapton (am 1977-05-19) und George Terry (guitar player with Clapton in 70's) (am 1977-05-19)
Schlagzeug:
Jamie Oldaker (am 1977-05-19)
Hintergrundgesang:
Yvonne Elliman (am 1977-05-19) und Marcy Levy (am 1977-05-19)
Sologesang:
Eric Clapton (am 1977-05-19)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1977-05-19)
recording of:
Lay Down Sally (am 1977-05-19)
Verfasser(in):
Eric Clapton, Marcy Levy und George Terry (guitar player with Clapton in 70's)
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music International Ltd.
Eric Clapton43:51
38No More Mr. Nice Guy
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
No More Mr. Nice Guy (von 1972-08 bis 1973-01)
Verfasser(in):
Michael Bruce (of Alice Cooper) und Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.33:06
39Space Oddity
Produzent(in):
Gus Dudgeon
Bass:
Herbie Flowers (in 1969-06)
Cello:
Paul Buckmaster (in 1969-06)
E-Gitarre:
Mick Wayne (in 1969-06)
mellotron:
Rick Wakeman (in 1969-06)
Schlagzeug:
Terry Cox (UK rock drummer) (in 1969-06)
Stylophone, zwölfsaitige Gitarre und Händeklatschen, Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (in 1969-06)
arranger:
David Bowie (English singer‐songwriter) und Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) und Valerian S.A.S. (in 2017)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1969-06)
Musikvideos:
Space Oddity (1973, Bowie with red hair & acoustic guitar) von David Bowie (English singer‐songwriter) und Space Oddity (1969, Bowie with round glasses & cap) von David Bowie (English singer‐songwriter)
a cappella versions:
Space Oddity / Major Tom (Coming Home) von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 189)
recording of:
Space Oddity (in 1969-06)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. und Westminster Music Ltd.
David Bowie4.355:14
40For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:40
41Riders on the Storm
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Rhodes Piano:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
Remaster:
Riders on the Storm von The Doors
recording of:
Riders on the Storm (in 1970)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors4.757:11
42Whipping Post
recording engineer und Produzent(in):
Adrian Barber (producer/engineer)
Akustikgitarre und Slide-Gitarre:
Duane Allman (in 1969-09)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-09)
Orgel und Klavier:
Gregg Allman (in 1969-09)
Schlagzeug und Perkussion:
Jai Johanny Johanson (in 1969-09) und Butch Trucks (in 1969-09)
vocals:
Gregg Allman (in 1969-09)
arranger:
The Allman Brothers Band
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1969-09)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 383) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 410)
recording of:
Whipping Post (in 1969-09)
Texter und Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.45:19
43The Weight
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Akustikgitarre:
Robbie Robertson (am 1968-01-12)
Bassgitarre:
Rick Danko (am 1968-01-12)
Klavier:
Garth Hudson (am 1968-01-12)
Schlagzeug:
Levon Helm (am 1968-01-12)
Hintergrundgesang:
Rick Danko (am 1968-01-12), Levon Helm (am 1968-01-12) und Richard Manuel (am 1968-01-12)
Sologesang:
Rick Danko (am 1968-01-12) und Levon Helm (am 1968-01-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1968-01-12)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 80) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (am 1968-01-12)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:34
44Twist and Shout
assistierende(r) Techniker(in):
Richard Langham (am 1963-02-11) und A. B. Lincoln (am 1963-02-25)
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (am 1963-02-11, am 1963-02-25)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1963-02-11, am 1963-02-25)
E-Bass:
Paul McCartney (The Beatles) (am 1963-02-11)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1963-02-11)
E-Gitarre [rhythm guitar] und Sologesang:
John Lennon (The Beatles) (am 1963-02-11)
Schlagzeug:
Ringo Starr (The Beatles) (am 1963-02-11)
Hintergrundgesang:
George Harrison (The Beatles) (am 1963-02-11) und Paul McCartney (The Beatles) (am 1963-02-11)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-02-11)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-02-25)
cover recording of:
Twist and Shout (am 1963-02-11)
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Beatles3.652:33
45Incense and Peppermints
Produzent(in):
Frank Slay
recording of:
Incense and Peppermints
Verfasser(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Tim Gilbert
zusätzliche(r) Verfasser(in):
Ed King (US guitarist, bassist & songwriter) und Mark Weitz (keyboardist)
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
46People Got to Be Free
Hintergrundgesang:
David Brigati
conductor:
Arif Mardin
arranger:
Arif Mardin
recording of:
People Got to Be Free
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Music, EMI April Music Inc., EMI Jamaxal Music Inc., Huna Music und Slacsar Pub. Co. Ltd.
Rascals33:03
47Reeling In the Years
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08) und Denny Dias (in 1972-08)
Klavier und Sologesang:
Donald Fagen (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Solo-E-Gitarre:
Elliott Randall (in 1972-08)
Hintergrundgesang:
Donald Fagen (in 1972-08) und David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
Steely Dan4.554:37
48Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:25
49Shelter From the Storm
recording of:
Shelter From the Storm
Texter und Komponist(in):
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (von 1974 bis 2002) und Special Rider Music (vom 2002 bis heute)
Bob Dylan6:00
50I Heard It Through the Grapevine
Produzent(in):
John Fogerty
E-Bass:
Stu Cook (in 1969)
E-Gitarre:
John Fogerty (in 1969) und Tom Fogerty (in 1969)
Schlagzeug:
Doug Clifford (in 1969)
Sologesang:
John Fogerty (in 1969)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
Musikvideos:
I Heard It Through the Grapevine von Creedence Clearwater Revival
cover recording of:
I Heard It Through the Grapevine (in 1969-12)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Creedence Clearwater Revival4.3511:06
6Digitales Medium
7Digitales Medium
8Digitales Medium
9Digitales Medium
10Digitales Medium