Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1CD: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
2CD: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
3CD: Messen, BWV 233 & 234
4CD: Messen, BWV 235 & 236
#TitleRatingLength
1Mass in G minor BWV 235 - I Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
7:18
2Mass in G minor BWV 235 - II Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
4:06
3Mass in G minor BWV 235 - III Grattias
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
3:34
4Mass in G minor BWV 235 - IV Domine Fili
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
5:40
5Mass in G minor BWV 235 - V Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
4:07
6Mass in G minor BWV 235 - VI Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
5:49
7Mass in G major BWV 236 - I Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:09
8Mass in G major BWV 236 - II Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:59
9Mass in G major BWV 236 - III Grattias
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
5:13
10Mass in G major BWV 236 - IV Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:16
11Mass in G major BWV 236 - V Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:52
12Mass in G major BWV 236 - VI Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
4:36
5CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
6CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
7CD: Motetten
8CD: Osteroratorium, BWV 249
9CD: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
10CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
11CD: Zwei Hochzeitskantaten, BWV 202 & 210
12CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
13CD: Secular Cantatas, BWV 205 & 207; Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
14CD: Secular Cantatas, BWV 206 & 215; Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
15CD: Secular Cantatas, BWV 211 & 212; Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
16CD: Secular Cantatas, BWV 213 & 241; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
17CD: Matthäus-Passion, BWV 244 (disc 1)
18CD: Matthäus-Passion, BWV 244 (disc 2)
19CD: Matthäus-Passion, BWV 244 (disc 3)
20CD: Johannes-Passion, BWV 245 (disc 1)
21CD: Johannes-Passion, BWV 245 (disc 2)
22CD: Markus Passion, BWV 247 (disc 1)
23CD: Markus Passion, BWV 247 (disc 2)
24CD: Lukas Passion, BWV 246 (disc 1)
25CD: Lukas Passion, BWV 246 (disc 2)
26CD: Weihnachtsoratorium, BWV 248 (disc 1)
27CD: Weihnachtsoratorium, BWV 248 (disc 2)
28CD: Weihnachtsoratorium, BWV 248 (disc 3)
29CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
30CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
31CD: Magnificat, BWV 243; Choräle
32CD: Choräle (disc 1)
33CD: Choräle (disc 2)
34CD: Choräle (disc 3)
35CD: Choräle (disc 4)
36CD: Choräle (disc 5)
37CD: Choräle (disc 6)

Credits

Release group

included in:Complete Edition (Brilliant 2010 Bach edition)
part of:Bach Edition: Complete Works (2001 version) (number: 5)