Favourite Ballet

~ Release by Richard Bonynge (see all versions of this release, 1 available)

Annotation

© «2023 UMG Recordings, Inc.»
℗ «2023 UMG Recordings, Inc. FP»

Annotation last modified on 2024-10-05 06:13 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Romeo and Juliet, op. 64 / Act 1: Dance Of The Knights
orchestra:
The Cleveland Orchestra
conductor:
Lorin Maazel (conductor)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:09
2The Nutcracker, op. 71, TH.14 / Act 2: no. 12b Coffee (Arabian Dance)
Pyotr Ilyich Tchaikovsky3:11
3Thaïs / Acte Deux: Méditation religieuse
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:40
4Le Carnaval des Animaux, R. 125: Le cygne
cello:
Julian Lloyd Webber (cellist)
orchestra:
English Chamber Orchestra
conductor:
Nicholas Cleobury (conductor)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:20
5Les Contes d’Hoffmann / Act 4: Entr’acte (Barcarolle)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1983)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:51
6Masquerade - Ballet Suite: 1. Waltz
Aram Khachaturian4:02
7Nocturne
sound engineer and editor:
Philipp Knop
producer:
Friedemann Engelbrecht
piano:
Itamar Golan (pianist) (from 2010-05-14 until 2010-05-17)
violin:
Janine Jansen (Dutch violinist and violist) (from 2010-05-14 until 2010-05-17)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2010-05-14 until 2010-05-17)
recording of:
Deux pièces pour violon (ou flûte) et piano : I. Nocturne (from 2010-05-14 until 2010-05-17)
composer:
Lili Boulanger (French composer) (in 1911)
dedicated to:
Marie-Danielle Parenteau
part of:
Deux pièces pour violon (ou flûte) et piano
Lili Boulanger3:18
8La Gioconda / Act 3: Dance Of The Hours
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli1:27
9Appalachian Spring - 1945 Suite: 1. Very slowly
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (James Locke, engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: I. Very Slowly (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:00
10The Sleeping Beauty, op. 66, TH 13 / Act 1: 6. Valse
orchestra:
Royal Concertgebouw Orchestra
conductor:
Antal Doráti (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky4:38
11El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla3:55
12Gayaneh: Sabre Dance
recording engineer:
Arthur Bannister (on 1972-06-17)
assistant producer:
Tim McDonald (producer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-17)
conductor:
Stanley Black (bandleader, conductor, pianist) (on 1972-06-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-17)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (on 1972-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian2:33
13The Nutcracker, op. 71, TH.14: Overture
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1975-06)
conductor:
Antal Doráti (conductor) (in 1975-06)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1976)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1975-06)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (in 1975-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Pyotr Ilyich Tchaikovsky3:10
14Adagio from Spartacus: Onedin Line theme
Aram Khachaturian2:51
15The Nutcracker, op. 71, TH.14 / Act 1: no. 2 March
Pyotr Ilyich Tchaikovsky2:15
16The Nutcracker, op. 71, TH.14 / Act 2: no. 13 Waltz of the Flowers
Pyotr Ilyich Tchaikovsky6:24
17The Nutcracker, op. 71, TH.14 / Act 2: no. 14c Pas de deux: Variation II (Dance of the Sugar‐Plum Fairy)
Pyotr Ilyich Tchaikovsky2:06
18La fille mal gardée (Rev. Lanchbery), Act I: no. 17a, Clog Dance
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Lanchbery (conductor)
recording of:
La Fille mal gardée: Act I: No. 17a. Clog Dance
composer:
Ferdinand Hérold (French opera and ballet composer) and John Lanchbery (conductor)
part of:
La Fille mal gardée: Act I
Ferdinand Hérold2:17
19The Nutcracker, op. 71, TH.14 / Act 2: no. 12e Dance of the Reed Pipes
Pyotr Ilyich Tchaikovsky2:14
20Swan Lake, op. 20, TH.12 / Act 2: no. 13 Danses des cygnes: a) Valse - b) Moderato assai - c) Valse - d) Allegro moderato - e) Pas d’action (Andante) - f) Valse - g) Coda (Allegro vivace)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1991-05-29 until 1991-05-31)
conductor:
Charles Dutoit (conductor) (from 1991-05-29 until 1991-05-31)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1991-05-29 until 1991-05-31)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes (from 1991-05-29 until 1991-05-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
Pyotr Ilyich Tchaikovsky14:39
21Les Sylphides: 1. Prélude
orchestra:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
David Zinman (conductor)
recording of:
Les Sylphides: I. Prélude (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin1:22
22Masquerade - Ballet Suite: 2. Nocturne
Aram Khachaturian4:22
23Swan Lake, op. 20, TH.12 / Act 4: no. 27 Danses des petits cygnes (Moderato)
engineer:
Colin Moorfoot (engineer) (from 1991-05-29 until 1991-05-31)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1991-05-29 until 1991-05-31)
conductor:
Charles Dutoit (conductor) (from 1991-05-29 until 1991-05-31)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1991-05-29 until 1991-05-31)
recording of:
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato (from 1991-05-29 until 1991-05-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Pyotr Ilyich Tchaikovsky5:28
24I vespri siciliani / Act 3: Le quattro stagioni: 2. La primavera
cello:
Lynn Harrell (cellist) (in 1980)
orchestra:
The Cleveland Orchestra (in 1980)
conductor:
Lorin Maazel (conductor) (in 1980)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (in 1980)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Giuseppe Verdi7:51
25The Firebird: 14. Lullaby of the Firebird
Igor Stravinsky4:36
26The Firebird - Suite (1919): 4. Infernal Dance of King Kaschei
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:31
27Les petits riens, Ballet, K. 299b: no. 1, Larghetto
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Sir Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Les petits riens, K. 299b: No. 8. Vivo (doubtful) (from 1971-05-17 until 1971-05-21)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Wolfgang Amadeus Mozart (classical composer)
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens"
Wolfgang Amadeus Mozart1:13
28Cinderella, op. 87: 13. Summer Fairy
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act I. No. 13. Summer Fairy (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:38
29The Nutcracker, op. 71, TH.14 / Act 2: no. 12d Trépak (Russian Dance)
Pyotr Ilyich Tchaikovsky1:01
30La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge
composer:
Jules Massenet (French Romantic composer)
librettist:
Charles Grandmougin
part of:
La Vierge
Jules Massenet5:02
31Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (James Locke, engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts) (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:45
32The Sleeping Beauty, op. 66, TH 13: Introduction
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Antal Doráti (conductor)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Pyotr Ilyich Tchaikovsky3:03
33Giselle, Act II: no. 15, Grand pas de deux: a. Adage. Andante
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Grand pas de deux (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam4:27
34Tahiti Trot
engineer:
John Dunkerley (engineer) (from 1992-04-26 until 1992-05-03)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Royal Concertgebouw Orchestra (from 1992-04-26 until 1992-05-03)
conductor:
Riccardo Chailly (conductor) (from 1992-04-26 until 1992-05-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
recorded at:
Grotezaal, Concertgebouw in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1992-04-26 until 1992-05-03)
recording of:
Tahiti Trot (Tea for Two), op. 16 (from 1992-04-26 until 1992-05-03)
orchestrator:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
composer:
Vincent Youmans
part of:
Works of Dmitri Shostakovich by opus number (number: op. 16)
arrangement of:
Tea for Two (No, No, Nanette)
Vincent Youmans3:43
35The Skaters’ Waltz, op. 183 (Les Patineurs)
orchestra:
Orchester der Wiener Volksoper
conductor:
Franz Bauer-Theussl (conductor)
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183)
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel8:38
36Romeo and Juliet, op. 64 - Act 1: The Street Wakens - Morning Dance
orchestra:
The Cleveland Orchestra (in 1973-06)
conductor:
Lorin Maazel (conductor) (in 1973-06)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1973-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 3. The street awakens (in 1973-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:21
37La Bayadère / Act 1: no. 25 Allegro
orchestra:
English Chamber Orchestra (from 1992-02-03 until 1992-02-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1992-02-03 until 1992-02-06)
recording of:
La Bayadère: Act I. No. 25: Allegro (from 1992-02-03 until 1992-02-06)
part of:
La Bayadère, Act I
Ludwig Minkus1:14
38Romeo and Juliet, op. 64 - Act 1: Balcony Scene - Romeo’s Variation - Love Dance
orchestra:
The Cleveland Orchestra (in 1973-06)
conductor:
Lorin Maazel (conductor) (in 1973-06)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1973-06)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 19. Balcony scene (in 1973-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 20. Romeo’s variation (in 1973-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev11:06
39Les Sylphides: 5. Mazurka
orchestra:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
David Zinman (conductor)
recording of:
Les Sylphides: V. Mazurka (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 44 in C major, op. 67 no. 3
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin1:50
40Rodeo: IV. Hoe‐Down
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (in 1993-01)
conductor:
David Zinman (conductor) (in 1993-01)
balance engineer:
Simon Eadon (classical music engineer) (in 1993-01)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (in 1993-01)
recording of:
Rodeo: IV. Hoedown (in 1993-01)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland4:30
41Suite Les Indes Galantes / Prologue: 1. Ouverture
engineer:
Henk Jansen (in 1992-10)
producer:
Sieuwert Verster
orchestra:
Orchestra of the 18th Century (Orchestra of the Eighteenth Century) (in 1992-10)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1992-10)
balance engineer:
Dick van Schuppen (in 1992-10)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Les Indes Galantes, Suites d’orchestre: Premier Concert: I. Ouverture
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Premier Concert
Jean‐Philippe Rameau2:58
42Appalachian Spring - 1945 Suite: 2. Allegro
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
James Lock (James Locke, engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Appalachian Spring Suite: II. Allegro (in 1976-04)
composer:
Aaron Copland (composer) (from 1943 until 1944)
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland2:54
43The Nutcracker (Suite), op. 71a, TH 35: 1. Miniature Overture
Pyotr Ilyich Tchaikovsky3:26
44La Navaraisse: Nocturne
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Navarraise : Acte I. Nocturne
composer:
Jules Massenet (French Romantic composer)
part of:
La Navarraise
Jules Massenet3:17
45Cinderella, op. 87: 50. Amoroso
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act III. No. 50. Amoroso: The Prince and Cinderella (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act III
Sergei Prokofiev3:28
46La Boîte à joujoux, L.128: Prelude
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
Claude Debussy2:30
47Coppélia / Tableau 2: no. 11 Musique des automates - scène
recording engineer:
James Locke (engineer)
producer:
John Mordler (producer)
clarinet:
Robert Gugolz
viola:
Ron Golan
violin:
Marcel Graveis
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1969-09)
recording of:
Coppélia : Tableau II, No. 11a. Musique des automates
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
recording of:
Coppélia : Tableau II, No. 11b. Scène
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
Léo Delibes3:17
48Daphnis et Chloé, M. 57 / Première partie: Introduction et danse religieuse
recording engineer:
Alan Reeve (from 1959-04-27 until 1959-04-28)
producer:
Michael Bremner (producer/engineer) and John Culshaw
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1959-04-27 until 1959-04-28)
orchestra:
London Symphony Orchestra (from 1959-04-27 until 1959-04-28)
conductor:
Pierre Monteux (conductor) (from 1959-04-27 until 1959-04-28)
chorus master:
Douglas Robinson (chorus master) (from 1959-04-27 until 1959-04-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-04-27 until 1959-04-28)
recording of:
Daphnis et Chloé: Tableau I. No. 1. Introduction et danse religieuse (from 1959-04-27 until 1959-04-28)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel27:18
49La Boîte à joujoux, L.128: Quatrième Tableau
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
Claude Debussy1:51
50Romeo and Juliet, op. 64 - Act 2: Folk Dance
Sergei Prokofiev3:34
51La Boîte à joujoux, L.128: Epilogue
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : VI. Épilogue (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : VI. Épilogue (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy1:17
52Coppélia / Tableau 3: no. 20 Fête de la cloche: 8) Galop final
recording engineer:
James Locke (engineer)
producer:
John Mordler (producer)
clarinet:
Robert Gugolz
viola:
Ron Golan
violin:
Marcel Graveis
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1969-09)
recording of:
Coppélia : Tableau III, No. 20h. Galop final
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau III
Léo Delibes3:02
53Pulcinella: 1. Ouverture: Allegro moderato
Igor Stravinsky1:47
54La Bayadère / Act 1: no. 27 Allegro
orchestra:
English Chamber Orchestra (from 1992-02-03 until 1992-02-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1992-02-03 until 1992-02-06)
recording of:
La Bayadère: Act I. No. 27: Allegro (from 1992-02-03 until 1992-02-06)
part of:
La Bayadère, Act I
Ludwig Minkus7:28
55Le Sacre du Printemps / Pt 1: L’Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes - Live
producer:
John Fraser (UK producer)
orchestra:
Lucerne Festival Orchestra (founded 2003) (in 2017-08)
conductor:
Riccardo Chailly (conductor) (in 2017-08)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2017-08)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (in 2017-08)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:26
56Diana and Actaeon: Pas de deux (Arr. March)
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Diana and Actaeon: Pas de deux
composer:
Riccardo Drigo (composer)
Riccardo Drigo7:21
57Coppélia / Tableau 2: no. 14 Scène et Valse de la Poupée
recording engineer:
James Locke (engineer)
producer:
John Mordler (producer)
clarinet:
Robert Gugolz
viola:
Ron Golan
violin:
Marcel Graveis
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1969-09)
recording of:
Coppélia : Tableau II, No. 14. Scène et Valse de la Poupée
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
Léo Delibes4:13
58Jeux (Poème dansé), L. 126
Claude Debussy17:31
59Judas Maccabaeus, HWV 63: March
recorded in:
London (Greater London), England, United Kingdom (in 1984-06)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Sir Neville Marriner (conductor) (in 1984-06)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 59: March (in 1984-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel1:28
60Don Quixote: Pas de deux
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
Ludwig Minkus8:09
61Pas classique
producer:
Christopher Raeburn (producer)
orchestra:
London Symphony Orchestra (from 1964-04-25 until 1964-05-01)
conductor:
Richard Bonynge (conductor and pianist) (from 1964-04-25 until 1964-05-01)
balance engineer:
Arthur Lilley (engineer) (from 1964-04-25 until 1964-05-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-04-25 until 1964-05-01)
Daniel François Esprit Auber8:20
62La Bayadère / Act 1: no. 3 Andante delicato
orchestra:
English Chamber Orchestra (from 1992-02-03 until 1992-02-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1992-02-03 until 1992-02-06)
recording of:
La Bayadère: Act I. No. 3: Andante delicato (from 1992-02-03 until 1992-02-06)
part of:
La Bayadère, Act I
Ludwig Minkus2:09
63Rosamunde, D. 797: Ballet Music no. 2
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1983-12)
conductor:
Kurt Masur (conductor) (in 1983-12)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino (in 1983-12)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert7:43
64Love’s Dream After The Ball
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1969-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1969-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1969-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-12)
recording of:
Love's Dream After the Ball, op. 356 (catch-all for arrangements) (in 1969-12)
composer:
Alphons Czibulka
arrangement of:
Love's Dream After the Ball, op. 356
Alphons Czibulka4:48
65La Bayadère / Act 1: no. 22 Andante
orchestra:
English Chamber Orchestra (from 1992-02-03 until 1992-02-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1992-02-03 until 1992-02-06)
recording of:
La Bayadère: Act I. No. 22: Andante (from 1992-02-03 until 1992-02-06)
part of:
La Bayadère, Act I
Ludwig Minkus3:35
66Esmeralda: Pas de deux
Riccardo Drigo10:00
67La Bayadère / Act 1: no. 20 Moderato
orchestra:
English Chamber Orchestra (from 1992-02-03 until 1992-02-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1992-02-03 until 1992-02-06)
recording of:
La Bayadère: Act I. No. 20: Moderato (from 1992-02-03 until 1992-02-06)
part of:
La Bayadère, Act I
Ludwig Minkus1:29
68Apollon musagète, K48: VIII. Pas de deux (Apollo and Terpsichore)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1995-12)
conductor:
Riccardo Chailly (conductor) (in 1995-12)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-12)
partial recording of:
Apollon musagète (Apollo, 1928 original)
composer:
Igor Stravinsky (Russian composer) (from 1927-07-16 until 1928-01-09)
premiered at:
Library of Congress in Washington, D.C., United States (on 1928-04-27)
part of:
K Catalog (number: K048)
Igor Stravinsky3:55
69The Comedians - Suite, op. 26: Waltz
orchestra:
Armenian Philharmonic Orchestra (Armenian National Philharmonic Orchestra)
conductor:
Loris Tjeknavorian
recorded at:
Aram Khachaturian Concert Hall in Yerevan, Armenia
recording of:
The Comedians, op. 26: IV. Waltz. Moderato
composer:
Дмитрий Борисович Кабалевский (Dmitri Kabalevsky, Soviet composer/teacher) (in 1940)
part of:
The Comedians, op. 26
Dmitry Kabalevsky1:30
70La Reine de Saba / Act 2: Waltz
Charles Gounod4:45
71Gayaneh: Lullaby
recording engineer:
Arthur Bannister (on 1972-06-17)
assistant producer:
Tim McDonald (producer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-17)
conductor:
Stanley Black (bandleader, conductor, pianist) (on 1972-06-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-17)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: V. Lullaby (on 1972-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian5:11
72Pulcinella Ballet in one Act: 3. Scherzino: Allegro
recording engineer:
Stanley Goodall (engineer) (in 1992-10) and Chris Jarosz (engineer) (in 1992-10)
producer:
Michael Woolcock (producer)
editor:
Sally Drew (Decca engineer) and Caroline Haigh
orchestra:
Royal Concertgebouw Orchestra (in 1992-10)
conductor:
Riccardo Chailly (conductor) (in 1992-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Pulcinella: Scherzino (in 1992-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
Igor Stravinsky1:53
73Gayaneh: Lezghinka
recording engineer:
Arthur Bannister (on 1972-06-17)
assistant producer:
Tim McDonald (producer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-17)
conductor:
Stanley Black (bandleader, conductor, pianist) (on 1972-06-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-17)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VIII. Lezghinka (on 1972-06-17)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian2:57
74Swan Lake, op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace)
recording engineer:
Philip Siney (sound engineer) (from 2006-05-28 until 2006-06-04)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (from 2006-05-28 until 2006-06-04)
conductor:
Valery Gergiev (conductor) (from 2006-05-28 until 2006-06-04)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (from 2006-05-28 until 2006-06-04)
recording of:
Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace (from 2006-05-28 until 2006-06-04)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:42
75The Miraculous Mandarin, op. 19, Sz. 73 (Suite)
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (on 1963-12-17, on 1963-12-31)
conductor:
Sir Georg Solti (conductor) (on 1963-12-17, on 1963-12-31)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1963-12-17, on 1963-12-31)
recording of:
The Miraculous Mandarin Suite, op. 19 (from 1963-12-17 until 1963-12-31)
composer:
Bartók Béla (Béla Bartók, composer)
is based on:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19
Béla Bartók17:46
76Odna, op. 26: March - Music from the Film
producer:
Andrew Cornall (engineer / producer)
orchestra:
Royal Concertgebouw Orchestra (in 1998-05)
conductor:
Riccardo Chailly (conductor) (in 1998-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-05)
partial recording of:
Hamlet, op. 116 (in 1998-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1963 until 1964)
part of:
Works of Dmitri Shostakovich by opus number (number: op. 116)
Dmitri Shostakovich0:43
77Circus Polka for a Young Elephant
orchestra:
Los Angeles Philharmonic
conductor:
Zubin Mehta (conductor) (in 1967-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1967-04)
recording of:
Circus Polka: For a Young Elephant (for orchestra) (in 1967-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (until 1942-02-05)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1944)
premiered at:
[concert] (1944-01-15)
premiered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1944-01-15)
arrangement of:
Circus Polka: For a Young Elephant (for piano)
Igor Stravinsky3:41
78Rusalka, op. 114 / Act 2: Slavnosti hudba - balet
engineer:
Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
assistant producer:
Gilles Delatronchette
producer:
Michael Haas (classical music producer)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1988-04-28 until 1988-05-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1988-04-28 until 1988-05-09)
balance engineer:
James Lock (James Locke, engineer) (from 1988-04-28 until 1988-05-09) and Philip Siney (sound engineer) (from 1988-04-28 until 1988-05-09)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1988-04-28 until 1988-05-09)
partial recording of:
Rusalka, op. 114, B. 203: 2. jednání (from 1988-04-28 until 1988-05-09)
composer:
Antonín Dvořák (composer) (in 1900)
librettist:
Jaroslav Kvapil (librettist and poet)
part of:
Rusalka, op. 114, B. 203
Antonín Dvořák5:03
79El amor brujo: Pantomima
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
El amor brujo: XI. Pantomima
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:25
80El amor brujo: Escena
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
El amor brujo: IX. Escena
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:02
81La fille mal gardée / Act 1: 1. Intro 2. Dance 3. Lise And The Ribbon
producer:
Ray Minshull (record producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1962-03)
conductor:
John Lanchbery (conductor) (in 1962-03)
balance engineer:
Arthur Lilley (engineer) (in 1962-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-03)
recording of:
La Fille mal gardée: Act I: No. 1. Introduction (in 1962-03)
composer:
Ferdinand Hérold (French opera and ballet composer) and John Lanchbery (conductor)
part of:
La Fille mal gardée: Act I
Ferdinand Hérold7:07
82Glow‐worm (Gavotte Pavlova)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
Paul Lincke7:13
83“Still Life” at the Penguin Café - Ballet: 1. Air à danser
orchestra:
BBC Concert Orchestra (on 1975-06-18)
conductor:
Sir Adrian Boult (conductor) (on 1975-06-18)
recorded at:
Hippodrome Studio, Golders Green (Golders Green) in London (Greater London), England, United Kingdom (on 1975-06-18)
recording of:
The Jester at the Wedding: VI. The Princess and the Jester. Finale (on 1975-06-18)
composer:
Eric Coates (composer)
part of:
The Jester at the Wedding
Simon Jeffes4:34
84Soirées musicales, op. 9: 1. March
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Soirées musicales, op. 9: I. March
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Soirées musicales, op. 9
Benjamin Britten1:22
85Le Corsaire: Pas de deux
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
Riccardo Drigo8:01
86The Sleeping Beauty Suite, op. 66a: III. Pas de caractère. Puss in Boots
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky2:03
87Paquita: Pas de deux
Ludwig Minkus12:12
88Matinées musicales, op. 24: 3. Waltz
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Matinées musicales, op. 24: III. Waltz
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Matinées musicales, op. 24
Benjamin Britten1:52
89Cinderella, op. 87: 2. Pas de Shawl
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act I. No. 2. Shawl Dance (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev3:24
90Pictures At An Exhibition: Ballet Of The Chickens In Their Shells
Modest Mussorgsky1:12
91Chopiniana, op. 46: 4. Valse (op. 64, no. 2)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
recording of:
Chopiniana, op. 46: IV. Waltz (added for revised version and used in Les Sylphides)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1893)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
part of:
Chopiniana, op. 46
part of:
Les Sylphides (Ballets Russes production)
Alexander Glazunov3:58
92La Boutique Fantasque: Tarantella
Gioachino Rossini2:55
93Rodeo: 2. Corral Nocturne
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (conductor) (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Rodeo: II. Corral Nocturne (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:32
94The Prince of the Pagodas, op. 57 - Act 2 Scene 2: The Prince and Belle Rose
producer:
John Culshaw
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1957-02)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1957-02)
recording of:
The Prince of the Pagodas, op. 57: Act II
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1956)
part of:
The Prince of the Pagodas, op. 57
Benjamin Britten5:56
95Flower Festival at Genzano: Pas de deux
Edvard Mads Ebbe Helsted9:02
96The Seasons, Op.67: 2. Spring
Alexander Glazunov5:31
97Boléro, M. 81
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1981-07)
conductor:
Charles Dutoit (conductor) (in 1981-07)
balance engineer:
John Dunkerley (engineer) (in 1981-07)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1981-07)
recording of:
Boléro (in 1981-07)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:04
98La fille mal gardée / Act 1: 16. Simone - 19. Storm and Finale
producer:
Ray Minshull (record producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1962-03)
conductor:
John Lanchbery (conductor) (in 1962-03)
balance engineer:
Arthur Lilley (engineer) (in 1962-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-03)
recording of:
La Fille mal gardée: Act I: No. 17. Simone (in 1962-03)
composer:
Ferdinand Hérold (French opera and ballet composer) and John Lanchbery (conductor)
part of:
La Fille mal gardée: Act I
recording of:
La Fille mal gardée: Act I: No. 19. Storm and Finale (Act 1) (in 1962-03)
composer:
Ferdinand Hérold (French opera and ballet composer) and John Lanchbery (conductor)
part of:
La Fille mal gardée: Act I
Ferdinand Hérold7:40