80 From the 90’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Tomorrow
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4:26
2MMM MMM MMM MMM
recording of:
Mmm Mmm Mmm Mmm
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3:48
3Easy
producer:
Faith No More and Matt Wallace (US producer & engineer)
electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!) (in 1992)
music videos:
Easy by Faith No More
part of:
New York Post: 100 Greatest Covers (2007) (number: 9)
cover recording of:
Easy (from 1992-01 until 1992-03)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Faith No More3.553:05
4Malibu
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
recording of:
Malibu
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole3.653:51
5What’s Up?
recording engineer:
David Tickle (in 1992)
mastering:
Stephen Marcussen (mastering engineer)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes4.354:12
6Steal My Sunshine
recording of:
Steal My Sunshine
writer:
Marc Costanzo and Gregg Diamond
publisher:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) and Gregg Diamond Music
is based on:
More, More, More
LEN3:59
7Rush
assistant engineer:
Serge Glanzberg and Dave Mercer
engineer:
Andre Shapps
producer:
Mick Jones (The Clash/Big Audio Dynamite), Olimax and DJ Shapps
bass:
Gary Stonadge
drums (drum set):
Chris Kavanagh
guitar:
Nick Hawkins and Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh and Gary Stonadge
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4.54:18
8I Want You Back
recording of:
I Want You Back
writer:
Max Martin (Swedish record producer) and Denniz PoP
publisher:
BMG Music Publishing Ltd. and Cheiron Songs
*NSYNC3:21
9If You Had My Love
recording of:
If You Had My Love
lyricist:
LaShawn Daniels (US contemporary R&B songwriter), Rodney Jerkins and Cory Rooney
composer:
Rodney Jerkins
Jennifer Lopez3:43
10Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:15
11Everybody Get Up
producer:
Jake (Swedish producer) and Denniz PoP
recording of:
Everybody Get Up
composer:
Herbie Crichlow, Five (UK boy band, also known as 5ive), Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) and Alan Merrill
Five43:05
12Better
phonographic copyright (℗) by:
rooArt (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 100)
recording of:
Better
writer:
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:38
13I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
14How Do You Talk to an Angel
recording of:
How Do You Talk to an Angel?
writer:
Barry Coffing, Stephanie Tyrell and Steve Tyrell (American producer and vocalist)
The Heights3:24
15Tom’s Diner
additional producer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
vocals and performer:
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
phonographic copyright (℗) by:
A&M Records, Ltd. (UK) (in 1990) and A&M Records (in 1991)
samples:
Tom’s Diner by Suzanne Vega (American singer-songwriter)
recording of:
Tom’s Diner
lyricist and writer:
Suzanne Vega (American singer-songwriter)
composer:
Suzanne Vega (American singer-songwriter) (in 1982)
publisher:
Waifer Songs Ltd., Warner Chappell North America and WB Music Corp. (1929–2019)
DNA3.93:48
16Burn
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
assistant mixer:
Mike Dy
mixer:
Chris Lord‐Alge
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Burn (Tina Arena song) (in 1997)
writer:
Tina Arena (in 1997), Pam Reswick (American songwriter) (in 1997) and Steve Werfel (in 1997)
publisher:
Mushroom Music (Mushroom label’s publishing company), Positive Dream and Standard Music Publishing Ltd.
Tina Arena4:23
17It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:18
18One of Us
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne44:16
19Spaceman
producer:
Jas Mann and Steve Power
mixer:
Clive Black
edit of:
Spaceman by Babylon Zoo
recording of:
Spaceman
lyricist and composer:
Jas Mann
Babylon Zoo3.53:59
20Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks43:58
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4▶CD

Credits

Release

manufactured in:Australia
distributed by and marketed by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22)
copyrighted (©) by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2011)
Discogs:https://www.discogs.com/release/13178593 [info]