The Rock 'N' Roll Era 1957

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼Kassette
Nr.TitelKünstlerBewertungLänge
1Whole Lotta Shakin' Goin' On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:54
2Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings4.52:40
3I'm Walkin'
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:04
4Keep a Knockin'
baritone saxophone:
Samuel Parker Jr. (US saxophonist) (am 1957-01-16)
Bassgitarre:
Olsie Robinson (am 1957-01-16)
Gitarre:
Nathaniel Douglas (am 1957-01-16)
Klavier und Sologesang:
Little Richard (am 1957-01-16)
Schlagzeug:
Charles Connor (am 1957-01-16)
Tenorsaxophon:
Clifford Burks (am 1957-01-16), Grady Gaines (R & B sax player / bandleader) (am 1957-01-16) und Wilbert Smith (am 1957-01-16)
Bearbeitung von:
Keep a Knockin' (slate & take 2) von Little Richard
recording of:
Keep a Knockin’ (Little Richard’s version) (am 1957-01-16)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard2:25
5Happy, Happy Birthday Baby
recording of:
Happy, Happy Birthday Baby
Verfasser(in):
Gilbert Lopez und Margo Sylvia
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
The Tune Weavers2:20
6At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.52:34
7Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
8Little Bitty Pretty One
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 22)
recording of:
Little Bitty Pretty One
Texter und Komponist(in):
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:24
9C.C. Rider
recorded in:
New York, New York, Vereinigte Staaten (am 1957-01-31)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Gitarre:
Al Caiola (am 1957-01-31) und Roy Gaines (am 1957-01-31)
Klavier:
James Harris (piano) (am 1957-01-31)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1957-01-31)
Marimba:
Phil Kraus (am 1957-01-31)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1957-01-31)
Tenorsaxophon:
Gene Barge (am 1957-01-31) und Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1957-01-31)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-01-31)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1957-01-31)
conductor:
Jesse Stone (am 1957-01-31)
arranger:
Jesse Stone
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 12) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
C. C. Rider (Chuck Willis version) (am 1957-01-31)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Co., Tideland Music Publishing Corporation und Unichappell Music, Inc.
Version von:
See See Rider Blues
Chuck Willis42:34
10Jim Dandy
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker4.52:14
11Susie-Q
Bass:
Sonny Trammell (in 1957)
Gitarre:
James Burton (guitarist) (in 1957) und Dale Hawkins (in 1957)
Schlagzeug:
Ronnie Lewis (drummer) (in 1957)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 24)
recording of:
Susie Q (in 1957)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Dale Hawkins32:17
12Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis4.351:54
13Little Darlin'
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:09
14Searchin'
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Adolph Jacobs (am 1957-02-15) und Barney Kessel (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
recording of:
Searchin’ (am 1957-02-15)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Tiger (publisher)
The Coasters2:42
15Mr. Lee
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-28)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer)
Gitarre:
Al Caiola (am 1957-02-28) und Allen Hanlon (jazz guitarist) (am 1957-02-28)
Klavier:
Ray Ellis (US producer, arranger and conductor) (am 1957-02-28)
Kontrabass [bass]:
Milt Hinton (am 1957-02-28)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1957-02-28)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1957-02-28)
vocals:
The Bobbettes (am 1957-02-28)
conductor:
Reggie Obrecht (am 1957-02-28)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 36)
recording of:
Mr. Lee (am 1957-02-28)
Verfasser(in):
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought und Laura Webb
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:15
16Over the Mountain, Across the Sea
recording of:
Over the Mountain, Across the Sea
Texter und Komponist(in):
Rex Garvin (bis 1957)
Johnnie & Joe2:16
17Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.52:31
18School Day
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre:
Chuck Berry (am 1956-12-15) und Hubert Sumlin (Chicago blues guitarist and singer) (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
Sologesang:
Chuck Berry (am 1956-12-15)
vocals:
Chuck Berry
phonographisches Urheberrecht (℗) von:
N2K und Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (am 1956-12-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Nightlight Music Pty Ltd.
Chuck Berry4.252:43
19Young Blood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Barney Kessel (bis 1957-02-15) und Adolph Jacobs (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 414)
recording of:
Young Blood (am 1957-02-15)
Texter:
Jerry Leiber und Doc Pomus
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. und Sony/ATV Songs LLC
The Coasters22:23
20Party Doll
recording of:
Party Doll
Texter und Komponist(in):
Buddy Knox (US country rocker, of The Rhythm Orchids)
Verfasser(in):
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) und Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three und Patricia Music Publ. Corp.
Buddy Knox2:13
21Short Fat Fannie
Bass:
Ted Brinson (am 1957-04-26)
Gitarre:
Rene Hall (am 1957-04-26)
Klavier:
Leon M. Silby (am 1957-04-26)
Schlagzeug:
Earl Palmer (am 1957-04-26)
Tenorsaxophon:
Jesse James Jones (am 1957-04-26)
vocals:
Larry Williams (1950s rocker) (am 1957-04-26)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 39)
recording of:
Short Fat Fannie (am 1957-04-26)
Texter und Komponist(in):
Lawrence Eugene Williams (1950s rocker) (in 1957)
Larry Williams22:26
22Could This Be Magic
recording of:
Could This Be Magic
Verfasser(in):
Richard Blandon
The Dubs2:17

Nennungen

Veröffentlichungsgruppe

Teil von:The Rock 'n' Roll Era (Time-Life Music) (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/404001 [Info]