Frank Sinatra Vol. 2: Nine Classic Albums

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Ring-A-Ding-Ding!
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
recording of:
Ring-a-Ding Ding (am 1960-12-19)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
2:45
2Let's Fall in Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
Let’s Fall in Love (am 1960-12-19)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
32:11
3Be Careful, It's My Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Skip Martin
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Be Careful, It’s My Heart (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
2:03
4A Foggy Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
A Foggy Day (in London Town) (am 1960-12-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:17
5A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1960-12-20)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:11
6In the Still of the Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (am 1960-12-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
3:25
7The Coffee Song
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
The Coffee Song (1946 song) (am 1960-12-20)
Texter:
Bob Hilliard
Komponist(in):
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
42:52
8When I Take My Sugar to Tea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
When I Take My Sugar to Tea (am 1960-12-21)
Komponist(in):
Pierre Norman Connor, Sammy Fain und Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:06
9Let's Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
52:59
10You'd Be So Easy to Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Easy to Love (am 1960-12-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:23
11You and the Night and the Music
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
You and the Night and the Music (am 1960-12-21)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
1.252:36
12I've Got My Love to Keep Me Warm
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1960-12-21)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:52
13Day by Day
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Schlagzeug:
Irv Cottler (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (60s pop/soul) (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-20)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Billy May (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Day by Day (am 1961-03-20)
Texter:
Sammy Cahn
Komponist(in):
Axel Stordahl und Paul Weston
publisher:
Barton Music Corp. und Hanover Music Corp.
2:38
14Sentimental Journey
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Instrumente:
Johnny Best (jazz trumpeter) (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (60s pop/soul) (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-20)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Heine Beau (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Sentimental Journey (am 1961-03-20)
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:23
15Almost Like Being in Love
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (60s pop/soul) (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Billy May (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1961-03-22)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:00
16Five Minutes More
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (60s pop/soul) (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Billy May (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Five Minutes More (am 1961-03-22)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Melrose Music Corp.
2:35
17American Beauty Rose
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Heine Beau (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
American Beauty Rose (am 1961-03-21)
Verfasser(in):
Arthur Altman, Hal David und Redd Evans
publisher:
Jefferson Music Corp.
2:19
18Yes Indeed
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Billy May (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Yes Indeed (am 1961-03-21)
Texter und Komponist(in):
Sy Oliver
2:33
19On the Sunny Side of the Street
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Instrumente:
Johnny Best (jazz trumpeter) (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (60s pop/soul) (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Heine Beau (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
On the Sunny Side of the Street (am 1961-03-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
recording of:
On the Sunny Side of the Street (am 1961-03-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:41
20Don't Take Your Love From Me
Gitarre:
Tony Rizzi (am 1961-03-20)
Harfe:
Kathryn Julye (am 1961-03-20)
Instrumente:
Johnny Best (jazz trumpeter) (am 1961-03-20)
Klavier:
Bill Miller (pianist) (am 1961-03-20)
Kontrabass:
Joe Comfort (am 1961-03-20)
Posaune:
C. E. Carpenter (am 1961-03-20), James Henderson (trombone) (am 1961-03-20), Richard Kenney (am 1961-03-20), Lew McCreary (am 1961-03-20), Barrett O'Hara (am 1961-03-20), Jimmy Priddy (am 1961-03-20) und Kenneth Trimble (am 1961-03-20)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-20), Conrad Gozzo (am 1961-03-20), Joe Graves (60s pop/soul) (am 1961-03-20), Maurice Harris (am 1961-03-20), Manny Klein (am 1961-03-20), Vito N. Mangano (am 1961-03-20), James Salko (am 1961-03-20), Shorty Sherock (am 1961-03-20) und Rubin "Zeke" Zarchy (am 1961-03-20)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-20)
Waldhorn:
James Craas (am 1961-03-20), William Culley (am 1961-03-20), Fred Fox (am 1961-03-20) und Gale H. Robinson (am 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-20)
Orchester:
Billy May & His Orchestra (am 1961-03-20)
conductor:
Billy May (am 1961-03-20)
arranger:
Heine Beau (am 1961-03-20)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Don’t Take Your Love From Me (am 1961-03-20)
Texter, Verfasser(in) und Komponist(in):
Henry Nemo
publisher:
Indano Music Co.
1:57
21That Old Black Magic
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Heine Beau (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
That Old Black Magic (am 1961-03-21)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
4:03
22Lover
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (60s pop/soul) (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Heine Beau (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
Lover (am 1961-03-22)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
1:51
23Paper Doll
Gitarre:
Bobby Gibbons (am 1961-03-22)
Harfe:
Kathryn Julye (am 1961-03-22)
Klavier:
Bill Miller (pianist) (am 1961-03-22)
Kontrabass:
Joe Comfort (am 1961-03-22)
Posaune:
C. E. Carpenter (am 1961-03-22), James Henderson (trombone) (am 1961-03-22), Lew McCreary (am 1961-03-22), Frank Rosolino (am 1961-03-22), Tommy Shepard (trombonist) (am 1961-03-22), Ken Shroyer (trombonist) (am 1961-03-22) und Kenneth Trimble (am 1961-03-22)
Schlagzeug:
Irv Cottler (am 1961-03-22)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-22), Conrad Gozzo (am 1961-03-22), Joe Graves (60s pop/soul) (am 1961-03-22), Manny Klein (am 1961-03-22), Vito N. Mangano (am 1961-03-22), Shorty Sherock (am 1961-03-22), Ray Triscari (am 1961-03-22), Stu Williamson (am 1961-03-22) und Rubin "Zeke" Zarchy (am 1961-03-22)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-22)
Waldhorn:
James Decker (French hornist) (am 1961-03-22), Vincent DeRosa (am 1961-03-22), Fred Fox (am 1961-03-22) und Richard Perissi (am 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-22)
Orchester:
Billy May & His Orchestra (am 1961-03-22)
conductor:
Billy May (am 1961-03-22)
arranger:
Billy May (am 1961-03-22)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
Paper Doll (am 1961-03-22)
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:07
24I've Heard That Song Before
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Billy May (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
cover recording of:
I’ve Heard That Song Before (am 1961-03-21)
Texter:
Sammy Cahn (in 1942)
Komponist(in):
Jule Styne (in 1942)
publisher:
Cahn Music Company und Morley Music Co. Inc.
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
recording of:
I’ve Heard That Song Before (am 1961-03-21)
Texter:
Sammy Cahn (in 1942)
Komponist(in):
Jule Styne (in 1942)
publisher:
Cahn Music Company und Morley Music Co. Inc.
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:31
25I'm Getting Sentimental Over You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
I’m Getting Sentimental Over You (am 1961-05-01)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:43
26Imagination
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
Imagination (am 1961-05-01)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:04
27There Are Such Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
There Are Such Things (am 1961-05-03)
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
28East of the Sun (And West of the Moon)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (am 1961-05-03)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:23
29Daybreak
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Daybreak (am 1961-05-02)
Texter:
Harold Adamson
Komponist(in):
Ferde Grofé (pianist, arranger, conductor and composer)
publisher:
EMI Feist Catalog Inc.
basiert auf:
Mississippi Suite: IV. Mardi Gras. Allegro – Andantino (espressivo e sostenuto) – Assai maestoso e appassionato
2:43
2CD
3CD
4CD

Nennungen

Veröffentlichungsgruppe

enthält:All Alone
Come Swing With Me!
I Remember Tommy
Point of No Return von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”), arranged and conducted by Axel Stordahl
Ring-a-Ding Ding!
Sinatra & Strings
Sinatra and Swingin’ Brass
Sinatra Sings Great Songs From Great Britain
Sinatra–Basie: An Historic Musical First von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) and Count Basie and his Orchestra
Teil von:… Classic Albums (Real Gone Jazz) (Reihenfolge: 34)