Masterworks: The 1954-61 Albums (de-luxe edition box-set)

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

This is a fabulous collection of 9 CDS comprising 227 tracks of 15 classic LPs plus bonus tracks, all wonderfully 24 Bit digtally remastered.
Each CD is housed in a cardboard sleeve with the original release artwork. The outer box is thick cardboard (clamshell style).

Annotation last modified on 2016-06-01 19:57 UTC.

Tracklist

1▶CD: Swing Easy / Songs for Young Lovers
2▶CD: In the Wee Small Hours
3▶CD: Songs for Swingin' Lovers!
4▶CD: Only the Lonely
5▶CD: Come Dance With Me! / Come Fly With Me
6▶CD: Nice 'n' Easy / Look to Your Heart
7▼CD: Sinatra's Swingin' Session!!! / A Swingin' Affair
#TitleRatingLength
1When You're Smiling (The Whole World Smiles with You)
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
2:02
2Blue Moon
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:52
3S'Posin'
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
S’posin’
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
1:48
4It All Depends on You
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
It All Depends on You
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Ross Jungnickel, Inc.
2:03
5It's Only a Paper Moon
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:20
6My Blue Heaven
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-23)
recording of:
My Blue Heaven (on 1960-08-23)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:03
7Should I
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
Should I (on 1960-08-22)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
1:31
8September in the Rain
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) and Paul Shure
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-31)
cover recording of:
September in the Rain (on 1960-08-31)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
2:59
9Always
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-23)
cover recording of:
Always (on 1960-08-23)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:17
10I Can't Believe That You're in Love With Me
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:25
11I Concentrate on You
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
I Concentrate on You (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:24
12You Do Something to Me
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
1:34
13Night Ad Day
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:01
14I Wish I Were in Love Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
2:28
15I Got Plenty O' Nuttin'
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
cover recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1956-11-15)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:11
16I Guess I'll Have to Change My Plan
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
I Guess I’ll Have to Change My Plan (on 1956-11-20)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:24
17Nice Work If You Can Get It
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-20)
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-20)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-20)
conductor:
Nelson Riddle (on 1956-11-20)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
Nice Work If You Can Get It (on 1956-11-20)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:21
18Stars Fell on Alabama
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
Stars Fell on Alabama (on 1956-11-15)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:38
19No One Ever Tells You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Chuck Gentry
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Helen Hutchinson
piano:
Bill Miller (pianist)
tenor saxophone:
Irving “Babe” Russin and Champ Webb
trombone:
Milt Bernhart, Ed Kusby and Jimmy Priddy
trumpet:
Harry “Sweets” Edison, Manny Klein, Ray Linn and Shorty Sherock
viola:
Alvin Dinkin and Maxine Johnson
violin:
Victor Bay, Alex Beller, Arnold Belnick, Harry Bluestone, Henry Hill (Violin player), Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-09)
recording of:
No One Ever Tells You (on 1956-04-09)
writer:
Hub Atwood and Carroll Coates
3:25
20I Won't Dance
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle (on 1956-11-15)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-11-15)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:23
21The Lonesome Road
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Lonesome Road (on 1956-11-26)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
3:54
22At Long Last Love
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
At Long Last Love (on 1956-11-20)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
42:24
23You'd Be So Nice to Come Home To
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:05
24I Got It Bad and That Ain't Good
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1956-11-28)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
3:22
25From This Moment On
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:52
26If I Had You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
cover recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:36
27Oh! Look at Me Now
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
Oh! Look at Me Now (on 1956-11-28)
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
recording of:
Oh! Look at Me Now
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
2:50
28Hidden Persuasion
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Harry “Sweets” Edison, Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
recording of:
Hidden Persuasion
lyricist and composer:
Wainwright Churchill III
2:26
29Ol' Macdonald
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Gail Martin, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg, Shorty Sherock and Harry “Sweets” Edison (on 1960-09-01)
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Bay, Alex Beller, Kurt Dieterle, Jacques Gasselin, Louis Kaufman (violinist), Murray Kellner, Joseph Livoti (violinist), Mischa Russell (violinist), Gerald Vinci (American violinist and strings conductor) and William Weiss (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-08 until 1960-09)
recording of:
Ol' Macdonald (on 1960-09-01)
additional lyricist:
Alan Bergman (American lyricist), Marilyn Bergman and Lew Spence
writer:
[traditional] (special purpose artist)
arranger:
Nelson Riddle
version of:
Old McDonald Had a Farm
2:42
8▶CD: Come Swing With Me! / Swing Along With Me
9▶CD: Ring-A-Ding Ding! / I Remember Tommy...

Credits

Release

manufactured in:EU (Europe)
photography:Getty Images
Michael Ochs Archives
copyrighted (©) by and phonographic copyright (℗) by:Masterworks Series (in 2013)
ASIN:UK: B00PO4ZCSW [info]