Vocal Works

~ Release by Benjamin Britten (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Les Illuminations, op. 18: Fanfare
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: I. Fanfare (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: I. Fanfare (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
2:05
2Les Illuminations, op. 18: Villes
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: II. Villes (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: II. Villes (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
2:31
3Les Illuminations, op. 18: Phrase
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: IIIa. Phrase (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: IIIa. Phrase (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
1:07
4Les Illuminations, op. 18: Antique
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: IIIb. Antique (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: IIIb. Antique (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
2:05
5Les Illuminations, op. 18: Royauté
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: IV. Royauté (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: IV. Royauté (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
1:40
6Les Illuminations, op. 18: Marine
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: V. Marine (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: V. Marine (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
1:00
7Les Illuminations, op. 18: Interlude
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: VI. Interlude (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: VI. Interlude (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
2:14
8Les Illuminations, op. 18: Being Beauteous
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: VII. Being Beauteous (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: VII. Being Beauteous (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
3:57
9Les Illuminations, op. 18: Parade
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: VIII. Parade (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: VIII. Parade (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
2:39
10Les Illuminations, op. 18: Départ
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Heather Harper (soprano) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
orchestra:
Northern Sinfonia (Royal Northern Sinfonia) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
conductor:
Sir Neville Marriner (conductor) (from 1970-06-18 until 1970-06-19, on 1970-06-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
The Old Banqueting Hall in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (from 1970-06-18 until 1970-06-19, on 1970-06-22)
recording of:
Les Illuminations, op. 18: IX. Départ (from 1970-06-18 until 1970-06-19)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
recording of:
Les Illuminations, op. 18: IX. Départ (on 1970-06-22)
lyricist:
Arthur Rimbaud (French poet of the19th century)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1939)
part of:
Les Illuminations, op. 18
2:37
11Serenade for Tenor, Horn & Strings, op. 31: Prologue
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (from 1988-05-09 until 1988-05-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
1:21
12Serenade for Tenor, Horn & Strings, op. 31: Pastoral (Cotton)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (from 1988-05-09 until 1988-05-10)
lyricist:
Charles Cotton
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
3:27
13Serenade for Tenor, Horn & Strings, op. 31: Nocturne (Tennyson)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (from 1988-05-09 until 1988-05-10)
lyricist:
Lord Alfred Tennyson
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
3:29
14Serenade for Tenor, Horn & Strings, op. 31: Elegy (Blake)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (from 1988-05-09 until 1988-05-10)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
4:10
15Serenade for Tenor, Horn & Strings, op. 31: Dirge (Anon)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (from 1988-05-09 until 1988-05-10)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
3:38
16Serenade for Tenor, Horn & Strings, op. 31: Hymn (Jonson)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (from 1988-05-09 until 1988-05-10)
lyricist:
Ben Jonson (English playwright & poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
2:03
17Serenade for Tenor, Horn & Strings, op. 31: Sonnet (Keats)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (from 1988-05-09 until 1988-05-10)
lyricist:
John Keats (English Romantic poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
3:43
18Serenade for Tenor, Horn & Strings, op. 31: Epilogue
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (from 1988-05-09 until 1988-05-10)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
1:31
19Now sleeps the crimson petal
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
French horn and horn:
Barry Tuckwell (hornist / conductor) (from 1988-05-09 until 1988-05-10)
tenor vocals:
Neil Mackie (tenor) (from 1988-05-09 until 1988-05-10)
orchestra:
Scottish Chamber Orchestra (from 1988-05-09 until 1988-05-10)
conductor:
Steuart Bedford (conductor) (from 1988-05-09 until 1988-05-10)
publisher:
Boosey & Hawkes Music Publishers, Ltd
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1988-05-09 until 1988-05-10)
recording of:
Now Sleeps the Crimson Petal (from 1988-05-09 until 1988-05-10)
orchestrator:
Colin Matthews (English composer)
lyricist:
Lord Alfred Tennyson
composer:
Benjamin Britten (English composer, conductor, and pianist)
publisher:
Boosey & Hawkes Music Publishers, Ltd
is based on:
Now Sleeps the Crimson Petal
3:04
20Nocturne, op. 60: On a poet's lips I slept
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: I. On a poet's lips I slept (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
3:30
21Nocturne, op. 60: Below the thunders of the upper deep
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: II. Below the thunders of the upper deep (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
3:29
22Nocturne, op. 60: Encinctured with a twine of leaves
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: III. Encinctured (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
2:14
23Nocturne, op. 60: Midnight's bell goes ting, ting, ting, ting, ting
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: IV. Midnight's bell (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
2:24
24Nocturne, op. 60: But that night when on my bed I lay
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: V. But that night (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
3:03
25Nocturne, op. 60: She sleeps on soft, last breaths
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: VI. She sleeps (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
4:38
26Nocturne, op. 60: What is more gentle than a wind in summer
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: VII. What is more gentle (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
3:01
27Nocturne, op. 60: When most I wink, then do my eyes best see
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Robert Tear (tenor) (on 1987-11-24)
orchestra:
English Chamber Orchestra (on 1987-11-24)
conductor:
Jeffrey Tate (conductor) (on 1987-11-24)
balance engineer:
Mark Vigars (engineer) (on 1987-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1987-11-24)
recording of:
Nocturne, op. 60: VIII. When most I wink, then do mine eyes best see (on 1987-11-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1958)
part of:
Nocturne, op. 60
5:08
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