Capital Gold: Legends II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Woman
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
music videos:
Woman by John Lennon (The Beatles)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:33
2Against All Odds (Take a Look at Me Now)
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Phil Collins3.83:25
3Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.654:04
4All Night Long (All Night)
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:17
5Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:47
6Uptown Girl
assistant engineer:
Scott James (US recording engineer) and Mike Mairé
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
drums (drum set):
Liberty DeVitto (US drummer) (in 1983)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
electric guitar:
David Brown (guitarist for Billy Joel) (in 1983)
piano and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
Uptown Girl by Billy Joel (American singer‐songwriter and pianist)
part of:
BILLIONS CLUB and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 443)
recording of:
Uptown Girl (in 1983)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) and Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:16
7Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:14
8Starman
sound engineer:
Dennis MacKay (70s–present UK producer/engineer)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
12 string guitar, handclaps and lead vocals:
David Bowie (English singer‐songwriter) (on 1972-02-04)
acoustic guitar, electric guitar, piano and background vocals:
Mick Ronson (British guitarist) (on 1972-02-04)
bass guitar:
Trevor Bolder (British bassist) (on 1972-02-04)
drums (drum set):
Mick Woodmansey (British drummer) (on 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972), Jones Music (publishers associated with David Bowie) (in 1990) and Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1990)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1972-02-04)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Starman (on 1972-02-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.54:13
9Killer Queen
engineer:
Kris Fredriksson, Justin Shirley‐Smith and Mike Stone (producer and engineer, 1960s–80s)
producer:
Roy Thomas Baker (producer), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass guitar and keyboard:
John Deacon
drums (drum set), percussion, triangle and wind chime:
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
piano, tack piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
orchestrator:
Brian May (Queen guitarist)
phonographic copyright (℗) by:
Queen (UK rock group) (in 1974)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1974) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1974)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom, Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
music videos:
Killer Queen by Queen (UK rock group)
recording of:
Killer Queen
lyricist and composer:
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
Queen3.953:01
10Jet
recording engineer:
Geoff Emerick (British recording engineer) (in 1973-10)
assistant engineer:
Monday (engineer) (in 1973-10) and Pete Swettenham (in 1973-10)
producer:
Paul McCartney (The Beatles) (in 1973-10)
mixer:
Geoff Emerick (British recording engineer) (from 1973-10 until 1973-11)
bass guitar, drums (drum set), Moog and piano and lead vocals:
Paul McCartney (The Beatles) (in 1973-10)
electric guitar:
Denny Laine (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
keyboard and Moog:
Linda McCartney (in 1973-10)
piano:
Denny Laine (in 1973-10)
saxophone:
Howie Casey (in 1973-10)
strings:
Beaux Arts Orchestra (in 1973-10)
background vocals:
Denny Laine (in 1973-10), Linda McCartney (in 1973-10) and Paul McCartney (The Beatles) (in 1973-10)
orchestrator:
Tony Visconti
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1973-10 until 1973-11)
recording of:
Jet (in 1973-10)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
ATV Music Corp. and McCartney Music, Inc.
Paul McCartney & Wings3.554:08
11Virginia Plain
engineer:
Andy Hendriksen (in 1972-03)
producer:
Peter Sinfield
bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1972-03)
part of:
TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
recording of:
Virginia Plain (in 1972-03)
lyricist and composer:
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
Roxy Music3.652:57
12Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:11
13Moonlight Shadow
engineer:
Nigel Luby
producer:
Mike Oldfield and Simon Phillips (rock drummer)
acoustic guitar, electric guitar and synthesizer:
Mike Oldfield (from 1982-11 until 1983-04)
bass guitar:
Phil Spalding (from 1982-11 until 1983-04)
drums (drum set):
Simon Phillips (rock drummer) (from 1982-11 until 1983-04)
vocals:
Maggie Reilly (from 1982-11 until 1983-04)
phonographic copyright (℗) by:
Mike Oldfield (in 2013)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1983) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recorded at:
Denham Studios (from 1982-11 until 1983-04)
recording of:
Moonlight Shadow (from 1982-11 until 1983-04)
lyricist and composer:
Mike Oldfield
publisher:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield3.93:23
14Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.555:02
15Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:53
16The Living Years
phonographic copyright (℗) by:
Michael Rutherford Ltd. (in 2014)
recording of:
The Living Years
writer:
B.A. Robertson and Mike Rutherford
publisher:
Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. and R and B. A. Music Ltd.
Mike + the Mechanics5:21
17Wherever I Lay My Hat (That's My Home)
cover recording of:
Wherever I Lay My Hat (That’s My Home)
writer:
Marvin Gaye, Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
parody version of:
Wherever I Lay
Paul Young4:01
18What's Love Got to Do With It
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner3:19
19Kingston Town
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
lyricist and composer:
Kenrick Patrick
UB404.53:40
20The First Time Ever I Saw Your Face
cover recording of:
The First Time Ever I Saw Your Face
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
George Michael5:16
2▶CD