The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media: Gregorian chant / Organum / Machaut: Chansons
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1Magnus liber organi: Feast of St. Stephen: Etenim sederunt principes (à 1) (Introit)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin4:16
2Magnus liber organi: Feast of St. Stephen: Sederunt principes - Adiuva me, Domine (à 4) (Gradual)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin16:22
3Magnus liber organi: Feast of St. Stephen: Alleluya - Video celos apertos (à 2) (Alleluya)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin6:43
4Magnus liber organi: Feast of St. Stephen: Video celos apertos (Communion)
vocals:
Orlando Consort (British early music vocal quartet) (in 1996-05)
chorus master:
James O’Donnell (organist and choir master) (in 1996-05)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1996-05)
partial recording of:
Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05)
composer:
Léonin (first known significant composer of polyphonic organum) and Pérotin (European composer, fl. c. 1200 CE)
Léonin, Pérotin1:32
5Dreams in the Pleasure Garden: Chansons: Tant doucement
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Tant doucement me sens emprisonnes (in 1997-05)
writer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:02
6Dreams in the Pleasure Garden: Chansons: Je puis trop bien
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Je puis trop bien ma dame comparer (ballade) (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:19
7Dreams in the Pleasure Garden: Chansons: En amer a douce vie
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Le Remède de Fortune : 8 - Balladelle : « En amer a douce vie » (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:59
8Dreams in the Pleasure Garden: Chansons: He! Dame de valour
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
He ! Dame de valour (a1) (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:36
9Dreams in the Pleasure Garden: Chansons: Ma fin est mon commencement
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Ma fin est mon commencement (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:16
10Dreams in the Pleasure Garden: Chansons: De toutes flours
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Le Remède de Fortune : 1 - Introduction instrumentale : « De toutes flours » (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:45
2▶Digital Media: Dufay & Josquin: Motets
3▶Digital Media: Wind Music From Renaissance Italy
4▶Digital Media: Sacred Music by Tallis, Byrd, Victoria, Palestrina and Allegri
5▶Digital Media: Monteverdi: Madrigals / Vespers (highlights)
6▶Digital Media: Schütz: O bone Jesu / Buxtehude / Pachelbel: Instrumental Music
7▶Digital Media: Purcell: Dido and Æneas (highlights) / The Fairy Queen (highlights) / Te Deum and Jubilate
8▶Digital Media: Charpentier: Te Deum / Rameau: Music From the Stage Works
9▶Digital Media: Telemann: Concertos
10▶Digital Media: Vivaldi: The Four Seasons / Gloria
11▶Digital Media: Bach: Brandenburg Concertos nos. 2 & 5 / Orchestral Suite no. 2
12▶Digital Media: Bach: Goldberg Variations / Italian Concerto / Fantasias
13▶Digital Media: Bach: Organ Music
14▶Digital Media: Bach: St. Matthew Passion (highlights)
15▶Digital Media: Bach: Magnificat / Cantatas nos. 63 & 65
16▶Digital Media: Handel: Fireworks Music / Overtures / Concerto grosso “Alexander’s Feast”
17▶Digital Media: Handel: Concertos
18▶Digital Media: Handel: Messiah (arias and choruses)
19▶Digital Media: Scarlatti, D: Harpsichord Sonatas
20▶Digital Media: Bach, C.P.E.: String Symphonies, WQ 182 / Bach, J.C.: Quintet, op. 11 no. 6

Credits

Release group

includes:Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell (Baroque composer)
Goldberg Variations / Italian Concerto by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ralph Kirkpatrick (harpsichordist, clavichordist, pianist)
Great Organ Works by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ton Koopman (conductor, organist and harpsichordist)
Kammerkonzerte by Georg Philipp Telemann (composer); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Magnificat - Cantatas BWV 63 & BWV 65 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Munich Bach Choir, Munich Bach Orchestra, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player); Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir), Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt (harpsichordist, organist, conductor), Jürgen Jürgens (chorus master and conductor)
Messiah: Arias and Choruses by Handel (George Frideric Handel, German‐British baroque composer); The English Concert & Choir, Trevor Pinnock (conductor / harpsichord)
Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel (George Frideric Handel, German‐British baroque composer); Simon Preston (organist, conductor, composer), The English Concert, Trevor Pinnock (conductor / harpsichord)
Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel (George Frideric Handel, German‐British baroque composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
The Symphonies for Strings by Carl Philipp Emanuel Bach (German classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 1)