| # | Title | Artist | Rating | Length |
|---|
| 1 | Bette Davis Eyes | Kim Carnes | | 3:47 |
| 2 | You Can Do Magic- engineer:
- Chuck Kirkpatrick
- producer:
- Russ Ballard
- bass guitar [bass]:
- Mike Porcaro
- drums (drum set):
- Jeff Porcaro and Alvin Taylor
- guitar [guitars]:
- Gerry Beckley, Michael Mirage and Rick Neigher
- keyboard [keyboards]:
- Chris Coté and Jai Winding
- synthesizer:
- Chris Coté , Mark Isham and Jai Winding
- vocals:
- Gerry Beckley and Dewey Bunnell
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1982)
- produced for:
- Rujo Productions
- engineered at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Criteria Studios in Miami, Florida, United States
- recording of:
- You Can Do Magic
- lyricist and composer:
- Russ Ballard
- publisher:
- EMI April Music Inc., Russell Ballard Ltd and Union Square Music Songs Ltd.
| America | 3.65 | 3:57 |
| 3 | Sexy Eyes | Dr. Hook | | 3:01 |
| 4 | Promises, Promises | Naked Eyes | 3 | 3:49 |
| 5 | Wot's It To Ya | Robbie Nevil | | 3:49 |
| 6 | Morning Train (Nine to Five) | Sheena Easton | 4.35 | 3:22 |
| 7 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:44 |
| 8 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3.95 | 3:57 |
| 9 | Queen of Hearts | Juice Newton | 3.8 | 3:26 |
| 10 | Only the Lonely | The Motels | | 3:15 |
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