Bayern 3: Los Rockos!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:38
2The Stroke
assistente tecnico di registrazione:
Garry Rindfuss
tecnico di registrazione:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack) e Billy Squier
batteria :
Bobby Chouinard
chitarra e voce principale:
Billy Squier
voce di accompagnamento:
Mark Clarke (Rock, UK) e Alan St. Jon
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata in aggiunta presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 59)
registrazione di:
The Stroke
paroliere e compositore:
Billy Squier
editore:
Songs of the Knight
Billy Squier3.753:38
3Cats in the Cradle
tecnico e tecnico di missaggio:
Mark Dodson (UK producer) e Randy Long
produttore:
Mark Dodson (UK producer)
batteria :
Mark Davis (US drummer for Ugly Kid Joe) (nel 1992)
chitarra :
Klaus Eichstadt (nel 1992) e Dave Fortman (nel 1992)
chitarra basso :
Cordell Crockett (nel 1992)
voce di accompagnamento:
Jennifer Barry (nel 1992)
voce principale:
Whitfield Crane (nel 1992)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1992) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1992)
registrazione cover di:
Cat’s in the Cradle (nel 1992)
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:03
4Gamma Ray
registrazione di:
Gamma Ray
paroliere e compositore:
Bruno Frenzel
Birth Control3:28
5Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:30
6Because the Night
produttore:
Jimmy Iovine
tecnico di missaggio:
Jimmy Iovine e Shelly Yakus
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978, nel 1988) e Arista Records, LLC (holding company - file NO releases here!) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 72)
registrazione di:
Because the Night
editore:
Bruce Springsteen e Bruce Springsteen (nel 1975)
paroliere:
Patti Smith (nel 1977) e Bruce Springsteen (nel 1977)
compositore:
Bruce Springsteen (nel 1977)
editore:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith4.553:22
7Welcome to Heartlight
tecnico di registrazione:
Mark Ettel e Andy Johns
produttore:
Bruce Botnick e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Mike Hamilton (US guitarist based in Laguna Beach, CA) e Kenny Loggins
chitarra basso :
Vernon Porter (bassist)
chitarra solista e voce principale:
Kenny Loggins
congas :
Paulinho da Costa (Brazilian percussionist)
percussione :
Steve Forman (US percussionist)
cori:
The Heartlight School Singers & Dancers Christ Memorial Youth Choir
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982)
registrazione di:
Heartlight
paroliere e compositore:
Kenny Loggins
editore:
Milk Money Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins3:55
8Black Magic Woman
produttore:
Fred Catero e Carlos Santana
chitarra :
Carlos Santana (il 1970-07-04)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-04)
congas :
Michael Carabello (il 1970-07-04) e Jose Chepito Áreas (il 1970-07-04)
membranofono :
Michael Shrieve (il 1970-07-04)
tastiera :
Gregg Rolie (il 1970-07-04)
timbales :
Jose Chepito Áreas (il 1970-07-04)
voce:
Gregg Rolie (il 1970-07-04) e Carlos Santana (il 1970-07-04)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970, nel 1974)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-04)
registrazione cover di:
Black Magic Woman (il 1970-07-04)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
registrazione di:
Black Magic Woman
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3.93:16
9Barracuda
produttore:
Mike Flicker
batteria :
Michael Derosier (dal 1977-02 al 1977-04)
chitarra acustica :
Nancy Wilson (guitarist/singer of “Heart”) (dal 1977-02 al 1977-04)
chitarra basso :
Steve Fossen (dal 1977-02 al 1977-04)
chitarra e mellotron :
Howard Leese (dal 1977-02 al 1977-04)
chitarra elettrica :
Roger Fisher (US rock guitarist) (dal 1977-02 al 1977-04)
voce principale:
Ann Wilson (lead singer of Heart) (dal 1977-02 al 1977-04)
arrangiatore:
Heart (rock band, Ann and Nancy Wilson)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
mixata presso:
Royaltone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 34)
registrazione di:
Barracuda (dal 1977-02 al 1977-04)
autore:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) e Wilsongs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Heart4.24:24
10Living After Midnight
tecnico:
Louis Austin (engineering)
produttore:
Tom Allom
basso elettrico :
Ian Hill (UK bassist for Judas Priest) (dal 1980-01 al 1980-02)
batteria :
Dave Holland (British rock drummer) (dal 1980-01 al 1980-02)
chitarra elettrica :
Kenneth Downing (dal 1980-01 al 1980-02) e Glenn Tipton (dal 1980-01 al 1980-02)
voce principale:
Rob Halford (dal 1980-01 al 1980-02)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980)
registrata presso:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Regno Unito (dal 1980-01 al 1980-02)
video musicali:
Living After Midnight (music video) di Judas Priest
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 27)
registrazione di:
Living After Midnight (dal 1980-01 al 1980-02)
autore:
Kenneth Downing, Rob Halford e Glenn Tipton
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Judas Priest4.053:31
11How You Remind Me
produttore:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake e Ryan "Nik" Vikedal
tecnico di missaggio:
Randy Staub
basso :
Mike Kroeger
batteria [drums] :
Ryan "Nik" Vikedal
chitarra [guitars] :
Chad Kroeger e Ryan Peake
voce:
Ryan Peake
voce principale:
Chad Kroeger
diritti fonografici (℗) detenuti da:
The All Blacks B.V. (company, for copyrights purposes) (nel 2001)
video musicali:
How You Remind Me di Nickelback
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 1) e BILLIONS CLUB
registrazione di:
How You Remind Me
paroliere:
Chad Kroeger
compositore:
Chad Kroeger, Mike Kroeger, Ryan Peake e Ryan Vikedal
editore:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zero‐G Music Inc.
Nickelback3.73:44
12Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
13Turn Me Loose
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer)
tecnico:
Bob Rock
produttore:
Bruce Fairbairn
batteria :
Matt Frenette (nel 1980)
chitarra :
Paul Dean (Canadian guitarist) (nel 1980)
chitarra basso :
Scott Smith (Canadian bassist for Loverboy) (nel 1980)
tastiera :
Doug Johnson (Canadian keyboardist for Loverboy) (nel 1980)
voce principale:
Mike Reno (nel 1980)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) e Sony Music Canada Inc. (unlikely to be an imprint, 1990/12/14–1991/11/18) (nel 1980)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
registrazione di:
Turn Me Loose (nel 1980)
autore:
Paul Dean (Canadian guitarist) e Mike Reno
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music e EMI Songs
Loverboy4.65:39
14Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria e percussione :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra acustica e chitarra elettrica :
George Kooymans
chitarra slide :
Eelco Gelling
voce:
Barry Hay e George Kooymans
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.36:25
15Mr. Roboto
tecnico:
Rob Kingsland, Gary Loizzo e Will Rascati
produttore:
Styx (rock band from Chicago)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 61)
registrazione di:
Mr. Roboto
paroliere e compositore:
Dennis DeYoung
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Stygian Songs (publishing company for the rock band Styx) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx4.35:29
16Roll Over Beethoven
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
armonium , chitarra e moog :
Jeff Lynne (il 1972-09-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
basso :
Michael d’Albuquerque (il 1972-09-08)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1972-09-08)
pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
violino :
Wilfred Gibson (UK violinist) (il 1972-09-08)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (il 1972-09-08) e Colin Walker (English Cellist that was a member of ELO) (il 1972-09-08)
voce di accompagnamento:
Michael d’Albuquerque (il 1972-09-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
voce principale:
Jeff Lynne (il 1972-09-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-09-08)
registrazione cover di:
Roll Over Beethoven (il 1972-09-08)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Electric Light Orchestra4.354:33
17Fortune Teller
Cannata3:45
18Lover Why
registrazione di:
Lover Why
autore:
John Milford e John Wesley (electronic music artist: “Lover Why”, “Words of Humanity”)
Century3.56:02
2CD

Accreditamenti

Gruppo di pubblicazioni

parte di:Bayern 3: Los Rockos! (numero: 1) (ordine: 1)