Jim Beam: 40 Shots of Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Matrix / Runout (CD1): [SM Logo] 6141000706 337362D1
Mastering SID Code (CD1): ifpi LR11
Mould SID Code (CD1): ifpi 7955
Matrix / Runout (CD2): [SM Logo] 6107101564 337362D2
Mastering SID Code (CD2): ifpi LR11
Mould SID Code (CD2): ifpi 7959

Annotazione modificata l'ultima volta il 2024-01-17 23:00 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Paradise by the Dashboard Light
registrazione di:
Paradise by the Dashboard Light
paroliere e compositore:
Jim Steinman
Meat Loaf8:14
2Cheap Wine
tecnico:
Mark Opitz e Neil Rawle
produttore:
Cold Chisel
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
voce:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e Ian Moss
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1999) e Cold Chisel Pty Ltd (nel 2011)
registrazione di:
Cheap Wine
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor e Rondor Music (Australia) Pty Ltd
Cold Chisel33:24
3Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:34
4Evie, Part 1
registrazione parziale di:
Evie, Parts 1, 2 & 3
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Boomerang Investments Pty Limited e J. Albert & Son Pty. Ltd.
Stevie Wright3:59
5Copperhead Road
tecnico di registrazione e tecnico di missaggio:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
produttore:
Tony Brown (US producer, pianist and keyboardist) e Steve Earle (US folk/rock singer/songwriter)
registrazione di:
Copperhead Road
inno di:
Tennessee, Stati Uniti
paroliere e compositore:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:29
6You Just Like Me ’Cos I’m Good in Bed
tecnico:
John French (Australian producer/engineer)
produttore:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
batteria :
Fred Strauks
chitarra :
Bob “Bongo” Starkie e Redmond Symons
chitarra basso :
Greg Macainsh
voce:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie e Redmond Symons
voce principale:
Graeme 'Shirley' Strachan
registrata presso:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (nel 1974)
medley che comprende una registrazione di:
Hooked on Hooks (megamix)
autore:
Gregory John Macainsh
editore:
Mushroom Music (Mushroom label’s publishing company)
registrazione di:
You Just Like Me 'Cos I'm Good in Bed
paroliere e compositore:
Greg Macainsh
Skyhooks3:42
7The Joker
produttore:
Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria :
John King (drums)
chitarra acustica , chitarra slide e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2003)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:24
8Make Me Smile (Come Up and See Me)
registrazione cover di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Nick Barker & the Reptiles4:40
9Girls on the Avenue
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1975) e Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1999)
registrazione di:
Girls on the Avenue (Richard Clapton song)
autore:
Richard Clapton
editore:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Richard Clapton3:16
10Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:31
11Run to Paradise
basso :
Ian Hulme
batteria :
Lindsay Tebbutt
chitarra :
Brad Carr e Mark Gable
voce:
Mark Gable
diritti fonografici (℗) detenuti da:
Mushroom Records (nel 1987)
registrazione di:
Run to Paradise
autore:
Brad Carr e Mark Gable
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Choirboys44:08
12Dream Police
tecnico:
Mike Beiriger e Gary Ladinsky (engineer)
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978, nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978, nel 1979), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979)
registrata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1978)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Dream Police (nel 1978)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (dal 1978 al 1979) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1978 al 1979)
Cheap Trick3.63:51
13We Can’t Be Beaten
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1982)
registrazione di:
We Can’t Be Beaten
autore:
Angry Anderson e Robin Riley (Australian guitarist)
editore:
Albert Productions, BMG AM Pty Limited e BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Rose Tattoo3:04
14We’re Not Gonna Take It
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:38
15No Second Prize
tecnico:
Mark Opitz e Alan Wright (engineer)
produttore:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e Mark Opitz
batteria :
Ray Arnott (Australian drummer)
chitarra :
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel), Mal Eastick (Australian blues guitarist) e Chris Stockley (The Dingoes)
chitarra basso :
Bruce Howe
cornamusa :
Barry Gray (soundtrack composer) e Viv Riley
voce di accompagnamento:
Venetta Fields, Renée Geyer e Shauna Jensen
voce principale:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
remixer:
Bob Clearmountain
remix di:
No Second Prize di Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
registrazione di:
No Second Prize
paroliere e compositore:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e EMI Songs
Jimmy Barnes3:38
16Easy
produttore:
Faith No More e Matt Wallace (US producer & engineer)
chitarra elettrica :
Jim Martin (ex-Faith No More guitarist) (dal 1992-01 al 1992-03)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!) (nel 1992)
video musicali:
Easy di Faith No More
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 9)
registrazione cover di:
Easy (dal 1992-01 al 1992-03)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Faith No More3.553:05
17Carry On
Motor Ace34:54
18Green Limousine
registrazione di:
Green Limousine (The Badloves song)
autore:
Michael Spiby
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
The Badloves3:46
19Mustang Sally
voce:
Andrew Strong (Irish singer)
voce di accompagnamento:
Angeline Ball, Maria Doyle Kennedy e Bronagh Gallagher (Irish singer and actress)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1991) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1991)
registrazione cover di:
Mustang Sally
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.53:59
20The Girl of My Dreams
Machine Gun Fellatio33:31
2▶CD

Accreditamenti

Pubblicazione

copyright (©) detenuto da:Festival Mushroom Records Pty. Ltd.
Jim Beam Brands Co. (Also appears as Jim Beam Brands, Co)
diritti fonografici (℗) detenuti da:Festival Mushroom Records Pty. Ltd.
pressata da:SM Summit Holdings Ltd.
Discogs:https://www.discogs.com/release/17281567 [info]
ASIN:US: B0013NFPQW [info]

Gruppo di pubblicazioni

parte di:Jim Beam: 40 Shots of Rock (numero: 1) (ordine: 1)