Complete Works

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

1▶CD: Orchestral Works
2▶CD: Orchestral Works
3▶CD: Orchestral Works
4▶CD: Orchestral Works
5▶CD: Préludes
6▶CD: Études
7▶CD: Other Piano Works I
8▶CD: Other Piano Works II
9▶CD: Other Piano Works III / Chamber Music
10▶CD: Works for Piano Duet & Two Pianos
11▶CD: Chamber Music
12▶CD: Mélodies I
13▶CD: Mélodies II
14▶CD: Mélodies III
15▶CD: Mélodies IV
16▶CD: Pelléas et Mélisande I
17▶CD: Pelléas et mélisande II
18▶CD: Le Martyre de Saint Sébastien / 3 Chansons de Charles d'Orléans
19▶CD: Le Gladiateur / L'Enfant prodigue / La Chute de la maison Usher
20▼CD: Historical & Bonus I
#TitleRatingLength
16 Épigraphes antiques. L. 131 : 1. Pour invoquer Pan, dieu du vent d'été
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
2:26
26 Épigraphes antiques. L. 131 : 2. Pour un tombeau sans nom
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
3:12
36 Épigraphes antiques. L. 131 : 3. Pour que la nuit soit propice
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
2:25
46 Épigraphes antiques. L. 131 : 4. Pour la danseuse aux crotales
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
2:01
56 Épigraphes antiques. L. 131 : 5. Pour l'égyptienne
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
2:48
66 Épigraphes antiques. L. 131 : 6. Pour remercier la pluie au matin
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
2:24
7La Mer, L. 109 : 1. De l'aube à midi sur la mer
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:34
8La Mer, L. 109 : 2. Jeux de vagues
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:12
9La Mer, L. 109 : 3. Dialogue du vent et de La Mer
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
7:56
10Prélude à l'aprés-midi d'un faune, L. 86
producer:
Otto Gerdes (conductor and producer)
flute:
Karlheinz Zöller (flutist) (on 1964-03-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-03-11)
conductor:
Herbert von Karajan (conductor) (on 1964-03-11)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-03-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-03-11)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1964-03-11)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
9:54
11Nocturnes, L. 91 : 2. Fêtes. Animé et très rythmé
orchestra:
Orchestre Colonne
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
6:16
12Ibéria, L. 122 : 1. Par les rues et par les chemins
orchestra:
Orchestre Colonne
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
6:33
13Ibéria, L. 122 : 2. Les parfums de la nuit
orchestra:
Orchestre Colonne
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
7:18
14Ibéria, L. 122 : 3. Le matin d'un jour de fête
orchestra:
Orchestre Colonne
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
4:07
21▶CD: Historical & Bonus II
22▶CD: Historical & Bonus III

Credits