Reader’s Digest: The Legendary Ella Fitzgerald: Her Greatest Performances

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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3 cd boxset

Anmerkung zuletzt geändert am 2017-08-31 15:34 UTC.

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1April in Paris
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
April in Paris (am 1956-08-16)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.5?:??
2I’m Beginning to See the Light
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (von 1957-06-25 bis 1957-06-27)
Trompete:
William “Cat” Anderson (von 1957-06-25 bis 1957-06-27), Willie Cook (US jazz trumpeter) (von 1957-06-25 bis 1957-06-27), Dizzy Gillespie (von 1957-06-25 bis 1957-06-27) und Clark Terry (American swing trumpeter) (von 1957-06-25 bis 1957-06-27)
Trompete und Geige / Violine:
Ray Nance (von 1957-06-25 bis 1957-06-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-06-25 bis 1957-06-27)
Interpret(in):
Duke Ellington and His Orchestra (von 1957-06-25 bis 1957-06-27)
cover recording of:
I’m Beginning to See the Light (von 1957-06-25 bis 1957-06-27)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
?:??
3Them There Eyes
cover recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
?:??
4Dream a Little Dream of Me
Sologesang:
Louis Armstrong
vocals:
Louis Armstrong (am 1950-08-25) und Ella Fitzgerald (American jazz singer) (am 1950-08-25)
Orchester:
Sy Oliver and His Orchestra (am 1950-08-25)
conductor:
Sy Oliver (am 1950-08-25)
cover recording of:
Dream a Little Dream of Me (am 1950-08-25)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
5?:??
5Ain’t Misbehavin’
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Freddie Green (am 1979-02-15)
Klavier:
Count Basie (pianist) (am 1979-02-15)
Kontrabass:
John Clayton (US jazz and classical double bassist) (am 1979-02-15)
membranophone:
Butch Miles (am 1979-02-15)
Posaune:
Bill Hughes (jazz trombonist) (am 1979-02-15), Mel Wanzo (am 1979-02-15), Dennis Wilson (jazz trombonist) (am 1979-02-15) und Booty Wood (am 1979-02-15)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1979-02-15), Charlie Fowlkes (baritone saxophonist) (am 1979-02-15), Kenny Hing (am 1979-02-15), Bobby Plater (am 1979-02-15) und Danny Turner (jazz saxophonist) (am 1979-02-15)
Trompete:
Ray Brown (jazz bassist) (am 1979-02-15), Sonny Cohn (am 1979-02-15), Pete Minger (am 1979-02-15) und Nolan Smith (am 1979-02-15)
vocals:
Ella Fitzgerald (American jazz singer) (am 1979-02-15)
conductor:
Benny Carter (am 1979-02-15)
arranger:
Benny Carter
aufgenommen bei:
Group IV Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-02-15)
cover recording of:
Ain’t Misbehavin’ (am 1979-02-15)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
?:??
6On the Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
?:??
7Don’t Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
Don’t Be That Way (am 1957-08-13)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
?:??
8I Only Have Eyes for You
Produzent(in):
Norman Granz (in 1962)
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
?:??
9Somebody Loves Me
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Somebody Loves Me (in 1959)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
?:??
10I Hear Music
Produzent(in):
Norman Granz (am 1961-11-14)
vocals:
Ella Fitzgerald (American jazz singer) (am 1961-11-14)
conductor:
Nelson Riddle (am 1961-11-14)
cover recording of:
I Hear Music (Dancing on a Dime) (am 1961-11-14)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
?:??
11I Can’t Get Started With You
cover recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
12A‐Tisket, A‐Tasket
recording of:
A‐Tisket, A‐Tasket
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
?:??
13(If You Can’t Sing It) You’ll Have to Swing It
cover recording of:
If You Can’t Sing It (You’ll Have to Swing It)
Texter und Komponist(in):
Sam Coslow
?:??
14Into Each Life Some Rain Must Fall
recorded in:
New York, New York, Vereinigte Staaten (am 1944-08-30)
vocals:
Ella Fitzgerald (American jazz singer) und The Ink Spots
cover recording of:
Into Each Life Some Rain Must Fall (am 1944-08-30)
Texter:
Allan Roberts (songwriter)
Komponist(in):
Doris Fisher
3.5?:??
15You Brought a New Kind of Love to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-11-23)
alto saxophone:
Bud Shank (in 1958)
baritone saxophone:
Med Flory (in 1958)
Bass:
Joe Mondragon (in 1958)
Klavier:
Lou Levy (in 1958)
Schlagzeug:
Mel Lewis (American jazz drummer) (in 1958)
Tenorsaxophon:
Bob Enevoldsen (in 1958) und Bill Holman (in 1958)
Trompete:
Don Fagerquist (in 1958) und Al Porcino (in 1958)
Ventilposaune:
Bob Enevoldsen (in 1958)
Waldhorn:
Vincent DeRosa (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (am 1958-11-23)
conductor:
Marty Paich (am 1958-11-23)
arranger:
Marty Paich
recording of:
You Brought a New Kind of Love to Me (am 1958-11-23)
Texter:
Irving Kahal (in 1930)
Komponist(in):
Pierre Norman Connor (in 1930) und Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Sony/ATV Harmony (in 1930)
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
The Real Book (compilation of jazz standards, volume I)
?:??
16Little White Lies
cover recording of:
Little White Lies
Texter und Komponist(in):
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
?:??
17A Beautiful Friendship
Sologesang:
Ella Fitzgerald (American jazz singer)
recording of:
A Beautiful Friendship
Texter:
Stanley Styne
Komponist(in):
Donald Kahn
?:??
18Body and Soul (live)
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
Body and Soul (in 1962)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
19Bill Bailey, Won’t You Please Come Home (live)
live cover recording of:
Bill Bailey, Won’t You Please Come Home
Texter und Komponist(in):
Hughie Cannon
publisher:
Henrees Music co. und Shawnee Press Inc.
?:??
20Mack the Knife (live)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
?:??
21How High the Moon (Pt.1)
cover recording of:
How High the Moon
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??