The Greatest No. 1 Singles

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Every Breath You Take
recording of:
Every Breath You Take
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police13:56
2Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:01
3The Drugs Don't Work
Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
recording of:
The Drugs Don’t Work
Texter und Komponist(in):
Richard Ashcroft
publisher:
EMI Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Verve24:46
4Millennium
recording engineer und Mix:
Steve Power
Programmierung:
Steve McNichol und Steve Power
zusätzliche Programmierung:
Richard Flack (producer/engineer), Nick Hannan und James Brumby (UK engineer)
assistierende(r) Techniker(in):
Richard Hinton, Nick Kirkland und Matt Oliver (UK engineer)
zusätzliche(r) Techniker(in):
Stuart Epps, Richard Flack (producer/engineer), Nick Hannan, James Brumby (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Akustikgitarre, Bass-Synthesizer, E-Gitarre und Keyboard:
Guy Chambers (English songwriter and record producer)
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug:
Chris Sharrock
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals), Gary Nuttall, Nicole Patterson und Beverley Skeete
Orchester:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Nick Ingman
Samples:
You Only Live Twice (soundtrack version, mostly used in James Bond compilations) von Nancy Sinatra
recording of:
Millennium
Verfasser(in):
John Barry (English score composer), Leslie Bricusse, Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und EMI Music Publishing (do not use as a release label!)
basiert auf:
You Only Live Twice
Robbie Williams3.54:06
5Don't Look Back in Anger
recording engineer:
Owen Morris
Produzent(in):
Noel Gallagher und Owen Morris
Bassgitarre:
Paul McGuigan (Oasis)
E-Gitarre [lead guitar] und Sologesang:
Noel Gallagher
E-Gitarre [rhythm guitar] und Hammond-Orgel:
Paul Arthurs ("Bonehead", Oasis)
Klavier:
Paul Arthurs ("Bonehead", Oasis) und Noel Gallagher
Perkussion und Schlagzeug:
Alan White (Oasis drummer)
Tamburin:
Liam Gallagher (English musician, lead singer of Oasis)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Musikvideos:
Don’t Look Back in Anger von Oasis (Noel & Liam Gallagher)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 45)
recording of:
Don’t Look Back in Anger
Texter und Komponist(in):
Noel Gallagher
Oasis4.354:49
6If You Tolerate This Your Children Will Be Next
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Lee Butler (UK engineer)
Techniker(in), Produzent(in) und Mix:
Dave Eringa
assistierende(r) Mix:
John Bailey (engineer)
Akustikgitarre und zwölfsaitige Gitarre:
James Dean Bradfield
Bassgitarre [bass]:
Nicky Wire
Hammond-Orgel [Hammond], mellotron und Wurlitzer Electric Piano [Wurlitzer]:
Nick Nasmyth
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug:
Sean Moore (Manic Street Preachers)
vocals:
James Dean Bradfield
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
If You Tolerate This Your Children Will Be Next von Manic Street Preachers
Teil von:
168 Songs of Hatred and Failure (playlist) (Nummer: 54)
recording of:
If You Tolerate This Your Children Will Be Next
Texter:
Nicky Wire
Komponist(in):
James Dean Bradfield und Sean Moore (Manic Street Preachers)
Manic Street Preachers44:47
7Praise You
Techniker(in) und Mix:
Simon Thornton (Big beat mixing engineer)
Produzent(in):
Fatboy Slim
phonographisches Urheberrecht (℗) von:
Skint Records (in 1998)
Samples:
Take Yo’ Praise von Camille Yarbrough
Musikvideos:
Praise You von Fatboy Slim
recording of:
Praise You
Verfasser(in):
Norman Cook und Camille Yarbrough
publisher:
Maat Music Inc., Polygram Music und PolyGram Music Publishing Ltd.
basiert auf:
Take Yo' Praise
Fatboy Slim4.153:48
8Firestarter
Techniker(in):
Neil McLellan
Produzent(in) und Mix:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
phonographisches Urheberrecht (℗) von:
XL Recordings (in 1996)
mixed at:
Earthbound Studios in Bradwell, Essex, England, Vereinigtes Königreich
engineered at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
produced at:
Earthbound Studios in Bradwell, Essex, England, Vereinigtes Königreich
Samples:
Close (to the Edit) von Art of Noise und S.O.S. von The Breeders
Bearbeitung von:
Firestarter von Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
Verfasser(in):
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. und Zomba Music
basiert auf:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.653:47
9Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:07
10Going Underground
Produzent(in):
Vic Coppersmith‐Heaven
Bass:
Bruce Foxton (am 1980-01-16)
Gitarre:
Paul Weller (English singer‐songwriter and musician) (am 1980-01-16)
Schlagzeug:
Rick Buckler (am 1980-01-16)
vocals:
Bruce Foxton (am 1980-01-16) und Paul Weller (English singer‐songwriter and musician) (am 1980-01-16)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1980-01-16)
recording of:
Going Underground (am 1980-01-16)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.252:53
11House of Fun
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:49
12Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:04
13Don't You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
14Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
15Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
16Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:39
17Gangsta's Paradise
Produzent(in):
Doug Rasheed
vocals:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Samples:
Pastime Paradise von Stevie Wonder
Musikvideos:
Gangsta’s Paradise von Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 166)
recording of:
Gangsta’s Paradise
Verfasser(in):
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed und Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) und Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
basiert auf:
Pastime Paradise
Coolio feat. L.V.4.054:01
18No Matter What
recorded in:
London (Greater London), England, Vereinigtes Königreich und Los Angeles, California (Kalifornien), Vereinigte Staaten
Keyboard-Programmierung:
Lee McCutcheon
Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Alex Black (engineer) und Tom (assistant engineeer)
Techniker(in):
Simon Franglen (English score composer), Steve Rinkoff und Robin Sellars (British recording engineer)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Jim Steinman
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman und Nigel Wright (British producer, orchestrator and songwriter)
zusätzliche(r) Produzent(in):
Simon Franglen (English score composer) und Lupino
Mix:
Mick Guzauski und Steve Rinkoff
Akustikgitarre [acoustic guitars] und E-Gitarre [electric guitars]:
Michael Thompson (session guitarist)
Bass:
Angela Lupino
Gitarre:
Fridrik Karlsson
Keyboard [keyboards]:
Simon Franglen (English score composer) und Nigel Wright (British producer, orchestrator and songwriter)
Hintergrundgesang [backing vocals]:
Tracy Ackerman und Andy Caine
Sologesang:
Stephen Gately und Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham und Shane Lynch
arranger:
Simon Franglen (English score composer) und Lupino
phonographisches Urheberrecht (℗) von:
Polydor Ireland (in 1998)
aufgenommen bei:
FLM Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Skratch Studios in Surrey, England, Vereinigtes Königreich
engineered at:
Barking Dog Studios in New York, New York, Vereinigte Staaten
Musikvideos:
No Matter What von Boyzone
cover recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:34
19Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:53
20Groovejet (If This Ain't Love)
Techniker(in):
Gabriel Covacich
Koproduzent(in):
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") und Boris Dlugosch
Gast Sologesang:
Sophie Ellis‐Bextor
Hintergrundgesang:
Sharon Scott (UK acid jazz singer)
phonographisches Urheberrecht (℗) von:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (vom 2000 bis heute) und Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
Samples:
Love Is You von Carol Williams (US disco musician) und Love Is You (original mix) von Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
Texter:
Sophie Ellis‐Bextor
Komponist(in):
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") und Rob Davis (songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music und Universal Music (plain logo: “Universal Music”)
basiert auf:
Love Is You
Version von:
Groovejet
Spiller33:47

Nennungen

Veröffentlichung

ASIN:UK: B000056KOE [Info]