Jewels In The Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings

~ Veröffentlichung von Art Tatum (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Previous unissued live recordings made at the Blue Note jazz club in Chicago, IL in 1953

Anmerkung zuletzt geändert am 2024-07-10 17:39 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1I Cover The Waterfront
live recording of:
Ballad Medley: Here's That Rainy Day / My Funny Valentine / I Cover the Waterfront
Verfasser(in):
H. Heyman
Komponist(in):
John Green (composer and conductor, often credited as John Green), Richard Rogers (composer) und Jimmy Van Heusen
4:42
2Body And Soul
live recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:21
3Laura
5:51
4Humoresque
live recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
Komponist(in):
Antonín Dvořák (composer) (in 1894)
Arrangement von:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
4:37
5Begin The Beguine
3:27
6There Will Never Be Another You / September Song
4:56
7Just One Of Those Things
live recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
6:03
8Wrap Your Troubles In Dreams
live recording of:
Wrap Your Troubles in Dreams
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
4:39
9St. Louis Blues
4:12
10After You’ve Gone
live recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
5:23
11Someone To Watch Over Me
live recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
4:57
12Elegy
live recording of:
Elegy
Komponist(in):
Jules Massenet (French Romantic composer)
4:12
3▶CD

Nennungen

Veröffentlichung

art direction und design:Burton Yount
Fotografie:Skippy Adelman (Aufgabe: photos by)
Martin H. Chilcott (photographer)
Herman Leonard (photographer) (Aufgabe: front cover photo by)
Matthew Lutthans (engineer) (Aufgabe: photo by: booklet back cover)
Bob Parent (photographer) (Aufgabe: back cover photo by; Aufgabe: photos by)
legal representation und Editing:John Koenig
liner notes:Jean Holzfeind Bystedt (liner notes related)
Kathleen Holzfeind Doherty (liner notes related)
Brent Hayes Edwards
Zev Feldman (producer and author)
Tom Holzfeind (liner notes related)
Michael Weiss (US jazz pianist and composer)
sonstige Unterstützung:Zev Feldman (producer and author) (Aufgabe: research / photo research)
Cynthia Garcia (works in the capacity of Project Assistance for Resonance Records) (Aufgabe: project manager / project assistance)
Matthew Lutthans (engineer) (Aufgabe: restoration / sound restoration)
Zak Shelby-Szyszko (Aufgabe: production manager; Aufgabe: research / photo research)
Sydney B. Lanex (Aufgabe: project manager / project assistance)
leitende(r) Produzent(in):George Klabin (engineer and producer)
Partner-Produzent(in):Zak Shelby-Szyszko
Produzent(in):Zev Feldman (producer and author) (Aufgabe: produced for release by)
mastering:Matthew Lutthans (engineer)
Bass und Stimme/Gesang:Slam Stewart
Gitarre:Everett Barksdale
Klavier:Art Tatum (US jazz pianist)
Sprecher [interviewee]:Monty Alexander
ELEW (US jazz pianist)
Terry Gibbs (jazz vibraphonist)
Ahmad Jamal
Johnny O'Neal (US neo‐bop jazz pianist & vocalist)
Sonny Rollins (American saxophonist)
Spike Wilner
Sprecher [interviewer]:Zev Feldman (producer and author)
artwork:Gordon H. Jee (Aufgabe: package graphics / graphics)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Resonance Records (jazz)
aufgenommen bei:Blue Note (Chicago, 1954-1960) in Chicago, Illinois, Vereinigte Staaten
mastered at:Cohearent Audio (mastering studio) in North Hills, Los Angeles, California (Kalifornien), Vereinigte Staaten
The Mastering Lab (Ojai (2008–2015)) in Ojai, California (Kalifornien), Vereinigte Staaten
Stamm-Pressung bei:CD Video Manufacturing (full-service CD, DVD, and Blu-ray optical disc manufacturing company located in Southern California) in California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/30206711 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/3463112 [Info]