More Music to Watch Girls By

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

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#TitoloArtistaValutazioneDurata
1Sway
registrazione di:
Sway
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Rosemary Clooney & Pérez Prado2:23
2Theme From Come September
registrazione di:
Theme from “Come September”
compositore:
Bobby Darin
Bobby Darin2:38
3The More I See You
registrazione cover di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:41
4The “In” Crowd
registrazione di:
The “In” Crowd
orchestratore:
Gene Page
paroliere e compositore:
Billy Page (US soul/pop songwriter & producer)
editore:
Cross Music Ltd., American Music, Inc. (nel 1964), Elvis Presley Music Inc. (nel 1964) e Unichappell Music, Inc. (nel 1964)
Dobie Gray2:51
5Comin’ Home Baby
registrazione di:
Comin’ Home Baby (later version with lyrics)
paroliere:
Bob Dorough
compositore:
Ben Tucker
revisione di:
Comin’ Home Baby (original instrumental)
Mel Tormé2:44
6Casino Royale
registrazione strumentale di:
Casino Royale (title song of the 1967 James Bond film, more notable for its instrumental rendition)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp. e Colgems-EMI Music Inc.
The Jet Set2:37
7Our Day Will Come
produttore:
Allen Stanton
direttore d'orchestra:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
arrangiatore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
registrazione cover di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Doris Day2:42
8If You Go Away
tecnico di registrazione:
Peter Olliff
produttore:
John Franz
voce:
Scott Walker (singer‐songwriter, musician and producer) (nel 1969)
direttore d'orchestra:
Wally Stott (nel 1969)
arrangiatore:
Wally Stott
registrazione di:
If You Go Away (nel 1969)
paroliere e compositore:
Jacques Brel
traduttore:
Rod McKuen
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Intersong Paris S.A.
versione tradotta di:
Ne me quitte pas (original French version)
Scott Walker4:57
9Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:19
10I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:51
11What a Difference a Day Makes
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (il 1959-02-19)
arrangiatore:
Belford Hendricks
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington3.252:30
12Catch a Falling Star
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1957) e The Ray Charles Singers (nel 1957)
orchestra:
Mitchell Ayres and His Orchestra (nel 1957)
esecutore:
The Ray Charles Singers e Mitchell Ayres and His Orchestra (nel 1957)
arrangiatore:
Joe Reisman
registrazione di:
Catch a Falling Star (nel 1957)
autore:
Lee Pockriss e Paul Vance (US songwriter and producer)
Perry Como42:28
13Windmills of Your Mind
registrazione di:
The Windmills of Your Mind
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Michel Legrand
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., SBK United Partnership Ltd. e United Partnership Ltd.
parte di:
The 41st Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1968 winner)
parte di:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Noel Harrison2:21
14What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong42:19
15Guaglione
diritti fonografici (℗) detenuti da:
Radio Corporation of America (renamed RCA Corporation sometime in the late 1960s–70s)
registrazione di:
Guaglione
paroliere:
Nicola Salerno (Italian lyricist Nicola Salerno) (nel 1956)
compositore:
Giuseppe Fanciulli (nel 1956)
traduttore aggiunto:
Steve Crosby (record producer, songwriter, music manager)
editore:
Accordo Edizioni Musicali Srl
registrazione strumentale cover di:
Guaglione
paroliere:
Nicola Salerno (Italian lyricist Nicola Salerno) (nel 1956)
compositore:
Giuseppe Fanciulli (nel 1956)
traduttore aggiunto:
Steve Crosby (record producer, songwriter, music manager)
editore:
Accordo Edizioni Musicali Srl
Pérez Prado2:25
1659th Street Bridge Song
registrazione di:
The 59th Street Bridge Song (Feelin’ Groovy)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:32
17Windy
produttore:
Bones Howe
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 310)
registrazione di:
Windy
paroliere e compositore:
Ruthann Friedman
editore:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:56
18Stoned Soul Picnic
tecnico audio e tecnico:
Bones Howe
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo e Ron Townson
registrazione cover di:
Stoned Soul Picnic
paroliere e compositore:
Laura Nyro
editore:
EMI Blackwood Music Inc., Tuna Fish Music e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension3:28
19From Russia With Love
registrazione di:
From Russia With Love
paroliere e compositore:
Lionel Bart
editore:
EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
John Barry2:38
20MacArthur Park
registrazione di:
MacArthur Park (nel 1968)
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
editore:
Canopy Music, Global Musikverlage (Global Musik GmbH & Co. KG), Universal Music (plain logo: “Universal Music”) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Richard Harris4.57:24

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Discogs:https://www.discogs.com/master/1258512 [info]