Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
#TitleRatingLength
1"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: March (from the later version BWV 207a)
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Anhang: Marche (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
2:57
2"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 1. Chorus: "Vereinigte Zwietracht der wechselnden Saiten"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": I. Chorus "Vereinigte Zwietracht der wechselnden Saiten" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:54
3"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 2. Recitative: "Wen treibt ein edler Trieb"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:55
4"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 3. Aria: "Zieht euren Fuß nur nicht zurücke"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": III. Aria "Zieht euren Fuß nur nicht zurücke" (Tenore) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:27
5"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 4. Recitative: "Dem nur allein soll meine Wohnung offen"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein" (Basso, Soprano) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
2:05
6"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 5. Aria (Duet): "Den soll mein Lorbeer schützend decken"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": V. Aria Duetto "Den soll mein Lorbeer" (Basso, Soprano) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
4:14
7"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 5a. Ritornello
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Va. Ritornello (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:21
8"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 6. Recitative: "Es ist kein leeres Wort"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort " (Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
1:46
9"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 7. Aria: "Ätzet dieses Angedenken"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (from 1966-11 until 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VII. Aria "Ätzet dieses Angedenken" (Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
5:19
10"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 8. Recitative: "Ihr Schläfrigen, herbei"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
bass vocals [Honour]:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1996-11)
countertenor vocals [Gratitude]:
Axel Köhler (in 1996-11)
soprano vocals [Happiness]:
Dorothea Röschmann (soprano) (in 1996-11)
tenor vocals [Industry]:
Christoph Genz (tenor) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VIII. Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto) (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:00
11"Vereinigte Zwietracht der wechselnden Saiten", BWV 207: 9. Chorus: "Korte lebe, Korte blühe"
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
producer:
Wolfgang Mitlehner
choir vocals:
Ex Tempore (Belgian classical ensemble founded by Florian Heyerick) (in 1996-11)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1996-11)
conductor:
Reinhard Goebel (violinist and conductor) (in 1996-11)
chorus master:
Florian Heyerick (flutist, harpsichordist and conductor) (in 1996-11)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IX. Chorus "Kortte lebe, Kortte blühe" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
3:05
12"Ich bin in mir vergnügt", BWV 204: 1. Recitative: "Ich bin in mir vergnügt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:37
13"Ich bin in mir vergnügt", BWV 204: 2. Aria "Ruhig und in sich zufrieden"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
6:46
14"Ich bin in mir vergnügt", BWV 204: 3. [Recitative:] "Ihr Seelen, die ihr außer euch"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:58
15"Ich bin in mir vergnügt", BWV 204: 4. Aria: "Die Schätzbarkeit der weiten Erden"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:06
16"Ich bin in mir vergnügt", BWV 204: 5. Recitative: "Schwer ist es zwar, viel Eitles zu besitzen"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
1:56
17"Ich bin in mir vergnügt", BWV 204: 6. Aria: "Meine Seele sei vergnügt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
5:52
18"Ich bin in mir vergnügt", BWV 204: 7. Recitative: "Ein edler Mensch ist Perlenmuscheln gleich"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
2:33
19"Ich bin in mir vergnügt", BWV 204: 8. Aria: "Himmlische Vergnügsamkeit"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
4:06
20"Erwählte Pleißenstadt", BWV 216a: 1. Duet: "Erwählte Pleißenstadt"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: I. Duet: Erwählte Pleißenstadt
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
7:24
21"Erwählte Pleißenstadt", BWV 216a: 2. [Recitative:] "Ihn Städte, die man in der Welt"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: II. [Recitative:] Ihr Städte, die man in der Welt
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
0:35
22"Erwählte Pleißenstadt", BWV 216a: 3. Aria: "Angenehmes Pleiß-Athen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: III. Aria: Angenehmes Pleiß-Athen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
4:24
23"Erwählte Pleißenstadt", BWV 216a: 4. [Recitative:] "Nicht die Gelehrsamkeit allein"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: IV. [Recitative:] Nicht die Gelehrsamkeit allein
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
0:57
24"Erwählte Pleißenstadt", BWV 216a: 5. Aria: "Mit Lachen und Scherzen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: V. Aria: Mit Lachen und Scherzen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
5:48
25"Erwählte Pleißenstadt", BWV 216a: 6. [Recitative:] "Drum ist gewiss"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: VI. [Recitative:] Drum ist gewiss
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
0:45
26"Erwählte Pleißenstadt", BWV 216a: 7. Duet: "Heil und Segen"
producer:
Philipp Nedel
countertenor vocals [countertenor - Apollo]:
Franz Vitzthum (countertenor) (from 2016-08 until 2016-09)
tenor vocals [tenor - Mercury]:
Daniel Johannsen (tenor) (from 2016-08 until 2016-09)
orchestra:
Deutsche Hofmusik (from 2016-08 until 2016-09)
conductor:
Alexander Grychtolik (harpischordist, organist, musicologist) (from 2016-08 until 2016-09)
balance engineer:
Martin Kistner (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 2016-08 until 2016-09)
recording of:
Erwählte Pleißenstadt, BWV 216.2: VII. Duet: Heil und Segen
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Erwählte Pleißenstadt, BWV 216.2 (formerly BWV 216a)
3:04
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
23CD: Cantatas 51, 78, 8, 130 (Trinity)
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]