Meditation

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Prelude for Meditation
piano:
Bertrand Chamayou (French pianist)
recording of:
Prelude for Meditation
composer:
John Cage (American composer) (in 1944)
John Cage1:20
2Davidsbündlertänze, op. 6: Heft I: No. 2. Innig
piano:
Stephen Hough (pianist)
recording of:
Davidsbündlertänze, op. 6: II. Innig
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:28
3La catedral: I. Preludio saudade
recorded in:
Salle des concerts de Arras, Pas-de-Calais, Hauts-de-France, France (from 2018-03-23 until 2018-03-26)
engineer:
Hugues Deschaux
guitar:
Thibaut Garcia (guitarist) (from 2018-03-23 until 2018-03-26)
recording of:
La catedral: I. Preludio saudade (from 2018-03-23 until 2018-03-26)
composed in:
La Habana (Havana), Cuba (on 1938-01-28)
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios) (on 1938-01-28)
part of:
La catedral
Agustín Barrios Mangoré2:16
4Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant
recording engineer:
René Möller (from 2008-09-24 until 2008-09-28)
producer:
Christophe Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2008-09-24 until 2008-09-28)
conductor:
Simon Rattle (conductor) (from 2008-09-24 until 2008-09-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2025)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2008-09-24 until 2008-09-28)
live recording of:
Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant (from 2008-09-24 until 2008-09-28)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
live recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) (from 2008-09-24 until 2008-09-28)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel2:36
524 Preludes, op. 28: No. 20 in C minor
recorded in:
Chapelle Corneille, Rouen, Seine-Maritime, Normandie (Normandy), France (from 2023-02-11 until 2023-02-13)
engineer:
Hugues Deschaux
guitar:
Thibaut Garcia (guitarist) (from 2023-02-11 until 2023-02-13)
guitar arranger:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (catch‐all for arrangements) (from 2023-02-11 until 2023-02-13)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
arrangement of:
Prélude no. 20 in C minor, op. 28: Largo
Fryderyk Chopin1:38
66 Gnossiennes: No. 3. Lent
piano:
Anne Queffélec (pianist)
recording of:
Gnossienne no. 3
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:42
7Thaïs: Act 2: Méditation
cello:
Gautier Capuçon (cellist)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Douglas Boyd (oboist and conductor)
concertmaster:
Deborah Nemtanu (French violinist)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet6:12
8Dolly, op. 56: I. Berceuse
piano:
Jean‐Philippe Collard (French classical pianist) and Bruno Rigutto (pianist)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1970 until 1983)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:37
9Ave Maria (Meditation After Bach's Prelude and Fugue in C major, BWV 846)
recording engineer and mixer:
Olivier Rosset (classical producer and engineer)
piano:
Alexandre Tharaud (pianist) (from 2024-01-20 until 2024-02-14)
piano technician:
Michaël Bargues (piano technician)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2024)
recorded at:
Grande Salle (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (from 2024-01-20 until 2024-02-14)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (from 2024-01-20 until 2024-02-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach4:32
10Keyboard Partita no. 1 in B-flat major, BWV 825: V. Menuet I
piano:
Piotr Anderszewski (pianist) (from 2002-02-23 until 2002-02-25)
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2002-02-23 until 2002-02-25)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I (from 2002-02-23 until 2002-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach1:26
11Mazurka no. 41 in C-sharp minor, op. 63 no. 3
piano:
Piotr Anderszewski (pianist)
recording of:
Mazurka no. 41 in C‐sharp minor, op. 63 no. 3
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 63
Fryderyk Chopin2:31
12Pictures at an Exhibition: IX. Con mortuis in lingua mortua
producer:
Andrew Keener (engineer/editor/producer)
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 1989-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1989-11)
partial recording of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version) (in 1989-11)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
dedicated to:
Viktor Hartmann (Russian architect and painter)
part of:
Pictures at an Exhibition (original piano version)
Модест Петрович Мусоргский2:27
13Ave verum corpus, K. 618
choir vocals:
Schutz Choir and The Schütz Choir of London (in 1991-09)
orchestra:
London Classical Players (in 1991-09)
conductor:
Roger Norrington (conductor) (in 1991-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1991-09)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:41
14Ave Maria (Meditation After Bach's Prelude and Fugue in C major, BWV 846)
guitar:
Thibaut Garcia (guitarist)
vocals:
Elsa Dreisig (soprano)
arranger:
Thibaut Garcia (guitarist)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach, Charles Gounod2:52
15Piano Quintet in A major, op. 81, B. 155: II. Dumka. Andante con moto
instruments:
Nash Ensemble
recording of:
Piano Quintet no. 2 in A major, op. 81: II. Dumka: Andante con moto
composer:
Antonín Dvořák (composer) (from 1887-08-18 until 1887-10-03)
part of:
Piano Quintet no. 2 in A major, op. 81 (Piano Quintet no. 2 in A major, op. 81, B. 155)
Antonín Dvořák2:36
16Requiem, op. 48: IV. Pie Jesu
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
soprano vocals:
Magali Dami (soprano) (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
17Meditation, op. 32
recording engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
Steven Epstein (classical music producer)
violin:
Rachel Barton Pine (violinist) (from 2010-04-03 until 2010-04-07)
orchestra:
Russian National Orchestra (from 2010-04-03 until 2010-04-07)
conductor:
José Serebrier (Uruguayan conductor and composer) (from 2010-04-03 until 2010-04-07)
recorded at:
Московский международный Дом музыки in Moscow, Russia (from 2010-04-03 until 2010-04-07)
recording of:
Meditation, op. 32 (arr. for violin and orchestra) (from 2010-04-03 until 2010-04-07)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936)
arrangement of:
Meditation, op. 32 (for violin and piano)
Александр Константинович Глазунов4:15
18Orphée et Eurydice, Wq. 41: Dance of the Blessed Spirits
piano:
Alexandre Tharaud (pianist)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (for piano, Siloti)
composer:
Christoph Willibald Gluck (composer)
arranger:
Александр Зилоти (Alexander Siloti)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck3:14
19Camille (From "Le Mépris")
cover recording of:
Camille
composer:
Georges Delerue (French composer)
part of:
Le Mépris
Georges Delerue3:22
20Cavatina (From "The Deer Hunter")
guitar:
Thibaut Garcia (guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:23
21Aires nacionales argentinos, Cuaderno I, op. 17: Triste no. 4
classical guitar:
Eliot Fisk (guitarist)
recording of:
Aires nacionales argentinos: Triste no. 4
composer:
Julián Aguirre (Argentinean composer)
part of:
Aires nacionales argentinos
Augustine Aquirre2:24
22Romance Anónimo (From "Jeux interdits")
guitar:
Pierre Laniau
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
Narciso Yepes2:36
23Mass in B minor, BWV 232: Dona nobis pacem
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:00
24Album für die Jugend, op. 68: No. 9. Volksliedchen
piano:
Alexis Weissenberg
recording of:
Album für die Jugend, op. 68: IX. Volksliedchen
composer:
Robert Schumann (German classical composer)
part of:
Album für die Jugend, op. 68
Robert Schumann1:16
2516 Waltzes, op. 39: No. 15 in A major
piano:
Michel Béroff (French pianist) and Jean‐Philippe Collard (French classical pianist)
recording of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
composer:
Johannes Brahms (German composer) (in 1865)
part of:
16 Waltzes, op. 39 (for piano four hands)
part of:
16 Waltzes, op. 39 (for piano four hands)
Johannes Brahms1:26
26Jeux d'enfants, op. 22, WD 56: III. Berceuse "La poupée"
piano:
Laurence Fromentin and Dominique Plancade
recording of:
Jeux d’enfants, op. 22 : III. La Poupée
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet2:20
27Goldberg Variations, BWV 988: Aria
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:01
28Concerto for Two Mandolins in G major, RV 532: II. Andante
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
solo mandolin:
Sonia Maurer (Italian mandolinist) and Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi2:49
29The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": II. Largo a pianissimo sempre
sound engineer:
Benedikt Schröder
producer, mixer and editor:
Friedemann Engelbrecht
violin:
Renaud Capuçon (violinist) (from 2022-03-23 until 2022-03-24)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 2022-03-23 until 2022-03-24)
conductor:
Renaud Capuçon (violinist) (from 2022-03-23 until 2022-03-24)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2022)
recorded at:
Salle Métropole in Lausanne, Vaud (Canton of Vaud), Switzerland (from 2022-03-23 until 2022-03-24)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:36
30Le carnaval des animaux: XIII. Le cygne
harp:
Aline Brewer (harpist)
solo cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
arranger:
Chris Hazell
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:18
31Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 1
Сергей Васильевич Рахманинов0:41
32Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 2
Сергей Васильевич Рахманинов0:43
33Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 3
Сергей Васильевич Рахманинов0:38
34Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 4
Сергей Васильевич Рахманинов0:34
35Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 5
Сергей Васильевич Рахманинов0:36
36Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 6
Сергей Васильевич Рахманинов0:35
37Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 7
Сергей Васильевич Рахманинов0:47
38Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 8
Сергей Васильевич Рахманинов0:41
39Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 9
Сергей Васильевич Рахманинов0:39
40Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 10
Сергей Васильевич Рахманинов0:39
41Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 11
Сергей Васильевич Рахманинов0:47
42Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 12
Сергей Васильевич Рахманинов0:32
43Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 13
Сергей Васильевич Рахманинов0:39
44Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 14
Сергей Васильевич Рахманинов0:36
45Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 15
Сергей Васильевич Рахманинов0:40
46Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 16
Сергей Васильевич Рахманинов0:35
47Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Pt. 17
Сергей Васильевич Рахманинов0:43
48Carnival of the Animals: VII. Aquarium
piano:
Antonio Pappano (conductor and pianist) and Martha Argerich (Argentine pianist)
orchestra:
Orchestra dell'Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:35
49Davidsbündlertänze, op. 6: Heft I: No. 7. Nicht schnell
piano:
Stephen Hough (pianist)
recording of:
Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann3:14
502 Motets, op. 65: No. 1. Ave verum
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Ave verum corpus, op. 65 no. 1 (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (in 1894)
part of:
2 Motets, op. 65
Gabriel Fauré3:28
51Petite suite, CD 71, L. 65: I. En bateau
orchestra:
Northern Sinfonia (Royal Northern Sinfonia)
conductor:
Jean‐Bernard Pommier (pianist and conductor)
recording of:
Petite Suite, L. 65, CD 71b : I. En bateau (for orchestra)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
recording of:
Petite Suite, L. 65, CD 71b : II. Cortège (for orchestra)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : II. Cortège (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
Claude Debussy3:45
52Suite de Pelléas et Mélisande, op. 80: III. Sicilienne
solo cello:
Han‐na Chang (South Korean conductor and cellist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
recording of:
Sicilienne, op. 78 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Sicilienne, op. 78 (original; for cello and piano)
Erik Satie3:35
533 Gymnopédies: No. 1. Lent et douloureux
piano:
Anne Queffélec (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:31
54Bagatelle no. 25 in A minor, WoO 59 "Für Elise"
piano:
Alexis Weissenberg
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven2:55
55Canciones populares catalanas
guitar:
Wulfin Lieske (guitarist)
recording of:
Cançó del lladre (Miguel Llobet guitar arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
Cançó del lladre
Miguel Llobet Solés1:39
56Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesu, Joy of Man's Desiring"
piano:
François‐René Duchâble (French pianist)
piano arranger:
François‐René Duchâble (French pianist)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:26
57Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variation III. Andande sostenuto
producer:
John Fraser (UK producer)
cello:
Truls Mørk (Norwegian cellist) (from 1992-05-12 until 1992-05-14)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1992-05-12 until 1992-05-14)
conductor:
Mariss Jansons (Latvian conductor) (from 1992-05-12 until 1992-05-14)
balance engineer:
Mark Vigars (engineer) (from 1992-05-12 until 1992-05-14)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1992-05-12 until 1992-05-14)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione III. Andante sostenuto (standard Fitzenhagen version) (from 1992-05-12 until 1992-05-14)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Пётр Ильич Чайковский3:50
58Keyboard Concerto in D minor, BWV 974: II. Adagio
piano:
Alexandre Tharaud (pianist) (from 2010-09-09 until 2010-09-14)
orchestra:
Les Violons du Roy (Canadian chamber orchestra) (from 2010-09-09 until 2010-09-14)
conductor:
Bernard Labadie (conductor and arranger) (from 2010-09-09 until 2010-09-14)
arranger:
Bernard Labadie (conductor and arranger) and Alexandre Tharaud (pianist)
recorded at:
Palais Montcalm in Québec (Quebec City, city), Québec (Quebec), Canada (from 2010-09-09 until 2010-09-14)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (catch all for arrangements) (from 2010-09-09 until 2010-09-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Alessandro Marcello
arrangement of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (transcription for cembalo by J.S. Bach)
Johann Sebastian Bach3:57
59The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
piano:
Daniel Barenboim (pianist and conductor) (in 2003-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2003-12)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:40
60The Light of Life, op. 29: Meditation
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1974-02-06)
conductor:
Sir Adrian Boult (conductor) (on 1974-02-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Warner Classics (in 1975, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-02, on 1974-02-06)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1974-02-06)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Edward Elgar5:56
61Requiem, op. 48: VII. In Paradisum
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:07
62Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
63Recuerdos de la Alhambra
recording engineer:
Hugues Deschaux (from 2016-04-08 until 2016-04-14)
producer:
Hugues Deschaux
classical guitar:
Thibaut Garcia (guitarist) (from 2016-04-08 until 2016-04-14)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2016)
recorded at:
Maladrerie Saint-Lazare de Voisinlieu in Beauvais, Oise, Hauts-de-France, France (from 2016-04-08 until 2016-04-14)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (from 2016-04-08 until 2016-04-14)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega4:12
64Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile
piano:
Mikhail Pletnev (pianist & conductor) (in 1987-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-11)
conductor:
Libor Pešek (conductor) (in 1987-11)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (in 1987-11)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:12
6518 Pieces, op. 72: No. 5. Meditation
piano:
Viktoria Postnikova (pianist)
recording of:
18 Pieces, op. 72: V. Méditation (18 Pieces for Piano, op. 72: V. Meditation)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1893)
dedicated to:
Василий Сафонов
part of:
18 Pieces for Piano, op. 72
Пётр Ильич Чайковский5:01
666 Consolations, S. 172: No. 3 in D-flat major
piano:
François‐René Duchâble (French pianist) (from 1996-10-01 until 1996-10-03)
recorded at:
La Chartreuse (Villeneuve-lès-Avignon) in Villeneuve-lès-Avignon, Gard, Occitanie (Occitania), France (from 1996-10-01 until 1996-10-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (from 1996-10-01 until 1996-10-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt3:55
67Lyric Pieces, Book 5, op. 54: No. 4. Notturno
piano:
Leif Ove Andsnes (pianist)
recording of:
Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano)
composer:
Edvard Grieg (composer) (in 1891)
part of:
Lyriske stykker, hefte V, op. 54
Edvard Grieg4:16
682 Arabesques, CD 74, L. 66: No. 1. Andantino con moto
sound engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard
piano:
Aldo Ciccolini (pianist) (from 1991-04-16 until 1991-04-18)
phonographic copyright (℗) by:
EMI Music France (1994–2013)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1991-04-16 until 1991-04-18)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (from 1991-04-16 until 1991-04-18)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy4:21
69Golgotha: VI. Méditation. "Que dirais-je, que ferais-je ?"
producer:
Franck Martin (Swiss composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
alto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1968-11)
recording of:
Golgotha: Seconde Partie, Nº 6. Méditation "Que dirai-je ?" (in 1968-11)
composer:
Frank Martin (Swiss composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin8:10
70Serse, HWV 40: Act I: Arioso. "Ombra mai fù" (Serse)
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:08
71Souvenir d'un lieu cher, op. 42: I. Méditation
piano:
Alexander Markovich (pianist)
violin:
Alexander Markov (violinist)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: I. Méditation
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Пётр Ильич Чайковский9:34
72Suite bergamasque, CD 82, L. 75: III. Clair de lune
recording engineer:
Guy Laporte
producer:
Michel Garcin (French producer)
piano:
Monique Haas (pianist) (from 1970-12 until 1971-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1972)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (from 1970-12 until 1971-04)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:27
7312 Études, op. 10: No. 3 in E major "Tristesse"
piano:
Andrei Gavrilov (pianist)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
Andrei Gavrilov4:16
74Julia Florida
recorded in:
Chapelle Corneille, Rouen, Seine-Maritime, Normandie (Normandy), France (from 2023-02-11 until 2023-02-13)
engineer:
Hugues Deschaux
guitar:
Thibaut Garcia (guitarist)
recording of:
Julia Florida (barcarola)
composed in:
Costa Rica (in 1938)
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios) (in 1938)
part of:
Tekken 7 (video game soundtrack)
Agustín Barrios Mangoré4:20
75In the Mists: I. Andante
piano:
Leif Ove Andsnes (pianist) (from 1990-04 until 1990-12)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (from 1990-04 until 1990-12)
recording of:
V mlhách: I. Andante - Poco mosso (In the Mists: I. Andante - Poco mosso) (from 1990-04 until 1990-12)
composer:
Leoš Janáček (Czech composer) (in 1912)
part of:
V mlhách (In the Mists)
Leoš Janáček4:23
76Fantasia on Greensleeves
orchestra:
BBC Symphony Orchestra
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:32
77Messa da Requiem: XV. Agnus Dei
producer:
Michel Garcin (French producer)
choir vocals:
Chœur de la Fondation Gulbenkian de Lisbonne (from 1994-06-10 until 1994-06-13)
mezzo-soprano vocals:
Ursula Kunz (contralto) (from 1994-06-10 until 1994-06-13)
soprano vocals:
Angela Maria Blasi (soprano) (from 1994-06-10 until 1994-06-13)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (from 1994-06-10 until 1994-06-13)
conductor:
Michel Corboz (conductor and composer) (from 1994-06-10 until 1994-06-13)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Coliseum in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (from 1994-06-10 until 1994-06-13)
live recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) (from 1994-06-10 until 1994-06-13)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi4:35
78Cello Concerto no. 9 in B-flat major, G. 482: II. Andantino grazioso
cello:
Steven Isserlis (cellist) (in 1990-02)
orchestra:
Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra) (in 1990-02)
conductor:
Juha Kangas (in 1990-02)
recorded at:
Järvenpää-talo: Sibelius-sali (Järvenpää Hall: Sibelius hall) in Järvenpää, Uusimaa, Finland (in 1990-02)
recording of:
Cello Concerto no. 9 in B-flat major, G. 482: II. Andante grazioso (original)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 9 in B-flat major, G. 482 (original)
Luigi Boccherini4:41
793 Liebesträume, S. 541: No. 3 in A-flat major
piano:
Alexis Weissenberg
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:46
80Guitar Concerto in D major, RV 93: II. Largo
guitar:
Christopher Parkening (guitarist) (in 1993-05)
orchestra:
Academy of St Martin in the Fields (in 1993-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1993-05)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1993-05)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (in 1993-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
Antonio Vivaldi4:32
81Canon and Gigue in D major: Canon
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
82Sonata for Solo Violin no. 3 in C major, BWV 1005: III. Largo
producer:
Andrew Keener (engineer/editor/producer)
editor:
Andrew Keener (engineer/editor/producer) and John H. West (classical engineer/producer)
violin:
Christian Tetzlaff (violinist) (in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-03, in 1993-11)
recording of:
Violin Sonata no. 3 in C major, BWV 1005: III. Largo (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 3 in C major, BWV 1005
Johann Sebastian Bach3:27
83Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande
cello:
Ralph Kirshbaum (cellist) (in 1993-01)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-01)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: IV. Sarabande (Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach4:19
84Una limosnita por el amor de Dios
recorded in:
Chapelle Corneille, Rouen, Seine-Maritime, Normandie (Normandy), France (from 2023-02-11 until 2023-02-13)
engineer:
Hugues Deschaux
guitar:
Thibaut Garcia (guitarist)
recording of:
Una limosna por el amor de Dios (a.k.a. "La última canción")
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré4:03
85The Seasons, op. 37a: No. 6. June. Barcarolle
piano:
Mikhail Pletnev (pianist & conductor)
recording of:
The Seasons, op. 37a: VI. June “Barcarolle”
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Пётр Ильич Чайковский4:36
86Keyboard Suite no. 4 in D mnor, HWV 437: III. Sarabande
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
George Frideric Handel3:27
87Stabat Mater: I. Stabat mater dolorosa
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
recorded at:
Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:46
88Messa di Gloria: I. Kyrie
producer:
Michel Garcin (French producer)
choir vocals:
Chœur de la Fondation Gulbenkian de Lisbonne (from 1993-07-04 until 1993-07-06)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (from 1993-07-04 until 1993-07-06)
conductor:
Michel Corboz (conductor and composer) (from 1993-07-04 until 1993-07-06)
balance engineer:
Jean‐Martial Golaz
recorded at:
Fondation Gulbenkian in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (from 1993-07-04 until 1993-07-06)
recording of:
Messa di Gloria: I. Kyrie (from 1993-07-04 until 1993-07-06)
composer:
Giacomo Puccini (Italian composer) (in 1880)
publisher:
Belwin-Mills Publishing Corp. and Éditions Mario Bois
part of:
Messa di Gloria, op. posth.
Giacomo Puccini4:41
89Swan Lake, op. 20: Act 2: No. 10. Scene. Moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Пётр Ильич Чайковский2:46
90Requiem to the Memory of Luís Vaz de Camões, op. 23: Hostias
producer:
Michel Garcin (French producer)
bass vocals:
Michel Brodard (bass-baritone) (from 1994-06-14 until 1994-06-16)
mezzo-soprano vocals:
Liliana Bizineche‐Eisinger (mezzo‐soprano) (from 1994-06-14 until 1994-06-16)
soprano vocals:
Angela Maria Blasi (soprano) (from 1994-06-14 until 1994-06-16)
tenor vocals:
Reinaldo Macias (operatic tenor) (from 1994-06-14 until 1994-06-16)
vocals:
Chœur de la Fondation Gulbenkian de Lisbonne (from 1994-06-14 until 1994-06-16)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (from 1994-06-14 until 1994-06-16)
conductor:
Michel Corboz (conductor and composer) (from 1994-06-14 until 1994-06-16)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Fondation Gulbenkian in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (from 1994-06-14 until 1994-06-16)
recording of:
Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) (from 1994-06-14 until 1994-06-16)
composer:
João Domingos Bomtempo (Portuguese composer)
part of:
Requiem à la mémoire de Camões in C minor, op. 23: IV. Offertorium (Domine Jesu Christe / Hostias et preces)
João Domingos Bomtempo4:25
91Cello Concerto in E-flat major, RV 408: II. Largo
cello:
Han‐na Chang (South Korean conductor and cellist) (in 2008-06)
orchestra:
London Chamber Orchestra (in 2008-06)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 2008-06)
recording of:
Concerto per violoncello in mi bemolle maggiore, RV 408: II. Largo (in 2008-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto per violoncello in mi bemolle maggiore, RV 408
Antonio Vivaldi4:48
92Waltz no. 9 in A-flat major, op. posth. 69 no. 1 "Farewell"
piano:
Dmitri Alexeev (pianist)
recording of:
Waltz no. 9 in A‐flat major, op. 69 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Fryderyk Chopin5:07
933 Intermezzi, op. 117: No. 2 in B-flat minor
piano:
Nicholas Angelich (pianist) (from 2006-08-15 until 2006-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2007) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2007)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (from 2006-08-15 until 2006-08-19)
recording of:
3 intermezzi, op. 117: Nr. 2 in b‐Moll. Andante non troppo e con molta espressione (3 Intermezzi, op. 117: No. 2 in B-flat minor. Andante non troppo e con molta espressione) (from 2006-08-15 until 2006-08-19)
premiered in:
Wien (Vienna), Austria (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms5:05
94Cello Concerto in E minor, op. 85: III. Adagio
producer:
Stephen Johns (producer)
cello:
Truls Mørk (Norwegian cellist) (from 1999-03-30 until 1999-04-01)
orchestra:
City of Birmingham Symphony Orchestra (from 1999-03-30 until 1999-04-01)
conductor:
Simon Rattle (conductor) (from 1999-03-30 until 1999-04-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1999-03-30 until 1999-04-01)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1999-03-30 until 1999-04-01)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (from 1999-03-30 until 1999-04-01)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:08
95Peer Gynt, op. 23, Act 3: No. 12. The Death of Åse
producer and balance engineer:
Maido Maadik
orchestra:
Estonian National Symphony Orchestra (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 3. akt: Åses død (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:07
96Pavane, op. 50
cello:
Paul Tortelier (cellist)
orchestra:
English Chamber Orchestra
conductor:
Paul Tortelier (cellist)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:33
97Adagio for Strings
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Sir Simon Rattle8:57
98Shaker Loops: II. Hymning Slews
orchestra:
London Chamber Orchestra (in 1990-03)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1990-03)
recording of:
Shaker Loops: II. Hymning slews (in 1990-03)
composer:
John Adams (American minimalist composer)
revised by:
John Adams (American minimalist composer) (in 1983)
part of:
Shaker Loops (revised "string orchestra" version)
John Adams5:22
99Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
choir vocals:
Ensemble Vocal de Lausanne (on 1989-09-24)
soprano vocals:
Christa Goetze (soprano) (on 1989-09-24)
orchestra:
Ensemble Instrumental de Lausanne (on 1989-09-24)
conductor:
Michel Corboz (conductor and composer) (on 1989-09-24)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Festival de Fribourg
live recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (on 1989-09-24)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms6:18
100Clarinet Concerto in A major, K. 622: II. Adagio
producer:
John Fraser (UK producer)
basset clarinet and clarinet:
Sabine Meyer (clarinetist) (in 1998-12)
orchestra:
Berlin Philharmonic (Berlin Philharmonic Orchestra) (in 1998-12)
conductor:
Claudio Abbado (conductor) (in 1998-12)
balance engineer:
Arne Akselberg
recorded at:
Philharmonie, Berlin in Mitte, Berlin, Germany (in 1998-12)
live recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1998-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:34
This medium has too many tracks to load at once; currently showing 100 out of 117 total. Load all tracks...

Credits

Release

copyrighted (©) by:Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2024)
stream for free:https://www.deezer.com/album/668866321 [info]
streaming page:https://tidal.com/album/398919511 [info]