Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

1▶CD: Bach: Organ Works
2▶CD: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
3▶CD: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
4▶CD: Gregorian Chant
5▶CD: De La Halle: Dances; Le Jeu De Robin Et De Marion
6▶CD: Bach: Brandenburg Concertos
7▶CD: Bach: Brandenburg Concertos
8▶CD: Gibbons/Morley: Anthems; Madrigals; Fantasies
9▶CD: Bach: Passio Secundum Matthaeum
10▶CD: Bach: Passio Secundum Matthaeum
11▶CD: Bach: Passio Secundum Matthaeum
12▶CD: Bach: Cantatas
13▶CD: Praetorius / Widmann / Schein: Dances
14▶CD: Mouret / Delalande: Symphonies; Fanfares
15▶CD: Höfische Konzertmusik des österreichischen Barock
16▶CD: Musique de table
17▶CD: Vier Orchester-Sinfonien, wq 183
18▶CD: Israel in Egypt
19▶CD: Israel in Egypt
20▶CD: Sonaten für Cembalo
21▶CD: Canti amorosi
22▶CD: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
23▶CD: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
24▶CD: Music of the Gothic Era
25▶CD: Pièces de Clavecin
26▶CD: Die Orchesterwerke
27▶CD: Goldberg-Variationen
28▶CD: Le quattro stagioni
29▶CD: Wassermusik / 3 Konzerte
30▶CD: Mass in B minor
31▶CD: Mass in B minor
32▶CD: Palestrina: Missa Papae Marcelli / Allegri: Misere
33▶CD: Piano Concertos nos. 18 & 19
34▶CD: Vespro Della Beata Vergine
35▶CD: Vespro Della Beata Vergine
36▶CD: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
37▶CD: Symphonies nos. 5 & 6 "Pastoral"
38▶CD: Rebel: Les Élémens / Gluck: Alessandro
39▶CD: La Resurrezione
40▶CD: La Resurrezione
41▶CD: Music for San Rocco
42▶CD: Messiah
43▶CD: Messiah
44▶CD: Lamenti
45▶CD: A Flemish Feast / Flemish Renaissance Wind Music
46▼CD: Motets
#TitleArtistRatingLength
1Inviolata, integra, et casta es Maria à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Inviolata, integra et casta es (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Inviolata, integra et casta es
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:45
2Ut Phoebi radiis à 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Ut Phoebi radiis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Ut Phoebi radiis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
3De profundis clamavi à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
De profundis clamavi à 5 (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:12
4Christe Fili Dei - J'ay pris amours à 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Christe Fili Dei - J'ay pris amours (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Christe Fili Dei - J'ay pris amours
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Vultum tuum deprecabuntur: Christe, fili Dei
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:00
5O Virgo virginum à 6
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
O virgo virginum (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo virginum
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:44
6Vultum tuum deprecabuntur à 4: Vultum tuum deprecabuntur
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Vultum tuum deprecabuntur (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Vultum tuum deprecabuntur
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez2:29
7Vultum tuum deprecabuntur à 4: Ave Maria, gratia plena
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Ave Maria (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Vultum tuum deprecabuntur: Ave Maria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez2:37
8Vultum tuum deprecabuntur à 4: Sancta Dei genitrix
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Sancta Dei genitrix (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Sancta Dei genitrix
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez2:13
9Vultum tuum deprecabuntur à 4: O intemerata Virgo
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Intemerata virgo (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Intemerata virgo
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:30
10Vultum tuum deprecabuntur à 4: O Maria, nullam tam gravem
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Vultum tuum deprecabuntur: O Maria, nullam tam gravem (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:02
11Vultum tuum deprecabuntur à 4: Mente tota tibi supplicamus
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Mente tota (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Mente tota
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:40
12Vultum tuum deprecabuntur à 4: Ora pro nobis
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Vultum tuum deprecabuntur: Ora pro nobis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
recording of:
Vultum tuum deprecabuntur: Ora pro nobis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Vultum tuum deprecabuntur (cycle of 7 motets a4)
Josquin des Prez3:35
13La Déploration de Johannes Ockeghem: Nymphes des bois à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:33
14O bone et dulcis Domine Jesus - Pater noster - Ave Maria à 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Pater noster / Ave Maria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:01
15Huc me sydereo / Plangent eum à 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
Huc me sydereo - Plangent eum (a 5) (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:07
16O Virgo prudentissima / Beata Mater à 6
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
cover recording of:
O virgo prudentissima (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo prudentissima
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez6:50
47▶CD: Italian Cantatas
48▶CD: une symphonie imaginaire
49▶CD: il divino boemo
50▶CD: Concertos for Two Violins
51▶CD: Alcina
52▶CD: Alcina
53▶CD: Alcina
54▶CD: Motetes e himnos para el año litúrgico
55▶CD: Archiv Produktion 2013