Artist of the Century

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1That’s All Right
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra e voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 112)
registrazione cover di:
That’s All Right (il 1954-07-05)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
3.21:56
2Good Rockin’ Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:13
3Baby Let’s Play House
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-01-30 al 1955-02-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1955-01-30 al 1955-02-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953, nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1955-01-30 al 1955-02-04)
registrazione cover di:
Baby Let’s Play House (dal 1955-01-30 al 1955-02-04)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
registrazione di:
Baby Let’s Play House
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
3.552:16
4Mystery Train
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
3.42:26
5Trying to Get to You
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07, il 1955-07-11)
batteria :
Johnny Bernero (nel 1955-07, il 1955-07-11)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07, il 1955-07-11) e Scotty Moore (American guitarist and recording engineer) (il 1955-07-11)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07) e Sun Studios in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
registrazione cover di:
Trying to Get to You (nel 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
42:32
6Heartbreak Hotel
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
voce:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (il 1956-01-10), Lena Brock "Mom" Speer (il 1956-01-10) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-01-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
editore:
Sony/ATV Songs LLC
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 45) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 347)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3.72:09
7Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.451:59
8My Baby Left Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
batteria :
D.J. Fontana (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10, dal 1956-01-30 al 1956-02-03) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30, dal 1956-01-30 al 1956-01-31, il 1956-02-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 29)
registrazione cover di:
My Baby Left Me (dal 1956-01-30 al 1956-02-03)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
registrazione di:
My Baby Left Me
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
3.652:12
9Lawdy, Miss Clawdy
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-02-03)
batteria :
D.J. Fontana (il 1956-02-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-02-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-02-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-02-03)
registrazione cover di:
Lawdy Miss Clawdy (il 1956-02-03)
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
3.852:09
10Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
3.82:16
11Any Way You Want Me (That’s How I Will Be)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-07-02)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione di:
Any Way You Want Me (il 1956-07-02)
autore:
Cliff Owens e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music e Ross Jungnickel, Inc.
42:15
12Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. e Williamson Music Company
3.82:03
13Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
42:42
14Love Me
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Love Me (dal 1956-09-01 al 1956-09-03)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
registrazione di:
Love Me, Love Me
autore:
George Richey e Glenn Sutton (US songwriter and producer)
42:44
15Anyplace Is Paradise
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
Anyplace Is Paradise (il 1956-09-03)
paroliere e compositore:
Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Elvis Presley Music e Elvis Presley Music Inc.
42:26
16All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
3.651:58
17Got a Lot o’ Livin’ to Do!
registrazione di:
Got a Lot o’ Livin’ to Do (il 1957-01-12)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
registrazione cover di:
Got a Lot o’ Livin’ to Do
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
42:33
18(Let Me Be Your) Teddy Bear
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-15 al 1957-01-18)
esecutore aggiunto:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 26)
registrazione di:
(Let Me Be Your) Teddy Bear (dal 1957-01-15 al 1957-01-18)
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
registrazione cover di:
(Let Me Be Your) Teddy Bear
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
3.11:47
19One Night
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-02-23)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957, nel 1959) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Paramount Scoring Stage in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-02-23) e Metropolitan Sports Center in Bloomington, Minnesota, Stati Uniti (il 1976-10-17)
registrazione cover di:
One Night (dal 1957-01-15 al 1957-02-23)
autore:
Dave Bartholomew, Pearl King e Anita Steiman
editore:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) e Travis Music, Inc.
versione di:
One Night (of Sin)
registrazione dal vivo cover di:
One Night (il 1976-10-17)
autore:
Dave Bartholomew, Pearl King e Anita Steiman
editore:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) e Travis Music, Inc.
versione di:
One Night (of Sin)
2.552:30
20Jailhouse Rock
basso elettrico :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-04-30)
batteria :
D.J. Fontana (il 1957-04-30)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-04-30)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1957-04-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957) e BMG Music (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 67) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 216)
registrazione di:
Jailhouse Rock (il 1957-04-30)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
registrazione dal vivo di:
Jailhouse Rock
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
3.552:27
21(You’re So Square) Baby I Don’t Care
registrazione cover di:
(You’re So Square) Baby I Don’t Care
paroliere:
Jerry Leiber (nel 1957)
compositore:
Mike Stoller (nel 1957)
editore:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC e WB Music Corp. (1929–2019)
1:53
22Treat Me Nice
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-09-05)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1957-09-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrazione di:
Treat Me Nice (il 1957-09-05)
autore:
Jerry Leiber e Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
42:12
23Don’t
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-09-05 al 1957-09-07)
batteria :
D.J. Fontana (, dal 1957-09-05 al 1957-09-07)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-09-05 al 1957-09-07) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-09-05 al 1957-09-07)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
pianoforte :
Dudley Brooks (dal 1957-09-05 al 1957-09-07)
voce:
The Jordanaires (southern gospel group) (dal 1957-09-05 al 1957-09-07) e Millie Kirkham (dal 1957-09-05 al 1957-09-07)
voce di accompagnamento aggiuntiva e esecutore aggiunto:
The Jordanaires (southern gospel group)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957, nel 1958), BMG Entertainment (nel 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1958) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-09-05 al 1957-09-07)
registrazione cover di:
Don’t (dal 1957-09-05 al 1957-09-07)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
32:49
24Santa Claus Is Back in Town
tecnico:
Thorne Nogar
batteria :
D.J. Fontana (il 1957-09-07)
chitarra acustica e voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-09-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-09-07)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-09-07)
pianoforte :
Dudley Brooks (il 1957-09-07)
voce di accompagnamento:
The Jordanaires (southern gospel group) (il 1957-09-07) e Millie Kirkham (il 1957-09-07)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1957)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-09-07)
registrazione di:
Santa Claus Is Back in Town (il 1957-09-07)
autore:
Jerry Leiber e Mike Stoller
editore:
Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
3.82:24
25Trouble
tecnico:
Thome Nogar
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1958-01-15)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1958-01-15)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-01-15)
registrazione di:
Trouble (Elvis Presley) (il 1958-01-15)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs e Sony/ATV Songs LLC
42:18
26Hard Headed Woman
tecnico:
Thorne Nogar (dal 1958-01 al 1958-02) e Phil Wisdom (dal 1958-01 al 1958-02)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1958-01-15 al 1958-01-23), Neal Matthews (dal 1958-01-15 al 1958-01-23) e Ray Siegel (dal 1958-01-15 al 1958-01-23)
batteria :
D.J. Fontana (dal 1958-01-15 al 1958-01-23) e Bernie Mattinson (dal 1958-01-15 al 1958-01-23)
bonghi :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1958-01-15 al 1958-01-23)
chitarra :
Neal Matthews (dal 1958-01-15 al 1958-01-23), Scotty Moore (American guitarist and recording engineer) (dal 1958-01-15 al 1958-01-23) e Elvis Presley (“The King of Rock and Roll”) (dal 1958-01-15 al 1958-01-23)
clarinetto :
Mahlon Clark (dal 1958-01-15 al 1958-01-23)
pianoforte :
Dudley Brooks (dal 1958-01-15 al 1958-01-23)
piatti :
Hoyt Hawkins (dal 1958-01-15 al 1958-01-23)
sassofono :
Justin Gordon (dal 1958-01-15 al 1958-01-23)
tromba :
John Ed Buckner (dal 1958-01-15 al 1958-01-23)
trombone :
Elmer Schneider (dal 1958-01-15 al 1958-01-23) e Warren Smith (jazz trombonist) (dal 1958-01-15 al 1958-01-23)
tuba :
Ray Siegel (dal 1958-01-15 al 1958-01-23)
voce:
The Jordanaires (southern gospel group) (dal 1958-01-15 al 1958-01-23)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958), BMG Music (nel 1958) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1958-01-15 al 1958-01-16, il 1958-01-23)
registrazione cover di:
Hard Headed Woman (il 1958-01-15)
paroliere e compositore:
Claude Demetrius
editore:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) e Williamson Music Company
registrazione di:
Hard Headed Woman
paroliere e compositore:
Claude Demetrius
editore:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) e Williamson Music Company
3.651:54
27Wear My Ring Around Your Neck
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1958-02-01)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1958-02-01)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1958) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrazione di:
Wear My Ring Around Your Neck (il 1958-02-01)
paroliere e compositore:
Bert Carroll e Russell Moody
editore:
Carlin Music Corporation, Lollipop Music Corp. e Owepar Publishing Inc.
registrazione cover di:
Wear My Ring Around Your Neck
paroliere e compositore:
Bert Carroll e Russell Moody
editore:
Carlin Music Corporation, Lollipop Music Corp. e Owepar Publishing Inc.
3.22:15
28A Big Hunk o’ Love
basso :
Bob Moore (U.S. bassist and bandleader) (il 1958-06-10)
batteria :
D.J. Fontana (il 1958-06-10) e Buddy Harman (Session drummer and songwriter) (il 1958-06-10)
chitarra :
Chet Atkins (il 1958-06-10), Hank Garland (il 1958-06-10) e Elvis Presley (“The King of Rock and Roll”) (il 1958-06-10)
pianoforte :
Floyd Cramer (il 1958-06-10)
voce:
The Jordanaires (southern gospel group) (il 1958-06-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958), BMG Music (nel 1958, nel 1959, nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1958-06-10)
registrazione cover di:
A Big Hunk o’ Love (il 1958-06-10)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Sid Wyche
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) e Williamson Music Company
3.352:15
29(Now and Then There’s) a Fool Such as I
basso :
Bob Moore (U.S. bassist and bandleader) (il 1958-06-10)
batteria :
D.J. Fontana (il 1958-06-10) e Buddy Harman (Session drummer and songwriter) (il 1958-06-10)
chitarra :
Chet Atkins (il 1958-06-10), Hank Garland (il 1958-06-10) e Elvis Presley (“The King of Rock and Roll”) (il 1958-06-10)
pianoforte :
Floyd Cramer (il 1958-06-10)
voce:
The Jordanaires (southern gospel group) (il 1958-06-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1959) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1958-06-10) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 33)
registrazione dal vivo cover di:
(Now and Then There’s) a Fool Such as I (il 1958-06-10)
paroliere e compositore:
Bill Trader
editore:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) e Universal/MCA Music Ltd. (not for release label use!)
registrazione cover di:
(Now and Then There’s) a Fool Such as I
paroliere e compositore:
Bill Trader
editore:
LeFevre Sing Pub. Co., MCA Music Inc. (US-based music publishers) e Universal/MCA Music Ltd. (not for release label use!)
2.62:37
2▶CD
3▶CD

Accreditamenti

Pubblicazione

fabbricata a:Europa
produttore:Ernst Mikael Jorgensen
Roger Semon
design:Peacock (art direction, design)
Discogs:https://www.discogs.com/release/1888088 [info]
ASIN:DE: B000026S0Z [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/373904 [info]
Wikidata:Q11959205 [info]