My Romance

~ Veröffentlichung von Carly Simon (alle Versionen dieser Veröffentlichung ansehen, 26 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1My Romance
recording of:
My Romance
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
?:??
A2By Myself / I See Your Face Before Me
recording of:
I See Your Face Before Me
Texter und Komponist(in):
Howard Dietz (librettist) und Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. und Chappell & Co.
?:??
A3When Your Lover Has Gone
Solo-EWI [steinerphone]:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
recording of:
When Your Lover Has Gone
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
?:??
A4In the Wee Small Hours of the Morning
Produzent(in):
Frank Filipetti und Marty Paich
Solo-Trompete:
Marvin Stamm
Sologesang:
Carly Simon
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
4?:??
A5My Funny Valentine
recording of:
My Funny Valentine (arr. Bjørn Kruse)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
arranger:
Bjorn Kruse
Arrangement von:
My Funny Valentine (from “Babes in Arms”)
?:??
A6Something Wonderful
Solo-Geige / Violine:
David Nadien
concertmaster:
David Nadien
recording of:
Something Wonderful (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
übersetzte Version von:
דבר מה נפלא כל כך
Teil von:
The King and I (Rodgers & Hammerstein musical)
?:??
B1Little Girl Blue
recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
?:??
B2He Was Too Good to Me
recording of:
He Was Too Good to Me
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Simple Simon
?:??
B3What Has She Got
recording of:
What Has She Got
Verfasser(in):
Jacob Brackman, Michael Kosarin und Carly Simon
?:??
B4Bewitched
Solo-Saxophon [sax]:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
?:??
B5Danny Boy
recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
?:??
B6Time After Time
cover recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
?:??

Nennungen

Veröffentlichung

Fotografie:Bob Gothard (photographer)
sonstige Unterstützung:Mark Arrow (manager for Champion Entertainment) (Aufgabe: management)
Emilie Charlap (Aufgabe: orchestra contractor)
Brian Doyle (manager for Champion Entertainment) (Aufgabe: management)
Randy Hoffman (manager for Champion Entertainment) (Aufgabe: management)
Jan Mullen (manager for Champion Entertainment) (Aufgabe: management)
Kathy Schinhofen (calligrapher / letterer) (Aufgabe: hand lettering)
Al Smith (manager for Champion Entertainment) (Aufgabe: management)
Myrna Suarez (manager for Champion Entertainment) (Aufgabe: management)
Mix und recording engineer:Frank Filipetti
assistierende(r) Techniker(in):Matthew "Boomer" LaMonica
Partner-Produzent(in):Michael Kosarin
Produzent(in):Frank Filipetti
Marty Paich
Orchestrator(in):Marty Paich
Bass:Wayne Pedziwiatr
Bass [acoustic bass]:Jay Leonhart
Bratsche / Viola [violas]:Lamar Alsop
Harold Coletta
Emmanuel Vardi
Monica Gerard
Olivia Koppell (Viola)
Jesse Levine (violist and conductor)
Cello [celli]:Jesse Levy
Richard Locker (cellist)
Mark Shuman
Charles McCracken (cellist)
Nathan Stutch (cellist)
Geige / Violine [violins]:Marin Alsop (conductor)
Elena Barere (violinist)
Rick Dolan (violinist)
Arnold Eidus
Barry Finclair
Heidi Carney
Regis Iandiorio
Jean Ingraham (violinist)
Nancy McAlhany (violinist)
Jan Mullen
Narcisco Figueroa (pianist)
Paul Peabody (violinist)
John Pintavalle
Joel Pitchon (violinist)
Matthew Raimondi
Lenard Rivlin (violinist)
Mary Rowell
Richard Sortomme (violinist/composer)
Ruth Waterman
Gitarre:Jimmy Ryan (American guitarist and singer/songwriter)
Harfe:Margaret Ross (harp)
Horn [horns]:John Clark (flute & horn player)
Bill Hamilton (french horn player)
William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer)
Jerry Peel
Klavier:Michael Kosarin
Kontrabass:John Beal (American Broadway bassist)
Oboe:Steve Taylor (oboist)
Perkussion:Gordon Gottlieb (American percussionist and conductor)
Schlagzeug [drums]:Steve Gadd (drummer)
Waldhorn:John Anderer (American hornist)
conductor:Marty Paich
design:Carolyn Quan
sonstige Unterstützung:Champion Entertainment Organization, Inc. (Aufgabe: management)
aufgenommen bei und mixed at:Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/26153819 [Info]