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1The Four Seasons - Concerto no. 1 in E major "Spring": III. Allegro
clavicembalo :
Paul Crocker (harpsichord) (nel 1979-12)
violino :
Yehudi Menuhin (violinist) (nel 1979-12)
orchestra:
Camerata Lysy Gstaad (nel 1979-12)
direttore d'orchestra:
Alberto Lysy (violinist and conductor) (nel 1979-12)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1979-12)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (nel 1979-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:29
2Dance of the Blessed Spirits
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
direttore d'orchestra:
Riccardo Muti (conductor)
registrazione di:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
compositore:
Christoph Willibald Gluck (composer)
parte di:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
parte di:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck2:16
3Double Violin Concerto in D minor, BWV 1042: II. Largo ma non tanto (opening)
violino :
Christian Ferras (violinist) e Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
direttore d'orchestra:
Yehudi Menuhin (violinist)
registrazione parziale di:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach2:37
4Prelude no. 7 in A major, op. 28 no. 7
pianoforte :
Tzimon Barto (pianist and conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (dal 1992 a oggi)
registrazione di:
Prélude no. 7 in A major, op. 28: Andantino
compositore:
Fryderyk Chopin (Frédéric Chopin, composer) (nel 1836)
parte di:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:06
5Cantique de Jean Racine
cori:
The Monks and Choirboys of Downside Abbey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1997)
registrazione di:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
paroliere:
Jean Racine (French dramatist)
compositore:
Gabriel Fauré (French composer) (nel 1865)
dedicata a:
César Franck (Belgian‐born French composer)
parte di:
Works of Gabriel Fauré by opus number (numero: op. 11)
Gabriel Fauré5:12
6The Lark Ascending (opening)
violino :
Hugh Bean (violinist)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
direttore d'orchestra:
Sir Adrian Boult (conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
registrazione parziale di:
The Lark Ascending (for violin and orchestra)
compositore:
Ralph Vaughan Williams (English composer) (nel 1914)
eseguita per la prima volta presso:
[concert] (1921-06-14)
eseguita per la prima volta presso:
Queen’s Hall in London (Greater London), England, Regno Unito (il 1921-06-14)
arrangiamento di:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:26
7Pathétique Sonata, op. 13: II. Adagio cantabile
pianoforte :
Leonard Pennario (pianist / composer)
orchestra:
Hollywood Bowl Orchestra e The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
direttore d'orchestra:
Miklós Rózsa (composer)
registrazione di:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (catch all for arrangements)
compositore:
Ludwig van Beethoven (German composer)
arrangiamento di:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
parte di:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique” (catch-all for unknown arrangement)
Ludwig van Beethoven5:30
8Pie Jesu
produttore:
Simon Woods (producer)
cori:
Choir of King’s College, Cambridge (dal 1997-07-15 al 1997-07-18)
voce di ragazzo soprano (treble):
Edward Saklatvala (tenor)
orchestra:
City of London Sinfonia (chamber orchestra) (dal 1997-07-15 al 1997-07-18)
direttore d'orchestra:
Stephen Cleobury (organist, conductor) (dal 1997-07-15 al 1997-07-18)
maestro del coro:
Stephen Cleobury (organist, conductor)
tecnico di bilanciamento:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (dal 1997-07-15 al 1997-07-18)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito (dal 1997-07-15 al 1997-07-18)
registrazione di:
Requiem: III. Pie Jesu (dal 1997-07-15 al 1997-07-18)
compositore:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (nel 1985)
editore:
Oxford University Press
parte di:
Requiem
John Rutter3:35
9Salut D’Amour
orchestra:
Northern Sinfonia of England (Royal Northern Sinfonia)
direttore d'orchestra:
Richard Hickox (conductor)
registrazione di:
Salut d’amour, op. 12 (for orchestra)
compositore e arrangiatore:
Edward Elgar (composer) (nel 1888)
eseguita per la prima volta presso:
The Crystal Palace in London (Greater London), England, Regno Unito (il 1889-11-11)
arrangiamento di:
Salut d’amour, op. 12 (for violin and piano)
Sir Edward Elgar3:55
10La Fille aux Cheveux de Lin
pianoforte :
Dame Moura Lympany (British pianist)
registrazione di:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
compositore:
Claude Debussy (French composer) (dal 1909-12 al 1910-02)
eseguita per la prima volta presso:
[concert] (1910-06-02)
parte di:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:40
11The Coventry Carol
cori:
Mediæval Bæbes
voce solista:
Katharine Blake e Karen Lupton
registrazione di:
Coventry Carol
paroliere:
Robert Croo (16th-century lyricist of "The Coventry Carol") (nel 1534)
compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 19028)
[traditional]4:28
12Pavane for a Dead Princess
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
direttore d'orchestra:
Lorin Maazel (conductor)
registrazione di:
Pavane pour une infante défunte (orchestrated version)
orchestratore:
Maurice Ravel (French composer) (nel 1910)
compositore:
Maurice Ravel (French composer) (nel 1899)
editore:
Editions Max Eschig
parte di:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (numero: M. 19a)
orchestrazione di:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:24
13Liebestraum no. 3 in A-flat major
pianoforte :
John Ogdon (pianist and composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
compositore:
Franz Liszt (Hungarian composer, pianist and conductor) (nel 1850)
arrangiatore pianoforte :
Franz Liszt (Hungarian composer, pianist and conductor)
arrangiamento di:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
parte di:
Liebesträume, S. 541
Franz Liszt4:31
14Panis Angelicus
cori:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
voce di soprano:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
direttore d'orchestra:
Charles Mackerras (Australian conductor)
registrazione di:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
paroliere:
St. Thomas Aquinas (Tommaso d'Aquino)
compositore:
César Franck (Belgian‐born French composer) (nel 1860)
parte di:
Messe solennelle en la majeur, op. 12
César Franck4:41
15Piano Concerto no. 2 in F major, op. 102: II. Andante
pianoforte :
Dmitri Alexeev (pianist) (nel 1983-05)
orchestra:
English Chamber Orchestra (nel 1983-05)
direttore d'orchestra:
Jerzy Maksymiuk (conductor) (nel 1983-05)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1983-05)
registrazione di:
Piano Concerto no. 2 in F major, op. 102: II. Andante (nel 1983-05)
compositore:
Дмитрий Дмитриевич Шостакович (Dmitrij Dmitrievič Šostakovič, composer) (nel 1957)
parte di:
Piano Concerto no. 2 in F major, op. 102
Dmitri Shostakovich6:10
16Agnus Dei
organo :
Peter Barley
cori:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
direttore d'orchestra:
Stephen Cleobury (organist, conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1989)
registrazione di:
Requiem, op. 9: VI. Agnus Dei (for choir, organ and reduced orchestra (1961))
compositore:
Maurice Duruflé (French composer & organist, 1902–1986) (nel 1947)
arrangiatore:
Maurice Duruflé (French composer & organist, 1902–1986) (nel 1961)
parte di:
Requiem, op. 9 (for choir, organ and reduced orchestra (1961))
Maurice Duruflé3:44
17Symphony no. 5 in G-sharp minor: IV. Adagietto (conclusion)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
direttore d'orchestra:
Sir John Barbirolli (conductor and cellist)
registrazione parziale di:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
compositore:
Gustav Mahler (composer) (dal 1901 al 1902)
parte di:
Symphony no. 5
Gustav Mahler3:11
18My Heart Will Go On
violino :
David Abel (violinist/violist)
orchestra:
Shearman Orchestra
direttore d'orchestra:
David Abel (conductor)
arrangiatore:
James Shearman (conductor, orchestrator, composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione strumentale di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
James Horner4:19