101 80s Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.83:00
2Karma Chameleon
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
Karma Chameleon
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3:51
3Baggy Trousers
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness52:46
4A Message to You Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials42:52
5Don’t Worry, Be Happy
Produzent(in):
Linda Goldstein
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don’t Worry, Be Happy von Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3.73:52
6Thinking of You
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 50)
recording of:
Thinking of You
Verfasser(in):
Terry Hall und Toby Lyons
The Colour Field33:29
7Lavender
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (in 1985-03)
recording of:
Lavender (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
basiert auf:
Lavender’s Blue (late 17th c. English folk song)
Marillion2.53:42
8Missing You
Produzent(in):
Gary Gersh, David Thoener und John Waite
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1984)
Bearbeitung von:
Missing You von John Waite
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite3.653:31
9(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.24:24
10Rush Hour
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
Verfasser(in):
Peter Rafelson und Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. und Universal Music–MGB Songs
Jane Wiedlin4:05
11Leave a Light On
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1989)
recording of:
Leave a Light On
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) und Virgin Songs, Inc. (in 1989)
Belinda Carlisle24:16
12I Want That Man
Produzent(in) und Mix:
Tom Bailey (UK singer-songwriter / composer / producer) und Eric Thorngren
zusätzliche(r) Produzent(in):
Ben Grosse (American producer and engineer)
zusätzlich Gitarre:
Chris Stein
zusätzlich Schlagzeug:
Geoff Dugmore
remixer:
Ben Grosse (American producer and engineer)
aufgenommen bei:
Maison Rouge Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Quad Recording in New York, New York, Vereinigte Staaten
remixed at:
Pearl Sound in Canton, Michigan, Vereinigte Staaten
recording of:
I Want That Man
Texter und Komponist(in):
Tom Bailey (Thompson Twins) und Alannah Currie
publisher:
BMG Music, Point Music Ltd. und Point Music America Inc. (in 1989)
Deborah Harry3.63:41
13Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) und Mark McGuire (UK producer/engineer)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
14Good Life
Techniker(in):
Ben Grosse (American producer and engineer)
Produzent(in):
Kevin Saunderson
Mix:
Ben Grosse (American producer and engineer) und Kevin "Master Reese" Saunderson
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City34:03
15Solid
recorded in:
U.S.A.
Produzent(in):
Nickolas Ashford und Valerie Simpson
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
Bearbeitung von:
Solid von Ashford & Simpson
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:21
16Keep On Movin’
Produzent(in) und Mix:
Nellee Hooper und Jazzie B
phonographisches Urheberrecht (℗) von:
10 Records (in 1989)
produced for:
Silent Productions Ltd. (Production company of Jazzie B and Nellee Hooper)
Musikvideos:
Keep On Movin’ (official music video) von Soul II Soul
recording of:
Keep On Movin’
Texter und Komponist(in):
Jazzie B
publisher:
Virgin Music (Publishers) Ltd. (in 1989)
Soul II Soul feat. Caron Wheeler43:31
17If Only I Could
recording of:
If Only I Could
Verfasser(in):
Ralf Hamm, Markus Staab, Sydney Youngblood und Claus Zundel
Sydney Youngblood33:29
18The King of Wishful Thinking
recording engineer:
Paul Erickson (recording engineer)
membranophone-Programmierung:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Programmierung:
Peter Wolf (US rock vocalist, member of J. Geils Band)
leitende(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Produzent(in):
Peter Wolf (US rock vocalist, member of J. Geils Band) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Tom Lord‐Alge
Gast-Gitarre:
David Williams (session guitarist and songwriter)
Gast-Horn:
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) und Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Keyboard:
Peter Wolf (US rock vocalist, member of J. Geils Band)
Gast Hintergrundgesang:
Lynn Davis (vocalist), Dorian Holley, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) und Alfie Silas
arranger:
Jerry Hey und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1990)
recording of:
King of Wishful Thinking
Verfasser(in):
Peter Cox (Artist and songwriter), Richard Drummie und Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West34:00
19Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
Neue Constantin Film Productions GmbH
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:29
20I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue43:24