Late Night Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleArtistRatingLength
1Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Oscar Peterson4:53
2Corcovada (feat. Antonio Jobin)
João Gilberto4:17
3The Shadow of Your Smile
bass:
Bob Cranshaw (on 1965-05-18)
bongos and congas:
Candido Camero (Cuban conga and bongo player) (on 1965-05-18)
cello:
Charles McCracken (cellist) (on 1965-05-18)
cello and violin:
George Ricci (on 1965-05-18)
drums (drum set):
Hélcio Milito (on 1965-05-18) and Grady Tate (on 1965-05-18)
guitar:
Wes Montgomery (on 1965-05-18)
harp:
Margaret Ross (harp) (on 1965-05-18)
piano:
Roger Kellaway (on 1965-05-18)
vibraphone:
Jack Jennings
viola:
Harold Coletta (on 1965-05-18)
violin:
Paul Gershman (on 1965-05-18), Harry Lookofsky (on 1965-05-18) and Gene Orloff (on 1965-05-18)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-18)
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-05-18)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
Wes Montgomery2:20
4Smoke Gets in Your Eyes
recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Clifford Brown3:17
5My Funny Valentine (feat. J.J. Johnson)
performer:
J.J. Johnson (jazz/bop trombonist/session leader)
Stan Getz8:10
6Night and Day
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25), Harry Terrill (Musician - Saxophone Player) (on 1952-03-25) and Murray Williams (on 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (on 1952-03-25)
double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman)
arranger:
Joe Lippman (Joseph P. Lippman)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Charlie Parker2:53
7Old Black Magic
Erroll Garner5:23
8Quintessence
George Shearing2:58
9Goin' Out of My Head
recording engineer:
Rudy van Gelder (on 1965-11-20)
producer:
Creed Taylor
alto saxophone and clarinet:
Jerry Dodgion (on 1965-11-20) and Phil Woods (US jazz woodwind player) (on 1965-11-20)
bass trombone:
Tony Studd (on 1965-11-20)
double bass [bass]:
George Duvivier (on 1965-11-20)
drums (drum set):
Grady Tate (on 1965-11-20)
electric guitar [guitar]:
Wes Montgomery (on 1965-11-20)
flute and piccolo:
Jerry Dodgion (on 1965-11-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-11-20) and Roger Kellaway (on 1965-11-20)
trombone:
Wayne Andre (on 1965-11-20), Jimmy Cleveland (US jazz trombonist) (on 1965-11-20) and Quentin Jackson (on 1965-11-20)
trumpet:
Danny Moore (on 1964-11-20), Joe Newman (US jazz trumpeter) (on 1964-11-20), Donald Byrd (American jazz trumpeter) (on 1965-11-20) and Ernie Royal (on 1965-11-20)
woodwind:
Jerome Richardson (on 1964-11-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1964-11-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-11-20)
instrumental cover recording of:
Goin’ Out of My Head (on 1964-11-20)
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
Wes Montgomery42:15
10Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gerry Mulligan5:41
11Midnight Mood
recording engineer:
Ray Hall (engineer) (from 1968-09 until 1968-10)
producer:
Helen Keane
keyboard:
Joe Zawinul (jazz and fusion keyboard player) (from 1968-09 until 1968-10)
piano:
Bill Evans (pianist) (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
cover recording of:
Midnight Mood (from 1968-09 until 1968-10)
composer:
Ben Raleigh and Joe Zawinul (jazz and fusion keyboard player)
publisher:
Helios Music and Helios Music Corp.
Bill Evans5:19
12Autumn Leaves
The Herbie Mann Nonet9:52