Golden Sounds From the Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Set CGSC-A-126 comprises: RDC 91101, RDC 91102, RDC 91103, & RDC 91104

Anmerkung zuletzt geändert am 2014-03-29 12:42 UTC.

Titelliste

1Kassette: All-Time Favourites / Tchaikovsky, Master of Melody
2Kassette: Immortal Operetta Favourites / Instrumental Encores
Nr.TitelKünstlerBewertungLänge
C1Rose‐Marie (title track)
Baritongesang:
Richard Fredricks (baritone)
conductor:
Lehman Engel
recording of:
Rose-Marie (title song of the 1924 operetta)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml
publisher:
Chappell & Co.
Teil von:
Rose-Marie (1924 operetta-style musical)
Rudolf Friml, Herbert Stothart, Otto Harbach & Oscar Hammerstein II?:??
C2Deep in My Heart, Dear, from "The Student Prince"Sigmund Romberg & Dorothy Donnelly?:??
C3I'll See You Again, from "Bitter Sweet"
Baritongesang:
John Hauxvell (baritone)
Mezzosoprangesang:
Rosalind Elias (mezzo-soprano)
conductor:
Lehman Engel
recording of:
I’ll See You Again (adapted from Bitter Sweet)
Texter und Komponist(in):
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
Arrangement von:
Bitter Sweet, Act I: I’ll See You Again
Teil von:
Bitter Sweet (Noel Coward operetta)
Noël Coward?:??
C4You Are My Heart's Delight, from "The Land of Smiles"Franz Lehár?:??
C5Ol' Man River, from "Show Boat"
Bass-Gesang:
Valentine Pringle (bass singer)
conductor:
Lehman Engel
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Jerome Kern & Oscar Hammerstein II?:??
C6Only a Rose, from "The Vagabond King"
Soprangesang:
Saramae Endich (soprano)
Tenor-Gesang:
William Lewis (tenor)
conductor:
Lehman Engel
recording of:
The Vagabond King: Act I. Only a Rose
Komponist(in):
Rudolf Friml
Librettist:
Brian Hooker und William H. Post
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Teil von:
The Vagabond King: Act I
Rudolf Friml, William H. Post & Brian Hooker?:??
C7Smoke Gets in Your Eyes, from "Roberta"
vocals:
Margot Moser (film and musical actress)
conductor:
Robert Mandell & His Orchestra
recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Jerome Kern & Otto Harbach?:??
C8Indian Love Call, from "Rose-Marie"
Baritongesang:
Richard Fredricks (baritone)
Soprangesang:
Anna Moffo (soprano)
conductor:
Lehman Engel
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml und Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. und Harms, Inc. (am 1924-09-02)
Teil von:
Rose-Marie (1924 operetta-style musical)
Teil von:
Rose-Marie (1936 musical film)
Rudolf Friml, Herbert Stothart, Otto Harbach & Oscar Hammerstein II?:??
C9Stout‐Hearted Men, from "The New Moon"
Baritongesang:
Peter Palmer (actor and baritone)
vocals:
Arthur Rubin (tenor, actor, theater executive)
conductor:
Lehman Engel
recording of:
The New Moon: Act I. Stout‐Hearted Men (Robert, Phillipe, Men)
Texter:
Frank Mandel, Laurence Schwab und Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Sigmund Romberg (in 1927)
Librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Teil von:
The New Moon: Act I
Sigmund Romberg & Oscar Hammerstein II?:??
C10My Hero, from "The Chocolate Soldier"
Baritongesang:
Neilson Taylor (baritone and footballer)
vocals:
Lou Ann Lee (singer and speaker)
Orchester:
Douglas Gamley and His Orchestra
recording of:
My Hero (from “The Chocolate Soldier”)
Komponist(in):
Oscar Straus
Librettist:
Rudolf Bernauer
Übersetzer:
Stanislaus Stange
übersetzte Version von:
Der tapfere Soldat: 1. Akt. „Komm, komm, Held meiner Träume“ (Nadina)
Teil von:
The Chocolate Soldier
Teil von:
Two Weeks With Love (1950 film)
Oscar Straus & Stanislaus Stange?:??
C11Song of the Vagabonds, from "The Vagabond King"
Tenor-Gesang:
William Lewis (tenor)
conductor:
Lehman Engel
recording of:
The Vagabond King, Act I: Song of the Vagabonds (Villon, Chorus)
Komponist(in):
Rudolf Friml
Librettist:
Brian Hooker und William H. Post
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
übersetzte Version von:
蒲田行進曲
Teil von:
The Vagabond King: Act I
Rudolf Friml, William H. Post & Brian Hooker?:??
C12One Alone, from "The Desert Song"Sigmund Romberg, Frank Mandel, Otto Harbach & Oscar Hammerstein II?:??
C13Drinking Song, from "The Student Prince"Sigmund Romberg & Dorothy Donnelly?:??
D1Spinning Song
Interpret(in):
The Virtuoso Piano Quartet
arranger:
Jascha Zayde (pianist, composer and conductor)
recording of:
Lied ohne Worte C-Dur, op. 67 Nr. 4 (Song Without Words in C major, Op. 67 No. 4, Spinnerlied; Spinning Song)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1843 bis 1845)
Teil von:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV U 182)
Teil von:
Lieder ohne Worte, op. 67 (Songs Without Words, op. 67)
Felix Mendelssohn?:??
D2Jesu, Joy of Man's Desiring
Orgel:
William Davies (pianist, organist, composer)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach?:??
D3Prelude in C‐sharp minor
Klavier:
Sergio Varella-Cid (pianist)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer)
Teil von:
Morceaux de fantaisie, op. 3
Rachmaninov?:??
D4Melody in F
Cello:
Francisco Gabarro
Klavier:
Robert Docker
recording of:
2 Mélodies, op. 3: No. 1 in F major (for cello and piano, arr. David Popper)
Komponist(in):
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer)
arranger:
David Popper (Czech composer)
Arrangement von:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
Anton Rubinstein?:??
D5Sevilla
klassiche Gitarre:
Jorge Morel (Argentine guitarist and composer)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
Komponist(in):
Isaac Albéniz (Spanish composer)
Arrangement von:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz?:??
D6Spring Song
flute:
William Bennett (flautist)
Klavier:
Robert Docker
recording of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Sechs Lieder ohne Worte (5. Heft), op. 62: VI. Allegretto grazioso A-Dur (Frühlingslied), Frühlingslied / Spring Song; original for piano)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1842 bis 1844)
Teil von:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV U 161)
Teil von:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn?:??
D7Introduction and Rondo Capriccioso
Geige / Violine:
Raymond Cohen (English violinist)
Orchester:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
recording of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduktion und Rondo capriccioso in a-moll für Violine und Orchester, op. 28)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1863)
Teil von:
Works of Camille Saint-Saëns by opus number (Nummer: op. 28)
Camille Saint‐Saëns?:??
D8Polonaise in A
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Polonaise in A major, op. 40 no. 1 “Military”
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1838)
Teil von:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (Nummer: 3)
Teil von:
Polonaises, op. 40
Fryderyk Chopin?:??
D9Sleepers AwakeJohann Sebastian Bach?:??
D10Minuet in G
Klavier:
Ralph Votapek (pianist)
recording of:
Menuet célèbre, op. 14 no. 1 (for piano)
Komponist(in):
Ignacy Jan Paderewski (Polish pianist and composer) (in 1887)
Teil von:
6 humoresques de concert, op. 14
Teil von:
Cahier 1 a l'antique
Ignacy Jan Paderewski?:??
3Kassette: On Wings of Song / Johann Strauss
4Kassette: Light Classical Pops / Showpieces for Orchestra