Capital Gold: Rock ’n’ Roll Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Elvis Presley3.72:09
2Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1955, from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
3Be‐Bop‐A‐Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:34
4(We’re Gonna) Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:11
5Great Balls of Fire
producer:
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) and Sam Phillips (founder of Sun Records) (in 1957)
bass guitar:
Sidney Stokes
drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-10-08)
edit of:
Great Balls of Fire (chat & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 96) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 242)
recording of:
Great Balls of Fire (in 1957-10)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
cover recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis4.351:51
6Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 13) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 56)
recording of:
Long Tall Sally (on 1956-02-07)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Little Richard42:08
7At the Hop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 28)
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors3.52:31
8Dizzy Miss Lizzy
baritone saxophone:
Jewell Grant (US saxophonist) (on 1958-02-19)
bass:
Ted Brinson (on 1958-02-19)
drums (drum set):
Earl Palmer (on 1958-02-19)
guitar:
Rene Hall (on 1958-02-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-02-19)
piano:
Larry Williams (1950s rocker) (on 1958-02-19)
tenor saxophone:
Plas Johnson (on 1958-02-19)
vocals:
Larry Williams (1950s rocker) (on 1958-02-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-02-19)
recording of:
Dizzy Miss Lizzy (on 1958-02-19)
lyricist and composer:
Larry Williams (1950s rocker)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), ATV Music, ATV Music Ltd., Essex Music, Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Larry Williams42:11
9Chantilly Lace
recording of:
Chantilly Lace
lyricist and composer:
J.P. Richardson
publisher:
Glad Music Co.
The Big Bopper42:23
10Bird Dog
recording of:
Bird Dog
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1958-08-15) and House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers2:15
11Come Go With Me
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
lyricist and composer:
C.E. Quick
publisher:
Fee Bee Music Company and Gil Music Corporation
The Del‐Vikings4.52:38
12Lonely Teardrops
recording of:
Lonely Teardrops
writer:
Tyran Carlo, Berry Gordy and Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Lena Music, Regent Music (BMI) and The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Jackie Wilson2:42
13Dream Lover
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1959)
recording of:
Dream Lover
lyricist and composer:
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:31
14A Teenager in Love
performer:
Dion & The Belmonts
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 7)
recording of:
A Teenager in Love (in 1959)
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts52:32
15The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:38
16Ain’t That a Shame
producer:
Dave Bartholomew
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1955) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
Ain’t That a Shame (on 1955-03-15)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino4.52:25
17Charlie BrownThe Coasters2:21
18Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:17
19Love Potion No. 9The Clovers1:54
20Little Bitty Pretty One
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 22)
recording of:
Little Bitty Pretty One
lyricist and composer:
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:22
21Party Doll
recording of:
Party Doll
writer:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) and Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three and Patricia Music Publ. Corp.
Buddy Knox2:11
22C’mon Everybody
drums (drum set):
Earl Palmer (on 1958-10-10)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-10-10)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1958-10-10)
tambourine:
Jerry Capehart (on 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-10-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody (on 1958-10-09)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:54
23The Girl Can't Help It
recording of:
The Girl Can’t Help It
lyricist and composer:
Bobby Troup
publisher:
Robbins Music Corp. and Twentieth Century Music Corp. (in 1956)
Little Richard2:31
24Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (on 1956-07-02)
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Elvis Presley3.82:14
25Move It
recording of:
Move It
composer:
Ian Samwell
publisher:
Multimood Music Ltd.
Cliff Richard2:21
26Red River Rock
cover recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
Johnny and the Hurricanes2:09
27I’m Walkin’
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1957)
edit of:
I’m Walking by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 17)
recording of:
I’m Walkin’ (on 1957-01-03)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. and Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:06
28Sea Cruise
recording of:
Sea Cruise
lyricist and composer:
Huey “Piano” Smith
publisher:
Cotillion Music Inc. (BMI) and EMI Music Publishing Ltd. (PRS‐affiliated)
Frankie Ford2:56
29Blue Jean Bop
recording of:
Blue Jean Bop
writer:
Hal Levy and Gene Vincent
Gene Vincent42:22
30Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:20
31F.B.I.
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
F.B.I.
composer:
Peter Gormley, Hank Marvin (lead guitarist of The Shadows, songwriter) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Carlin Music Corporation and Shadows Music Ltd.
The Shadows42:19
32Tequila
recording of:
Tequila
lyricist and composer:
Daniel Flores (Daniel Flores)
The Champs4.32:09
2CD