Golden Records, Volume 1

~ Release by Harry Belafonte (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Banana Boat (Day-O)
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
4.653:05
2Jump in the Line
engineer:
Bob Sirapson
producer:
Bob Bollard
bass:
Norman Keenan
cuatro:
Ernest Calabria
guitar:
Ernest Calabria and Millard Thomas
vocals:
Harry Belafonte (in 1961)
conductor and chorus master:
Ralph Hunter
performer:
Trinidad Steel Drum Band (Trinidad Steel-Band)
phonographic copyright (℗) by:
BMG Music (from 1961 to present)
recording of:
Jump in the Line (in 1961)
lyricist:
Stephen Somvel
writer:
Raymond Bell
composer:
Lord Kitchener
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
Jump in the Line
is based on:
Shake Shake Sonora
43:44
3Mama Look a Boo-Boo
recording of:
Mama Look a Boo Boo
writer:
Harry Belafonte, Lord Burgess and Lord Melody
2:56
4Cocoanut Woman
producer:
Joe Carlton and Edward O. Welker
bongos:
Noah Rodriguez (on 1957-01-26)
congas:
Daniel Barrajanos (on 1957-01-26)
double bass:
Norman Keenan (on 1957-01-26)
flute:
Paige Brook (flautist) (on 1957-01-26) and Harold M. Jones (50s US flautist) (on 1957-01-26)
guitar:
Frantz Casséus (on 1957-01-26), Victor Messer (on 1957-01-26) and Millard Thomas (on 1957-01-26)
marimba:
George Devens (on 1957-01-26)
trumpet:
Joseph B. Wilder (on 1957-01-26)
choir vocals:
Gilbert E. Adkins (on 1957-01-26), Irving D. Barnes (on 1957-01-26), Leon Bibb (on 1957-01-26), Charles Colman (on 1957-01-26), Stephen Harbachick (baritone) (on 1957-01-26), Marvin Hayes (bass-baritone) (on 1957-01-26), Herbert L. Stubbs (on 1957-01-26), Irving Burgie (on 1957-01-26), Joe N. Kenyon (on 1957-01-26), Leroy B. Thompson (on 1957-01-26), Samuel R. McCurry (on 1957-01-26), John Nielsen (on 1957-01-26), Brock Peters (on 1957-01-26), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-26), Rodester Timmons (on 1957-01-26) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-26)
lead vocals:
Harry Belafonte (on 1957-01-26)
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-26)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-26)
recording of:
Cocoanut Woman (on 1957-01-26)
writer:
Harry Belafonte and Irving Burgie
publisher:
Caribe Music Corp., Clara Music Publ. Corp. and Reservoir Media Music
2:53
5Jamaica Farewell
vocals:
Harry Belafonte
recording of:
Jamaica Farewell (in 1956)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
2:51
6Come Back Lisa
3:09
7Island in the Sun
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-27)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
recording of:
Island in the Sun (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
3:25
8Matilda, Matilda
3:41
9Round the Bay of Mexico
vocals:
Harry Belafonte
recording of:
Round the Bay of Mexico
lyricist and composer:
Lord Burgess
2:57
10The Marching Saints
3:00
11Angelina
engineer:
Bob Sirapson
producer:
Bob Bollard
bass:
Norman Keenan
cuatro:
Ernest Calabria
guitar:
Ernest Calabria and Millard Thomas
vocals:
Harry Belafonte (in 1961)
conductor and chorus master:
Ralph Hunter
performer:
Trinidad Steel Drum Band (Trinidad Steel-Band)
phonographic copyright (℗) by:
BMG Music (from 1961 to present)
recording of:
Angelina (in 1961)
writer:
Irving Burgie
publisher:
Cherry Lane Music Co.
53:59
12Mary’s Boy Child
producer:
Dennis Farnon and Henri René (producer, composer, conductor and arranger)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1956-07-20)
bass clarinet:
Antonio Villa (on 1956-07-20)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-07-20)
congas:
Wally Fernez (on 1956-07-20)
French horn:
Attilo DePalma (on 1956-07-20)
guitar:
Frantz Casséus (on 1956-07-20)
guitar family:
Millard Thomas (on 1956-07-20)
harp:
Marjorie Call (on 1956-07-20)
percussion:
Arnold Manchester (on 1956-07-20) and Louis Singer (percussionist) (on 1956-07-20)
piano:
Hal Hidey (on 1956-07-20)
saxophone:
Victor Garber (50s US saxophonist) (on 1956-07-20), Jules Jacob (US jazz woodwind player) (on 1956-07-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-07-20) and Wilbur Schwartz (on 1956-07-20)
viola:
Joseph Reilich (on 1956-07-20)
violin:
Israel Baker (American violinist) (on 1956-07-20), Jerome G. Kasin (on 1956-07-20), Robert Levine (violist, violinist) (on 1956-07-20), Gustave Rosseels (on 1956-07-20), Myron Sandler (on 1956-07-20) and Marshall Sosson (on 1956-07-20)
vocals:
Harry Belafonte (on 1956-07-20)
conductor:
Will Lorin (on 1956-07-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-07-20)
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
33:01
13Haiti chérie
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-27)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
recording of:
Haiti Cherie (on 1957-01-27)
lyricist and composer:
Harry Belafonte and Lord Burgess
3:20
14Star‐O
vocals:
Harry Belafonte
arranger:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
recording of:
Star‐o (on 1955-10-20)
writer:
William Attaway, Harry Belafonte and Lord Burgess
2:03