| # | Title | Artist | Rating | Length |
|---|
| 1 | St. Elmo’s Fire (Man in Motion) | John Parr | 3.8 | 4:12 |
| 2 | We Don’t Need Another Hero (from “Thunderdome”) | Tina Turner | 3.55 | 4:13 |
| 3 | The Living Daylights | a‐ha | 4 | 4:14 |
| 4 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 5 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:18 |
| 6 | Hot Night | Laura Branigan | 4 | 3:21 |
| 7 | Lost in the Shadows (from “The Lost Boys”) | Lou Gramm | 3 | 6:37 |
| 8 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 9 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:30 |
| 10 | Slaughterhouse | Powermad | | 5:23 |
| 11 | Love Theme (from “Blade Runner”) | Vangelis | 3.6 | 4:56 |
| 12 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:58 |
| 13 | La Bamba | Los Lobos | 4.15 | 2:55 |
| 14 | Mysteries of Love | Julee Cruise | 4.3 | 4:29 |
| 15 | Werewolves of London | Warren Zevon | | 4:59 |
| 16 | Body Talk | Ratt | 4 | 3:49 |
| 17 | All She Wants Is (45 version) | Duran Duran | 3 | 4:28 |
| 18 | The Other Side of the World | Chaka Khan | | 3:41 |
| 19 | Love Is the Reason- engineer:
- Steve Gursky and Stanley Johnston
- producer:
- Steve Gursky, Stanley Johnston and Graham Nash
- instruments:
- Joel Bunsteen, Craig Doerge, Tim Drummond, Michael Finnigan , Graham Nash, Michael Perry , Michael Stergis and Ian Walker
- vocals:
- Cleopatra Kennedy , Brenda Lee Eager, Gloria Ann Coleman and Graham Nash
- recorded at:
- Devonshire in North Hollywood, Los Angeles, California, United States
- recording of:
- Love Is the Reason
- lyricist and composer:
- Graham Nash
| Graham Nash | | 3:32 |
| 20 | Breaker’s Revenge | Arthur Baker | 2 | 4:53 |
| 21 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:15 |
| 22 | She Caught the Katy- additional engineer:
- Jay Krugman and Jim Scheffler
- assistant engineer:
- Eddie Garcia, Steve Marcantonio and Tom Miller
- engineer and producer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- drums (drum set):
- Willie "Too Big" Hall
- guitar:
- Steve Cropper and Matt Murphy
- harmonica:
- Elwood J. Blues
- keyboard:
- Murphy Dunne
- saxophone:
- Tom “Bones” Malone and Lou Marini
- trombone:
- Tom “Bones” Malone
- trumpet:
- Al Rubin
- vocals:
- Jake E. “Joliet” Blues
- horn arranger:
- Tom Scott
- recorded at:
- Soundmixers in Midtown Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States, The Record Plant in Midtown Manhattan, New York, New York, United States and Universal Recording in Chicago, Illinois, United States
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- cover recording of:
- She Caught the Katy (and Left Me a Mule to Ride)
- writer:
- James Rachell and Taj Mahal
| Blues Brothers | 4 | 4:09 |
| 23 | Nothin’ for You | T.S.O.L. | | 2:31 |
| 24 | Sleeping Angel | Stevie Nicks | | 4:41 |
| 25 | I Got You Babe | Sonny & Cher | 4 | 3:10 |
| 26 | Here I Go Again (US version) | Whitesnake | 3.5 | 3:53 |
| 27 | Wind Beneath My Wings | Bette Midler | 5 | 4:54 |
| 28 | Moonlighting | Al Jarreau | 3 | 3:04 |
| 29 | Casanova | LeVert | 3 | 6:11 |
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