The Complete Recordings 1959-1962

~ Release by Ben Webster (see all versions of this release, 1 available)

Annotation

(Discogs shows incorrect set list for this release)

Annotation last modified on 2021-07-02 23:35 UTC.

Tracklist

1▼CD: Gerry Mulligan Meets Ben Webster / Ben Webster Meets Oscar Peterson
#TitleArtistRatingLength
1Chelsea Bridge
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
double bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
cover recording of:
Chelsea Bridge (from 1959-11-03 until 1959-12-02)
composer:
Billy Strayhorn (in 1941)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Ben Webster, Gerry Mulligan7:25
2The Cat Walk
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
double bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
recording of:
The Cat Walk (from 1959-11-03 until 1959-12-02)
composer:
Gerry Mulligan and Ben Webster
publisher:
Criterion Music Corp.
Ben Webster, Gerry Mulligan7:44
3Sunday
Ben Webster, Gerry Mulligan5:08
4Who's Got Rhythm
Ben Webster, Gerry Mulligan10:07
5Tell Me When
recording of:
Tell Me When
composer:
Gerry Mulligan
Ben Webster, Gerry Mulligan7:27
6Go Home
Ben Webster, Gerry Mulligan7:25
7The Touch Of Your Lips
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
The Touch of Your Lips (on 1959-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Ben Webster & The Oscar Peterson Trio6:17
8When Your Lover Has Gone
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
When Your Lover Has Gone (on 1959-11-06)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Ben Webster & The Oscar Peterson Trio3:57
9Bye Bye Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass and double bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Ben Webster & The Oscar Peterson Trio6:42
10How Deep Is The Ocean
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
How Deep Is the Ocean? (on 1959-11-06)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ben Webster & The Oscar Peterson Trio2:33
11In The Wee Small Hours Of The Morning
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
In the Wee Small Hours of the Morning (on 1959-11-06)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Ben Webster & The Oscar Peterson Trio3:11
12Sunday
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1959-11-06)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
Ben Webster & The Oscar Peterson Trio3:55
13This Can't Be Love
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
This Can’t Be Love (on 1959-11-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Ben Webster & The Oscar Peterson Trio9:53
2▶CD: Witherspoon, Mulligan, Webster - At The Renaissance / Ben Webster At The Renaissance
3▶CD: The Warm Moods / Ben and Sweets
4▶CD: Jimmy Witherspoon Featuring Ben Webster / Rare Live Performance