Steve Wright's Sunday Love Songs: The New Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Cat. No for Set: 069 923-2, CD1: 069 924-2, CD2: 069 925-2.

Anmerkung zuletzt geändert am 2020-11-30 15:46 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Hero
Sologesang:
Enrique Iglesias (Spanish pop singer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2001)
Musikvideos:
Hero von Enrique Iglesias (Spanish pop singer)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 23)
recording of:
Hero
Verfasser(in):
Paul Barry (songwriter/musician), Enrique Iglesias (Spanish pop singer) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Metrophonic Music Ltd
Enrique Iglesias4.354:25
2If Tomorrow Never ComesRonan Keating3:34
3If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:49
4Let's Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye43:54
5Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:26
6Goodbye Yellow Brick Road
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
Orchestrator(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.853:13
7(Your Love Has Lifted Me) Higher and Higher
cover recording of:
(Your Love Keeps Lifting Me) Higher and Higher
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Rita Coolidge53:55
8I'm Stone in Love With You
phonographisches Urheberrecht (℗) von:
Avco Records Corp. (in 1974)
recording of:
I’m Stone in Love With You
Komponist(in):
Thom Bell (keyboards, songwriter, producer), Tony Bell (American 1970s musician, songwriter & engineer) und Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America
The Stylistics3:17
9Help Me Make It Through the NightGladys Knight & the Pips4:19
10And the Sun Will Shine
Produzent(in):
Bee Gees und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1968), Maurice Gibb (in 1968) und Robin Gibb (in 1968)
aufgenommen bei:
Central Sound Studios (CSS London) in London (Greater London), England, Vereinigtes Königreich (am 1967-07-17) und Chappell Recording Studios in London (Greater London), England, Vereinigtes Königreich (am 1967-07-30, am 1967-08-01)
recording of:
And the Sun Will Shine (von 1967-07-17 bis 1967-08-01)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Bee Gees33:36
11Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:41
12How Wonderful You Are
recording of:
How Wonderful You Are
Texter und Komponist(in):
Gordon Haskell
publisher:
Corner Shop Music Ltd, Peermusic III, Ltd. (BMI) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Gordon Haskell3:55
13Truly
recording engineer:
Calvin Harris
Techniker(in):
Jim Cassell
assistierende(r) Produzent(in):
Brenda Harvey–Richie
Produzent(in):
James Anthony Carmichael und Lionel Richie
Mix:
Calvin Harris, Michael Johnson (Motown related), Fred Law und Stephan Smith (US 70s/80s soul/funk engineer)
Akustikgitarre:
Tim May (session/jazz guitarist)
Bass:
Joe Chemay
Bratsche / Viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) und Gareth Nuttycombe (violist)
Cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff und Dennis Karmazyn
flute:
Louise DiTullio
Geige / Violine:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) und Charles Veal Jr. (violinist, conductor and arranger)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Harfe:
Gayle Levant (American studio musician, harpist)
Kontrabass:
Árni Egilsson und Buell Neidlinger
Rhodes Piano [Fender rhodes]:
William Payne
Saiteninstrumente:
Assa Drori, Allan Harshman (violist), Joy Lyle und Paul Shure
Schlagzeug:
Paul Leim
Waldhorn:
Arthur Maebe (US horn player), Richard Perissi und Henry Sigismonti
Hintergrundgesang:
Lionel Richie
arranger:
James Anthony Carmichael und Gene Page
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
instrumental versions:
Truly (instrumental) von Lionel Richie
recording of:
Truly
Texter und Komponist(in):
Lionel Richie
Lionel Richie3.43:19
14Drift Away
cover recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:49
15Lifted
recording of:
Lifted
Verfasser(in):
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) und Paul Tucker
publisher:
Lots of Hits Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family4:05
16Never Tear Us Apart
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
INXS (in 1987)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und PolyGram International Music B.V. (not for release label use!) (in 1987)
Musikvideos:
Never Tear Us Apart (music video) von INXS
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2025 (Australian Songs)) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 282)
recording of:
Never Tear Us Apart
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey und Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:02
17The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman, Mastermix Music Limited und Eric Stewart
Akustikgitarre, Bassgitarre, E-Gitarre, Händeklatschen und Tamburin:
Graham Gouldman (in 1976)
Gitarre, Orgel und Klavier und Hintergrundgesang und Sologesang:
Eric Stewart (in 1976)
Schlagzeug, gong, Händeklatschen und Tamburin:
Paul Burgess (UK rock drummer) (in 1976)
Hintergrundgesang:
Graham (in 1976)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1976)
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love (in 1976)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.553:21
18Imagine
Produzent(in):
Chris Biondo (guitarist, producer with Eva Cassidy Band)
cover recording of:
Imagine
Texter:
John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Komponist(in):
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Eva Cassidy34:34
19Perhaps, Perhaps, Perhaps (Quizás, Quizás, Quizás)
recording of:
Quizás, quizás, quizás
Texter und Komponist(in):
Osvaldo Farrés
publisher:
Peer International Corporation (BMI)
Doris Day2:32
20Can't Get Used to Losing You
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-12-02)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) und Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (am 1962-12-02)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams2:21
2CD

Nennungen

Veröffentlichungsgruppe

Teil von:Steve Wright's Sunday Love Songs (Reihenfolge: 3)