Tracklist

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1Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:57
2Cantata, BWV 21 "Ich hatte viel Bekümmernis": II. Coro "Ich hatte viel Bekümmernis"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:02
3Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (soprano) "Seufzer, Tränen, Kummer, Not"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:40
4Cantata, BWV 21 "Ich hatte viel Bekümmernis": IV. Recitativo (tenor) "Wie hast du dich, mein Gott"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:42
5Cantata, BWV 21 "Ich hatte viel Bekümmernis": V. Aria (tenor) "Bäche von gesalznen Zähren"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach7:14
6Cantata, BWV 21 "Ich hatte viel Bekümmernis": VI. Coro "Was betrübst du dich, meine Seele"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:52
7Cantata, BWV 21 "Ich hatte viel Bekümmernis": VII. Recitativo (soprano, bass) "Ach Jesu, meine Ruh, mein Licht"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:46
8Cantata, BWV 21 "Ich hatte viel Bekümmernis": VIII. Duetto (soprano, bass) "Komm, mein Jesu, und erquicke"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:15
9Cantata, BWV 21 "Ich hatte viel Bekümmernis": IX. Coro e chorale "Sei nun wieder zufrieden"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach5:32
10Cantata, BWV 21 "Ich hatte viel Bekümmernis": X. Aria (tenor) "Erfreue dich, Seele"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:16
11Cantata, BWV 21 "Ich hatte viel Bekümmernis": XI. Coro "Das Lamm, das erwürget ist"
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:46
12Cantata, BWV 24 "Ein ungefärbt Gemüte": I. Aria (alto) "Ein ungefärbt Gemüte"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1971-05, from 1974-02 until 1974-03, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach5:00
13Cantata, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (tenor) "Die Redlichkeit ist eine von den Gottesgaben"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:54
14Cantata, BWV 24 "Ein ungefärbt Gemüte": III. Coro "Alles nun, das ihr wollet"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Ursula Buckel (soprano) (in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:14
15Cantata, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (bass) "Die Heuchelei ist eine Brut"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:51
16Cantata, BWV 24 "Ein ungefärbt Gemüte": V. Aria (tenor) "Treu und Wahrheit sei der Grund"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:28
17Cantata, BWV 24 "Ein ungefärbt Gemüte": VI. Chorale "O Gott, du frommer Gott"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach2:08
5CD
6CD

Credits

Release

part of:Bach · Kantaten (Archiv Produktion) (number: 3) (order: 3)
ASIN:DE: B000025H5V [info]
other databases:https://d-nb.info/35501405X [info]
discography entry:http://www.deutschegrammophon.com/cat/4393802 [info]