Cantatas, BWV 182–184

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1Digital Media
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1Kantate, BWV 182 “Himmelskönig, sei willkommen”: I. Sonata
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach1:52
2Kantate, BWV 182 “Himmelskönig, sei willkommen”: II. Coro “Himmelskönig, sei willkommen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:08
3Kantate, BWV 182 “Himmelskönig, sei willkommen”: III. Recitativo (Bass) “Siehe, ich komme”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach0:42
4Kantate, BWV 182 “Himmelskönig, sei willkommen”: IV. Aria (Bass) “Starkes Lieben”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:54
5Kantate, BWV 182 “Himmelskönig, sei willkommen”: V. Aria (Alt) “Leget euch dem Heiland unter”
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach6:37
6Kantate, BWV 182 “Himmelskönig, sei willkommen”: VI. Aria (Tenor) “Jesus, laß durch Wohl und Weh”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:04
7Kantate, BWV 182 “Himmelskönig, sei willkommen”: VII. Choral “Jesu, deine Passion”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:52
8Kantate, BWV 182 “Himmelskönig, sei willkommen”: VIII. Coro “So lasset uns gehen in Salem der Freuden”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (in 1975-01)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach5:12
9Kantate, BWV 183 “Sie werden euch in den Bann tun”: I. Recitativo (Bass) “Sie werden euch in den Bann tun”
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": I. Recitativo (Bass) "Sie werden euch in den Bann tun" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:44
10Kantate, BWV 183 “Sie werden euch in den Bann tun”: II. Aria (Tenor) “Ich fürchte nicht des Todes Schrecken”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": II. Aria (Tenor) "Ich fürchte nicht des Todes Schrecken" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach7:15
11Kantate, BWV 183 “Sie werden euch in den Bann tun”: III. Recitativo (Alt) “Ich bin bereit, mein Blut und armes Leben”
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo (Alt) "Ich bin bereit, mein Blut und armes Leben" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:20
12Kantate, BWV 183 “Sie werden euch in den Bann tun”: IV. Aria (Sopran) “Höchster Tröster, Heilger Geist”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": IV. Aria (Sopran) "Höchster Tröster, Heilger Geist" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
arranger:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach3:50
13Kantate, BWV 183 “Sie werden euch in den Bann tun”: V. Choral “Du bist ein Geist, der lehret”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": V. Choral "Du bist ein Geist, der lehret" (from 1981-03 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 126)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:24
14Kantate, BWV 184 “Erwünschtes Freudenlicht”: I. Recitativo (Tenor) “Erwünschtes Freudenlicht”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:20
15Kantate, BWV 184 “Erwünschtes Freudenlicht”: II. Aria (Sopran, Alt) “Gesegnete Christen, glückselige Herde”
alto vocals:
Gabriele Schnaut (soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach8:56
16Kantate, BWV 184 “Erwünschtes Freudenlicht”: III. Recitativo (Tenor) “So freuet euch, ihr auserwählten Seelen”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:23
17Kantate, BWV 184 “Erwünschtes Freudenlicht”: IV. Aria (Tenor) “Glück und Segen sind bereit”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach4:44
18Kantate, BWV 184 “Erwünschtes Freudenlicht”: V. Choral “Herr, ich hoffe je, du werdest die”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:11
19Kantate, BWV 184 “Erwünschtes Freudenlicht”: VI. Coro (+ Sopran, Bass) “Guter Hirte, Trost der Deinen”
bass vocals:
Niklaus Tuller (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:13

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 55) (order: 55)