The Symphonies / A Midsummer Night’s Dream / Octet

~ Release by Mendelssohn; Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia: Maestoso con moto – Allegro – Maestoso con moto
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: Ia. Sinfonia: Maestoso con moto – Allegro (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia
Felix Mendelssohn12:33
2Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia: Allegretto un poco agitato
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: Ib. Sinfonia: Allegretto un poco agitato (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia
Felix Mendelssohn5:47
3Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia: Adagio religioso
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: Ic. Sinfonia: Adagio religioso (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia
Felix Mendelssohn7:30
4Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: II. Alles was Odem hat – Lobe den Herrn, meine Seele
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-10 until 1994-11)
soprano vocals:
Juliane Banse (soprano) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: II. “Alles, was Odem hat, lobe den Herrn!” - “Lobt den Herrn mit Saitenspiel” - “Lobe den Herrn, meine Seele” (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn6:46
5Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: III. Saget es – Er zählet unsere Tränen
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
tenor vocals:
Vinson Cole (American tenor) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: III. Rezitativ “Saget es, die ihr erlöst seid” - “Er zählet unsre Tränen” Allegro moderato (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:04
6Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IV. Saget es, die ihr erlöset seid
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IV. Chor “Sagt es, die ihr erlöset seid” (A tempo moderato) (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn2:08
7Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: V. Ich harrete des Herrn – Wohl dem
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-10 until 1994-11)
soprano vocals:
Juliane Banse (soprano) (from 1994-10 until 1994-11) and Sibylla Rubens (soprano) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: V. “Ich harrete des Herrn” (Andante) (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn5:00
8Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VI. Stricke des Todes – Wir riefen in der Finsternis
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals:
Juliane Banse (soprano) (from 1994-10 until 1994-11)
tenor vocals:
Vinson Cole (American tenor) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VI. “Stricke des Todes hatten uns umfangen” Allegro un poco agitato (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:29
9Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VII. Die Nacht ist vergangen
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VII. “Die Nacht ist vergangen” Allegro maestoso e molto vivace (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:45
10Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VIII. Nun danket alle Gott
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VIII. Choral “Nun danket alle Gott” - “Lob, Ehr’ und Preis sei Gott” Andante con moto - Un poco più animato (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn5:11
11Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IX. Drum sing’ ich mit meinem Liede
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals:
Juliane Banse (soprano) (from 1994-10 until 1994-11)
tenor vocals:
Vinson Cole (American tenor) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IX. “Drum sing ich mit meinem Liede ewig” (Andante sostenuto assai) (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:46
12Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: X. Ihr Völker!
recording engineer:
Simon Eadon (classical music engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-10 until 1994-11)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1994-10 until 1994-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1994-10 until 1994-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1994-10 until 1994-11)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: X. Schlusschor “Ihr Völker, bringet her dem Herrn Ehre und Macht” - “Alles danke dem Herrn!” - “Alles, was Odem hat, lobe den Herrn!” Allegro non troppo - Piu vivace - Maestoso come I (from 1994-10 until 1994-11)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn5:26
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4▶CD

Credits

Release

art direction:Michael Thresh (art director)
booklet editor:Raymond McGill (Production)
Discogs:https://www.discogs.com/release/15544811 [info]
ASIN:UK: B003ON6XOW [info]