Tracklist

1Digital Media
#TitleArtistRatingLength
1Ich habe genug, BWV 82a: Aria. Ich habe genug
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach6:36
2Ich habe genug, BWV 82a: Recitativo. Ich habe genug
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach0:57
3Ich habe genug, BWV 82a: Aria. Schlummert ein, ihr matten Augen
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach8:53
4Ich habe genug, BWV 82a: Recitativo. Mein Gott! wann kömmt das schöne: Nun!
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 82a "Ich habe genug": IV. Recitativo (Soprano) "Mein Gott! wann kömmt das schöne: Nun!" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach0:38
5Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach3:12
6Weichet nur, betrübte Schatten, BWV 202: Aria. Weichet nur, betrübte Schatten
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:12
7Weichet nur, betrübte Schatten, BWV 202: Recitativo. Die Welt wird wieder neu
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:22
8Weichet nur, betrübte Schatten, BWV 202: Aria. Phoebus eilt mit schnellen Pferden
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:06
9Weichet nur, betrübte Schatten, BWV 202: Recitativo. Drum sucht auch Amor sein Vergnügen
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:36
10Weichet nur, betrübte Schatten, BWV 202: Aria. Wenn die Frühlingslüfte streichen
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:30
11Weichet nur, betrübte Schatten, BWV 202: Recitativo. Und dieses ist das Glücke
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:44
12Weichet nur, betrübte Schatten, BWV 202: Aria. Sich üben im Lieben
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:01
13Weichet nur, betrübte Schatten, BWV 202: Recitativo. So sei das Band der keuschen Liebe
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:23
14Weichet nur, betrübte Schatten, BWV 202: Aria. sehet in Zufriedenheit
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 2016-04-19 until 2016-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:39
15O holder Tag, erwünschte Zeit, BWV 210: Recitativo. O holder Tag, erwünschte Zeit
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach0:51
16O holder Tag, erwünschte Zeit, BWV 210: Aria. Spielet, ihr beseelten Lieder
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:06
17O holder Tag, erwünschte Zeit, BWV 210: Recitativo. Doch, haltet ein, ihr muntern Saiten
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:05
18O holder Tag, erwünschte Zeit, BWV 210: Aria. Ruhet hie, matte Töne
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:40
19O holder Tag, erwünschte Zeit, BWV 210: Recitativo. So glaubt man denn, dass die Musik verführe
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:52
20O holder Tag, erwünschte Zeit, BWV 210: Aria. Schweigt, ihr Flöten, schweigt, ihr Töne
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:32
21O holder Tag, erwünschte Zeit, BWV 210: Recitativo. Was Luft? was Grab?
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:36
22O holder Tag, erwünschte Zeit, BWV 210: Aria. Großer Gönner, dein Vergnügen
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:50
23O holder Tag, erwünschte Zeit, BWV 210: Recitativo. Hochteurer Mann, so fahre ferner fort
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:30
24O holder Tag, erwünschte Zeit, BWV 210: Aria. Seid beglückt, edle Beide
assistant recording engineer:
Robin Hawkins (engineer)
recording engineer:
Mike Hatch (engineer/editor)
producer and editor:
Tim Oldham (editor / producer)
soprano vocals:
Gillian Keith (soprano) (from 2016-04-19 until 2016-04-20)
orchestra:
Armonico Consort (from 2016-04-19 until 2016-04-20)
conductor:
Christopher Monks (from 2016-04-19 until 2016-04-20)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (from 2016-04-19 until 2016-04-20)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:32