Annotation

60-CD collection celebrating the 60th anniversary of the Academy of St. Martin in the Fields.

Annotation last modified on 2020-07-09 10:01 UTC.

Tracklist

1CD: The First Recordings I: Corelli / Torelli / Locatelli / Albicastro / Handel et al
2CD: The First Recordings II: Avison / Handel / Telemann / Vivaldi / Geminiani et al
3CD: Vivaldi: The Four Seasons (1970 and 1980 recordings)
4CD: Vivaldi: Concertos for Wind & Strings
5CD: Vivaldi: Concertos
6CD: Geminiani: 6 Concerti Grossi
7CD: Trumpet Concertos: Telemann / Albinoni / Hertel / Fasch / Vivaldi / Albrechtsberger / L. Mozart / Hummel
8CD: Telemann: Violin Concertos / Overture in C major “Hamburger Ebb und Flut”
9CD: Handel: Concerti Grossi, op. 3 / Alcina, HWV 34 - incidental music
10CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (1)
11CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (2)
12CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (3)
13CD: J.S. Bach: Keyboard Concertos nos 1, 2 & 4, BWV 1052, 1053, 1055
14CD: J.S. Bach: Keyboard Concertos nos. 3, 5 & 6, BWV 1054, 1056-1058
15CD: J.S. Bach: Violin Concertos
16CD: J.S. Bach: The Art of Fugue (beginning), BWV 1080
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080: Contrapunctus 1
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:12
2Die Kunst der Fuge, BWV 1080: Contrapunctus 2
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:22
3Die Kunst der Fuge, BWV 1080: Contrapunctus 3
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:53
4Die Kunst der Fuge, BWV 1080: Contrapunctus 4
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:37
5Die Kunst der Fuge, BWV 1080: Canon alla Ottava
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:33
6Die Kunst der Fuge, BWV 1080: Contrapunctus 5
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:39
7Die Kunst der Fuge, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:19
8Die Kunst der Fuge, BWV 1080: Canon alla Decima in Contrapunto alla Terza
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:33
9Die Kunst der Fuge, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:27
10Die Kunst der Fuge, BWV 1080: Contrapunctus 8 a 3
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach6:45
11Die Kunst der Fuge, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach1:59
12Die Kunst der Fuge, BWV 1080: Contrapunctus 9 a 4 alla Duodecima
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Members of the Academy of St. Martin in the Fields (Academy of St Martin in the Fields) (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:58
13Die Kunst der Fuge, BWV 1080: Contrapunctus 10 a 4 alla Decima
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:12
14Die Kunst der Fuge, BWV 1080: Canon per Augmentationem in contrario motu
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach5:45
15Die Kunst der Fuge, BWV 1080: Contrapunctus 11 a 4
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach5:11
16Die Kunst der Fuge, BWV 1080: Contrapunctus inversus a 3 (forma inversa)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:19
17Die Kunst der Fuge, BWV 1080: Contrapunctus inversus 12 a 4 (forma recta)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:31
18Die Kunst der Fuge, BWV 1080: Fuga a 2 Clav.
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (from 1974-07-17 until 1974-07-21) and Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:16
17CD: J.S. Bach: The Art of Fugue (conclusion) / Sonata for Flute, Violin and Continuo
18CD: Arne / C.P.E. Bach / J.C. Bach: Harpsichord Concertos
19CD: J.C. Bach: 6 Symphonies, op. 3 / Mozart: March in D major, K408 no. 2 / Haydn: Symphony no. 52 in C minor
20CD: Wassenaer: 6 Concerti Armonici (formerly attrib. to Pergolesi)
21CD: Baroque Horn Concertos: Knechtl / Reinhardt / Quantz / Graun / Röllig
22CD: Gluck: Don Juan - ballet / Handel: Ariodante & Il pastor fido - ballet music
23CD: Haydn: Cello Concertos nos. 1 & 2 / Trumpet & Harpsichord Concertos
24CD: Haydn: Overture in D major / Acide e Galatea Overture / 6 Allemandes Hob. IX:9 / 6 Allemandes from Hob. IX / Organ & Horn Concertos
25CD: Haydn: Symphonies nos. 53, 99 & 102
26CD: M. Haydn: Horn Concerto in D major / 6 Minuets / Duo Concertante for Viola and Organ in C major
27CD: Mozart: Serenades & Divertimenti
28CD: Mozart: Sinfonia Concertante K297b & K364 / Adagio and Fugue in C minor, K546
29CD: Mozart: Eine kleine Nachtmusik / Posthorn Serenade / Serenata notturna
30CD: Mozart: Gran Partita / Divertimento in C major, K188
31CD: Beethoven: 2 Minuets WoO 7 / 12 German Dances WoO 8 / 12 Contredances WoO 14 / Große Fuge in B-flat major, op. 133
32CD: Beethoven: Symphonies nos. 4 & 7
33CD: Weber: Clarinet Concertos nos. 1 & 2 / Clarinet Concertino
34CD: Rossini: Complete Overtures I
35CD: Rossini: Complete Overtures II
36CD: Rossini: Complete Overtures III
37CD: Concert à la carte: Clarke / Handel / Purcell / Rossini / Boccherini / Mozart / Haydn / Tchaikovsky / Schubert / Medelssohn / Bree / Ricciotti / Locatelli
38CD: Mendelssohn: String Symphonies nos. 9, 10, 12 / Concerto for Piano & Strings in A major
39CD: Mendelssohn: Symphonies nos. 3 “Scottish” & no. 4 “Italian”
40CD: Gounod: The 2 Symphonies / Faust Ballet Music
41CD: Dvořák: Serenades
42CD: Tchaikovsky: Nutcracker Suite / Serenade for Strings / Violin Concerto
43CD: Grieg: Holberg Suite / Elegiac Melodies / Sibelius: Valse triste / Rakastava / Nielsen: Little Suite / Wirén: Serenade etc.
44CD: Bruch & Mendelssohn: Violin Concertos
45CD: R. Strauss: Le bourgeois gentilhomme suite / Couperin Suite
46CD: Bruch: Scottish Fantasy / Violin Concerto no. 1
47CD: Popular French Orchestra Works: Berlioz / Ravel / Saint-Saëns / Debussy / Chabrier / Canteloube / Satie / Fauré
48CD: Respighi: Pines of Rome / Fountains of Rome / Roman Festivals / The Birds
49CD: Bartók: Music for Strings, Percussion & Celesta / Divertimento
50CD: Stravinsky: Pulcinella - Suite / Apollon musagète / Capriccio for Piano and Orchestra
51CD: Elgar / Warlock / Butterworth: Orchestral Works
52CD: Delius / Holst / Elgar: Orchestral Works / Vaughan Williams: Concerto for Oboe & Strings
53CD: Vaughan Williams: The Wasps - Overture / Fantasia on a Theme by Thomas Tallis / Variations for Orchestra / Romance for Harmonica and Strings etc.
54CD: Vaughan Williams: The Lark Ascending / Fantasia on Greensleeves / English Folk Song Suite etc.
55CD: English Seasons: Delius / Bridge / Foulds / Grainger / Bax
56CD: Finzi: Clarinet Concerto / Dies Natalis / Nocturne / Romance for String Orchestra
57CD: Tippett: Concerto for Double String Orchestra / Fantasia Concertante on a Theme of Corelli / Little Music for String Orchestra / Walton: Façade (Highlights)
58CD: Mahler: Lieder eines fahrenden Gesellen / Britten: Nocturne / Variations on a Theme of Frank Bridge
59CD: Williamson: The Happy Prince / Walton: Sonata for String Orchestra
60CD: Mozart: Exsultate Jubilate, K165 / Clarinet Concerto / Piano Concerto no. 21