The All Time Greatest Disco Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Boogie Wonderland
Produzent(in):
Al McKay und Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Earth, Wind & Fire feat. The Emotions4.24:45
2Lost in Music
recording of:
Lost in Music
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge44:38
3It’s a Love Thing
recording of:
It’s a Love Thing
Verfasser(in):
Dana Meyers und William Shelby
publisher:
Mykinda Music, Notting Hill Music (UK) Ltd. und Spectrum VII
The Whispers3:41
4Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward53:30
5If You Could Read My Mind
cover recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Viola Wills4:19
6Nice and Slow
recording of:
Nice and Slow
Texter und Komponist(in):
Ken Gibson (orchestrator, arranger and record producer)
Jesse Green3:02
7Best Love
recording of:
Best Love
Verfasser(in):
Ron Artis und Robert Daniels (soul/funk singer & songwriter)
publisher:
Artis Gallery Music, Bigg Kidd Music und EMI Virgin Songs, Inc.
Rose Royce53:45
8I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
Verfasser(in):
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) und Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Songs of Windswept Pacific
Nolan Sisters4.53:16
9I Love to Love
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) und Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) und Rolf Baierle Music
Tina Charles4.653:01
10Let’s All Chant
Techniker(in):
Rick Rowe
leitende(r) Produzent(in):
Jerry Love
Produzent(in):
Michael Zager
Solo-Klarinette:
George Marge
Solo-Trompete:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields und Dolette McDonald
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977)
recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:01
11Brick House
Produzent(in):
James Anthony Carmichael
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 296)
recording of:
Brick House (original version)
Texter:
William King (member of Commodores), Walter Orange und Lionel Richie
Komponist(in):
Ronald LaPread, Thomas McClary, Lionel Richie und Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Commodores3.73:24
12Boogie Nights
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records (in 1976) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
Bearbeitung von:
Boogie Nights von Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:36
13Ain’t Gonna Bump No More
Produzent(in):
Buddy Killen
phonographisches Urheberrecht (℗) von:
Dial (60s/70s Nashville) (in 1977)
recording of:
Ain’t Gonna Bump No More (With No Big Fat Woman)
Verfasser(in):
Buddy Killen und Bennie Lee McGinty
Joe Tex3:25
14Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:17
15Tribute (Right On)
Techniker(in):
Mark Chamberlain
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recording of:
Tribute (Right On)
Verfasser(in):
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan und Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) und Island Music Ltd. (in 1988)
The Pasadenas4.54:20
16Rappers Delight
recording of:
Rapper’s Delight
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang3:33
17A Real Mother for Ya
Techniker(in):
Kerry McNabb (recording engineer in the 1970s)
Produzent(in):
Johnny “Guitar” Watson
E-Bass [bass], E-Gitarre [guitar], Orgel, Rhodes Piano, Sprachsynthesizer [voice box] und Synthesizer:
Johnny “Guitar” Watson
Posaune:
Tommy Roberson
Saxophon:
Knud Jensen
Schlagzeug:
Emry Thomas (US drummer)
Trompete:
Walt Fowler
vocals:
Johnny “Guitar” Watson
arranger:
Johnny “Guitar” Watson
recording of:
A Real Mother for Ya
Texter und Komponist(in):
Johnny “Guitar” Watson
Johnny “Guitar” Watson4:59
18Stomp
recording of:
Stomp!
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson und Rod Temperton
The Brothers Johnson5:57
19Relight My Fire
recording of:
Relight My Fire
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Dan Hartman6:46
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