Transparente

~ Veröffentlichung von Mariza (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Unavailable in

  • 🇨🇦 Canada (CA)
  • 🇵🇷 Puerto Rico (PR)
  • 🇺🇸 United States (US)
Anmerkung zuletzt geändert am 2024-10-13 21:14 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Há uma música do povo
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Bratsche / Viola:
Jesuina Passoroto, Marie Springuell und Ricardo Taboada
Cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) und Yura Ranevski
Geige / Violine:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa (Brazilian violinist)
Kontrabass:
Denner Campolina (bassist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (Saiteninstrumente)
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Há uma música do povo
Texter:
Fernando Pessoa
Komponist(in):
Mário Pacheco (Fado guitarist)
basiert auf:
[Há uma música do povo] (Fernando Pessoa poem)
3:11
2Meu fado meu
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Bratsche / Viola:
Jesuina Passoroto, Marie Springuell und Ricardo Taboada
Cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) und Yura Ranevski
Geige / Violine:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa (Brazilian violinist)
Kontrabass:
Denner Campolina (bassist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (Saiteninstrumente)
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Meu fado meu
Texter und Komponist(in):
Paulo de Carvalho
3:26
3Recusa
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
klassiche Gitarre:
Lula Galvão
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Recusa
Texter:
Mário Raínho
Komponist(in):
Raul Portela
basiert auf:
Fado Magala (traditional fado)
2:17
4Quando me sinto só
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Cello:
Jaques Morelenbaum
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Quando me sinto só
Texter:
Artur Ribeiro
Komponist(in):
Joaquim Campos
basiert auf:
Fado alexandrino do Joaquim Campos (traditional fado)
2:58
5Montras
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Bratsche / Viola:
Jesuina Passoroto, Marie Springuell und Ricardo Taboada
Cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) und Yura Ranevski
Geige / Violine:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa (Brazilian violinist)
Kontrabass:
Denner Campolina (bassist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (Saiteninstrumente)
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Montras
Texter und Komponist(in):
Pedro Campos (Portuguese songwriter)
3:35
6Há palavras que nos beijam
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Bratsche / Viola:
Jesuina Passoroto, Marie Springuell und Ricardo Taboada
Cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) und Yura Ranevski
Geige / Violine:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa (Brazilian violinist)
Kontrabass:
Denner Campolina (bassist)
Waldhorn:
Ismael Oliveira
vocals:
Mariza
conductor:
Jaques Morelenbaum (Saiteninstrumente)
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Há palavras que nos beijam (Mariza song)
Texter:
Alexandre O’Neill
Komponist(in):
Mário Pacheco (Fado guitarist)
basiert auf:
Há palavras que nos beijam (Alexandre O’Neill poem)
2:53
7Transparente
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
flute:
Carlos Malta
Perkussion:
Marcelo Costa (Brazillian percussionist, drummer)
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Transparente
Texter:
Paulo Abreu Lima
Komponist(in):
Rui Veloso
2:29
8Fado português de nós
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
accordion:
Agostinho Silva
Cavaquinho:
Alceu Maia
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Fado português do nós
Texter und Komponist(in):
Paulo de Carvalho
2:24
9Malmequer
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Cello:
Jaques Morelenbaum
klassiche Gitarre:
António Neto
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Malmequer
Texter:
Aldina Duarte
Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Fado menor (traditional fado)
3:11
10Medo
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Bratsche / Viola:
Jesuina Passoroto, Marie Springuell und Ricardo Taboada
Cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) und Yura Ranevski
Geige / Violine:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa (Brazilian violinist)
Kontrabass:
Denner Campolina (bassist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (Saiteninstrumente)
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
cover recording of:
Medo
Texter:
Reinaldo Ferreira
Komponist(in):
Alain Oulman
basiert auf:
Quem dorme à noite comigo? (Reinaldo Ferreira poem)
3:11
11Toada do desengano
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Klarinette:
Paulo Sérgio Santos (Brazilian clarinet & saxophone player)
klassiche Gitarre:
António Neto
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Toada do desengano
Texter:
Vasco Graça Moura
Komponist(in):
Franklin Godinho
basiert auf:
Fado Franklin (de sextilhas, traditional fado)
3:35
12Fado Tordo
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
flute:
Carlos Malta
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Fado Tordo
Texter und Komponist(in):
Fernando Tordo
2:14
13Duas lágrimas de orvalho
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Cello:
Jaques Morelenbaum
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
cover recording of:
Duas lágrimas de orvalho
Texter:
João Linhares Barbosa
Komponist(in):
Pedro Rodrigues (fadista and fado songwriter)
basiert auf:
Fado Pedro Rodrigues (traditional fado)
2:37
14Desejos vãos
Assistent recording engineer:
Pablo Vitório
recording engineer und Sound-Engineering:
Marcelo Sabóia
Produzent(in):
Jaques Morelenbaum
assistierende(r) Mix:
Bruno Stehling
Bratsche / Viola:
Jesuina Passoroto, Marie Springuell und Ricardo Taboada
Cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) und Yura Ranevski
Geige / Violine:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa (Brazilian violinist)
Kontrabass:
Denner Campolina (bassist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (Saiteninstrumente)
arranger:
Jaques Morelenbaum
phonographisches Urheberrecht (℗) von:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
aufgenommen bei:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brasilien
recording of:
Desejos vãos
Texter:
Florbela Espanca
Komponist(in):
Tiago Machado
basiert auf:
Desejos vãos (Florbela Espanca sonnet)
3:32

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Portugal, Lda. (not for release label use! PT subsidiary of Warner Music Group) (in 2005)
lizensiert von:Taberna da Música, Lda.
zum Herunterladen kaufen:https://music.apple.com/gb/album/697562365 [Info]
kostenlos streamen:https://open.spotify.com/album/6EQn6Zh5gRAlyTRFTF9KA7 [Info]
https://www.deezer.com/album/318733 [Info]
Streaming-Seite:https://music.apple.com/gb/album/697562365 [Info]
https://tidal.com/album/3269948 [Info]