Wilson Phillips (club edition)

~ Veröffentlichung von Wilson Phillips (alle Versionen dieser Veröffentlichung ansehen, 13 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Hold On
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
zusätzlich Gitarre:
Joe Walsh (Eagles/James Gang)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 312)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
4.54:27
2Release Me
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Release Me
Verfasser(in):
Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
EMI Blackwood Music Inc., Smooshie Music und Willphill Music
4.354:56
3Impulsive
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Gitarre und Keyboard:
Clif Magness
Keyboard:
Glen Ballard und Randy Kerber
Orgel:
Bill Payne
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Solo-Gitarre und Slide-Gitarre:
Joe Walsh (Eagles/James Gang)
Perkussion arranger:
Glen Ballard
arranger:
Glen Ballard und Clif Magness
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Impulsive
Verfasser(in):
Steve Kipner und Clif Magness
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Magnified Music, Stephen A. Kipner Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
3.754:34
4Next to You (Someday I’ll Be)
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Next to You (Someday I’ll Be)
Verfasser(in):
David Batteau, Darryl Brown und Madeline Stone
publisher:
Darryl Brown Music, David Batteau Music, MPCA Plaything Music, Stoney Music, WB Music Corp. (1929–2019), Geffen Music (von 1990 bis 2003) und Universal Geffen Music (work publisher - do NOT file releases here) (vom 2003 bis heute)
3.254:59
5You’re in Love
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist) und Abraham Laboriel
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990) und SBK Records (in 1990)
recording of:
You’re in Love
Verfasser(in):
Glen Ballard, Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (von 1990 bis 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (von 1990 bis 2003) und Universal Music Corp. (USA, affiliated with ASCAP) (vom 2003 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3.654:53
6Over and Over
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
leitende(r) Produzent(in):
Charles Koppelman (American businessman and musician)
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990) und SBK Records (in 1990)
recording of:
Over and Over
Verfasser(in):
Glen Ballard, Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
3.254:39
7A Reason to Believe
recording engineer, Techniker(in) und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Solo-guitar family:
Steve Lukather
zusätzlich Gitarre:
Joe Walsh (Eagles/James Gang)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
cover recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
3.654:05
8Ooh You’re Gold
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ooh You're Gold
Verfasser(in):
Glen Ballard, Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc., Smooshie Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (von 1990 bis 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (von 1990 bis 2003) und Universal Music Corp. (USA, affiliated with ASCAP) (vom 2003 bis heute)
3.54:18
9Eyes Like Twins
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Solo-Gitarre:
Steve Lukather
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Eyes Like Twins
Texter und Komponist(in):
Jeannette-Thérèse Obstoj
publisher:
EMI Blackwood Music Inc. und Rupert Hine & Jeannette Obstoj
3.355:03
10The Dream Is Still Alive
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Neil Stubenhaus
Gitarre:
Michael Landau
guitar family:
Basil Fung
Keyboard:
Glen Ballard und Randy Kerber
Orgel:
Bill Payne
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
The Dream Is Still Alive
Verfasser(in):
Glen Ballard, Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
Aerostation Corporation, Arlovol Music, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (von 1990 bis 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (von 1990 bis 2003) und Universal Music Corp. (USA, affiliated with ASCAP) (vom 2003 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3.54:09