The Complete Capitol Bobby Hackett Solo Sessions

~ Release by Bobby Hackett (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1At the Jazz Band Ball
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
instrumental recording of:
At the Jazz Band Ball (on 1957-04-10)
composer:
Nick LaRocca and Larry Shields
2:49
2Lazy Mood
recorded in:
New York, New York, United States (on 1957-03-27)
cornet:
Bobby Hackett (on 1957-03-27)
double bass [bass]:
Milt Hinton (on 1957-03-27)
drums (drum set):
Nat Ray (on 1957-03-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-03-27)
piano:
Mickey Crane (on 1957-03-27)
reeds:
Ernie Caceres (on 1957-03-27)
tuba:
John Dengler (on 1957-03-27)
4:01
3Wolverine Blues
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
recording of:
Wolverine Blues (on 1957-04-10)
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
2:44
4The Continental
recorded in:
New York, New York, United States (on 1957-03-27)
cornet:
Bobby Hackett (on 1957-03-27)
double bass [bass]:
Milt Hinton (on 1957-03-27)
drums (drum set):
Nat Ray (on 1957-03-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-03-27)
piano:
Mickey Crane (on 1957-03-27)
reeds:
Ernie Caceres (on 1957-03-27)
tuba:
John Dengler (on 1957-03-27)
instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (on 1957-03-27)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 1934 winner)
2:40
5Rose Room
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
instrumental recording of:
Rose Room (on 1957-04-10)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
3:21
6In a Little Spanish Town
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn)
piano:
Mickey Crane
reeds:
Ernie Caceres
tuba:
John Dengler
instrumental recording of:
In a Little Spanish Town (’Twas on a Night Like This) (on 1957-04-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Mabel Wayne
2:40
7Cornet Chop Suey
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (on 1957-04-04)
recording of:
Cornet Chop Suey (on 1957-04-04)
composer:
Louis Armstrong
2:41
8Caravan
recorded in:
New York, New York, United States (on 1957-03-27)
cornet:
Bobby Hackett (on 1957-03-27)
double bass [bass]:
Milt Hinton (on 1957-03-27)
drums (drum set):
Nat Ray (on 1957-03-27)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-03-27)
piano:
Mickey Crane (on 1957-03-27)
reeds:
Ernie Caceres (on 1957-03-27)
tuba:
John Dengler (on 1957-03-27)
instrumental recording of:
Caravan (on 1957-03-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
3:20
9Tin Roof Blues
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (from 1957-04-04 to present)
recording of:
Tin Roof Blues (original instrumental version) (on 1957-04-04)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
5:33
10Albatross
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (on 1957-04-04)
3:00
11Henry Hudson
recorded in:
New York, New York, United States (on 1957-04-10)
cornet:
Bobby Hackett (on 1957-04-10)
double bass [bass]:
Milt Hinton (on 1957-04-10)
drums (drum set):
Nat Ray (on 1957-04-10)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-10)
piano:
Mickey Crane (on 1957-04-10)
reeds:
Ernie Caceres (on 1957-04-10)
tuba:
John Dengler (on 1957-04-10)
2:43
12It Don’t Mean a Thing
recorded in:
New York, New York, United States (on 1957-04-04)
cornet:
Bobby Hackett (on 1957-04-04)
double bass [bass]:
Al Hall (on 1957-04-04)
drums (drum set):
Nat Ray (on 1957-04-04)
horn:
Dick Cary (piano, trumpet, alto horn) (on 1957-04-04)
piano:
Mickey Crane (on 1957-04-04)
reeds:
Ernie Caceres (on 1957-04-04)
tuba:
John Dengler (on 1957-04-04)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1957-04-04)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:09
13Paradise
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
live instrumental recording of:
Paradise (on 1958-05-08)
lyricist:
Nacio Herb Brown (US songwriter) and Gordon Clifford
composer:
Nacio Herb Brown (US songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd. and Leo Feist, Inc.
2:49
14Spring, Beautiful Spring
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
2:40
15C’est magnifique
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
live instrumental recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier]) (on 1958-05-06)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
2:24
16I’ll See You in My Dreams
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
live instrumental recording of:
I’ll See You in My Dreams (on 1958-05-08)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
2:34
17It’s Been So Long
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
live instrumental recording of:
It’s Been a Long, Long Time (on 1958-05-07)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
2:19
18That Naughty Waltz
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
recording of:
That Naughty Waltz (on 1958-05-07)
lyricist:
Edwin Stanley (songwriter)
composer:
Sol Levy
2:11
19Cheek to Cheek
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
live instrumental recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-05-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
2:51
20If I Had My Way
recorded in:
New York, New York, United States (on 1958-05-07)
cornet:
Bobby Hackett (on 1958-05-07)
double bass:
John Giuffrida (on 1958-05-07)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-07)
piano:
Pepe Moreale (on 1958-05-07)
live instrumental recording of:
If I Had My Way (on 1958-05-07)
lyricist:
Lou Klein
composer:
James Kendis
2:41
21My Monday Date
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
live instrumental recording of:
My Monday Date (on 1958-05-08)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
2:20
22If You Were There
recorded in:
New York, New York, United States (on 1958-05-08)
cornet:
Bobby Hackett (on 1958-05-08)
double bass:
John Giuffrida (on 1958-05-08)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-08)
piano:
Pepe Moreale (on 1958-05-08)
2:24
23All of You
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
live instrumental recording of:
All of You (Silk Stockings musical) (on 1958-05-06)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
2:18
24Rosalie
recorded in:
New York, New York, United States (on 1958-05-06)
cornet:
Bobby Hackett (on 1958-05-06)
double bass:
John Giuffrida (on 1958-05-06)
drums (drum set):
Benjamin "Buzzy" Drootin (on 1958-05-06)
piano:
Pepe Moreale (on 1958-05-06)
live instrumental recording of:
Rosalie (from “Rosalie”) (on 1958-05-06)
lyricist and composer:
Cole Porter (composer) (in 1937)
2:06
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