Rock Times plus, Volume 5: 1971-1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
The Sweet4.64:04
2Smoke on the Water
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
phonographisches Urheberrecht (℗) von:
Deep Purple (Overseas) Ltd. (in 1973)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 34) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Smoke on the Water (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.155:43
3All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:18
4Radar Love
recording engineer:
Pieter Nieboer
leitende(r) Produzent(in):
Fred Haayen
Produzent(in):
Golden Earring
Mix:
Damon Lyon-Shaw
Akustikgitarre und E-Gitarre:
George Kooymans
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Slide-Gitarre:
Eelco Gelling
vocals:
Barry Hay und George Kooymans
arranger:
Golden Earring
phonographisches Urheberrecht (℗) von:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) und Geffen Records (in 1974)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.36:27
5Long Cool Woman (In a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.23:19
6Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:17
7This Flight Tonight
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Nazareth (Dunfermline) Ltd. (bis 1973) und Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
Texter und Komponist(in):
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. und Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.753:25
8Nutbush City Limits
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner2:59
9Lady in Black
recording engineer:
Peter Gallen (von 1969 bis 1970-11)
assistierende(r) Techniker(in):
Les Cunningham (studio engineer) und Ashley Howe
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
Bassgitarre:
Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
E-Bass:
Paul Newton (UK bassist for Uriah Heep) (von 1969 bis 1970)
E-Gitarre:
Mick Box (von 1970-10 bis 1970-11)
Gitarre:
Mick Box (von 1969 bis 1970)
Orgel:
Ken Hensley (von 1969 bis 1970, von 1970-10 bis 1970-11)
Schlagzeug:
Keith Baker (drummer) (von 1969 bis 1970, von 1970-10 bis 1970-11)
Hintergrundgesang:
Mick Box (von 1970-10 bis 1970-11), Ken Hensley (von 1970-10 bis 1970-11) und Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
Sologesang:
David Byron (von 1970-10 bis 1970-11)
vocals:
David Byron (von 1969 bis 1970)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) und Castle Communications PLC (not for label use, copyright holder) (in 1996)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1969 bis 1970, von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1969 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled "Sydney")
Uriah Heep4.354:49
10Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.552:50
11Street Life
Techniker(in):
John Punter
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-09)
recording of:
Street Life (in 1973-09)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher)
Roxy Music43:31
12Bad Bad Leroy Brown
vocals:
Jim Croce (am 1972-06-02)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1972-06-02)
recording of:
Bad, Bad Leroy Brown (am 1972-06-02)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:02
13Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:16
14She's a Lady
phonographisches Urheberrecht (℗) von:
Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
recording of:
She’s a Lady
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones3.92:55
15Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
16Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:17
17Whiskey in the Jar
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972)
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Thin Lizzy (Irish hard rock band)
publisher:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Version von:
Whiskey in the Jar (traditional)
Thin Lizzy55:45
18Roll Over Beethoven
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass:
Michael d’Albuquerque (am 1972-09-08)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (am 1972-09-08) und Colin Walker (English Cellist that was a member of ELO) (am 1972-09-08)
Geige / Violine:
Wilfred Gibson (UK violinist) (am 1972-09-08)
Gitarre, Harmonium und Moog:
Jeff Lynne (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Klavier:
Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1972-09-08)
Hintergrundgesang:
Michael d’Albuquerque (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Sologesang:
Jeff Lynne (am 1972-09-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-09-08)
cover recording of:
Roll Over Beethoven (am 1972-09-08)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Electric Light Orchestra4.354:36
19Rudi Ratlos
Produzent(in):
Thomas Kukuck und Udo Lindenberg
vocals:
Udo Lindenberg (von 1974-06-07 bis 1974-07-29)
phonographisches Urheberrecht (℗) von:
Warner Music Group Germany Holding GmbH (not for release label use! DE subsidiary of WMG) (in 2021)
aufgenommen bei und mixed at:
Teldec-Studio (Hamburg) in Hamburg, Deutschland (von 1974-06-07 bis 1974-07-29)
recording of:
Rudi Ratlos (english version) (von 1974-06-07 bis 1974-07-29)
Texter und Komponist(in):
Udo Lindenberg
Übersetzer:
Michael Chapman (British guitarist and singer-songwriter)
publisher:
Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
übersetzte Version von:
Rudi Ratlos
Udo Lindenberg & Das Panikorchester3:11

Nennungen

Veröffentlichungsgruppe

Teil von:Rock Times Plus (Nummer: 5) (Reihenfolge: 5)