Easter Cantatas

~ Release by Johann Sebastian Bach; Bach-Ensemble, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▶CD: BWV 182, 249
2▶CD: BWV 31, 6, 42
3▶CD: BWV 108, 128, 43
4▼CD: BWV 171, 34, 184, 175
#TitleArtistRatingLength
1Kantate BWV 172, "Erschallet, ihr Lieder": I. Coro
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:11
2Kantate BWV 172, "Erschallet, ihr Lieder": II. Recitativo
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach0:55
3Kantate BWV 172, "Erschallet, ihr Lieder": III. Aria
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:58
4Kantate BWV 172, "Erschallet, ihr Lieder": IV. Aria
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:31
5Kantate BWV 172, "Erschallet, ihr Lieder": V. Aria (Duetto) con Choral
alto vocals:
Doris Soffel (mezzo soprano)
soprano vocals:
Eva Csapó (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:35
6Kantate BWV 172, "Erschallet, ihr Lieder": VI. Choral
choir vocals:
Frankfurter Kantorei
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:42
7Kantate BWV 34, "O ewiges Feuer, o Ursprung der Liebe": I. Coro
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach8:40
8Kantate BWV 34, "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:52
9Kantate BWV 34, "O ewiges Feuer, o Ursprung der Liebe": III. Aria
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach5:54
10Kantate BWV 34, "O ewiges Feuer, o Ursprung der Liebe": VI. Recitativo
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:37
11Kantate BWV 34, "O ewiges Feuer, o Ursprung der Liebe": V. Coro
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach3:00
12Kantate BWV 184, "Erwünschtes Freudenlicht": I. Recitativo
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:20
13Kantate BWV 184, "Erwünschtes Freudenlicht": II. Aria (Duetto)
alto vocals:
Gabriele Schnaut (soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach8:56
14Kantate BWV 184, "Erwünschtes Freudenlicht": III. Recitativo
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:22
15Kantate BWV 184, "Erwünschtes Freudenlicht": IV. Aria
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach4:43
16Kantate BWV 184, "Erwünschtes Freudenlicht": V. Choral
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:10
17Kantate BWV 184, "Erwünschtes Freudenlicht": VI. Coro
bass vocals:
Niklaus Tuller (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 1976-09 until 1977-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:26
18Kantate BWV 175, "Er rufet seinen Schafen mit Namen": I. Recitativo
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach0:26
19Kantate BWV 175, "Er rufet seinen Schafen mit Namen": II. Aria
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach4:05
20Kantate BWV 175, "Er rufet seinen Schafen mit Namen": III. Recitativo
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach0:33
21Kantate BWV 175, "Er rufet seinen Schafen mit Namen": IV. Aria
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach3:21
22Kantate BWV 175, "Er rufet seinen Schafen mit Namen": V. Recitativo
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach1:16
23Kantate BWV 175, "Er rufet seinen Schafen mit Namen": VI. Aria
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach3:55
24Kantate BWV 175, "Er rufet seinen Schafen mit Namen": VII. Choral
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" (from 1981-05 until 1981-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann von Rist (in 1651)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach1:58

Credits

Release

ASIN:DE: B00005V10Q [info]