More Music to Watch Girls By

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Sway
recording of:
Sway
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Rosemary Clooney & Pérez Prado2:23
2Theme From Come September
recording of:
Theme from “Come September”
composer:
Bobby Darin
Bobby Darin2:38
3The More I See You
cover recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:41
4The “In” Crowd
recording of:
The “In” Crowd
orchestrator:
Gene Page
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
Dobie Gray2:51
5Comin’ Home Baby
recording of:
Comin’ Home Baby (later version with lyrics)
lyricist:
Bob Dorough
composer:
Ben Tucker
revision of:
Comin’ Home Baby (original instrumental)
Mel Tormé2:44
6Casino Royale
instrumental recording of:
Casino Royale (title song of the 1967 James Bond film, more notable for its instrumental rendition)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp. and Colgems-EMI Music Inc.
The Jet Set2:37
7Our Day Will Come
producer:
Allen Stanton
conductor:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
arranger:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
cover recording of:
Our Day Will Come
lyricist:
Bob Hilliard
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Doris Day2:42
8If You Go Away
recording engineer:
Peter Olliff
producer:
John Franz
vocals:
Scott Walker (singer‐songwriter, musician and producer) (in 1969)
conductor:
Wally Stott (in 1969)
arranger:
Wally Stott
recording of:
If You Go Away (in 1969)
lyricist and composer:
Jacques Brel
translator:
Rod McKuen
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Intersong Paris S.A.
translated version of:
Ne me quitte pas (original French version)
Scott Walker4:57
9Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:19
10I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett32:51
11What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.252:30
12Catch a Falling Star
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra (in 1957)
performer:
The Ray Charles Singers and Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
recording of:
Catch a Falling Star (in 1957)
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
Perry Como42:28
13Windmills of Your Mind
recording of:
The Windmills of Your Mind
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., SBK United Partnership Ltd. and United Partnership Ltd.
part of:
The 41st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1968 winner)
part of:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Noel Harrison2:21
14What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:19
15Guaglione
phonographic copyright (℗) by:
Radio Corporation of America (renamed RCA Corporation sometime in the late 1960s–70s)
recording of:
Guaglione
lyricist:
Nicola Salerno (Italian lyricist Nicola Salerno) (in 1956)
composer:
Giuseppe Fanciulli (in 1956)
additional translator:
Steve Crosby (record producer, songwriter, music manager)
publisher:
Accordo Edizioni Musicali Srl
instrumental cover recording of:
Guaglione
lyricist:
Nicola Salerno (Italian lyricist Nicola Salerno) (in 1956)
composer:
Giuseppe Fanciulli (in 1956)
additional translator:
Steve Crosby (record producer, songwriter, music manager)
publisher:
Accordo Edizioni Musicali Srl
Pérez Prado2:25
1659th Street Bridge Song
recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:32
17Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:56
18Stoned Soul Picnic
sound engineer and engineer:
Bones Howe
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo and Ron Townson
cover recording of:
Stoned Soul Picnic
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension3:28
19From Russia With Love
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
John Barry2:38
20MacArthur Park
recording of:
MacArthur Park (in 1968)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Canopy Music, Global Musikverlage (Global Musik GmbH & Co. KG), Universal Music (plain logo: “Universal Music”) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Richard Harris4.57:24